PolArt

Polish Folk songs and dances form a distinctive unit within the wider field of international folklore and have evolved from ancient observations and traditions.[1] The variety of Polish folkloric dances are a result of the characteristics of each region in Poland, such as environment and socio-economic status.[1] Although they all have similar rhythms, they are unique throughout the different clothing and choreography due to the characteristics of each region. During PolArt, concerts are held, usually at notable venues, to showcase these folk dances from the different regions. Various folkloric dance groups from around Australia and New Zealand perform at these festivals with their repertoires. There are also folkloric workshops that the public can attend that can range from making a flower wreath (a ‘wianek’, typically worn as a headdress in folkloric dances) to learning the basics of folk dances.

Polish literature has a long and rich history not limited to the Polish language, spanning the full range of works across poetry, plays, dramas, letters, essays, historical accounts and more. These at times played a significant role in maintaining Polish identity and culture, such as the works of Adam Mickiewicz during the Partitions of Poland, and continue to feature prominently in the lives of people of Polish heritage. PolArt extends this to literature from local authors influenced by Polish culture, and shares this appreciation with all interested Australians and New Zealanders through book clubs, seminars, author panels and meet & greet functions.

Art in Polish culture has evolved from pagan roots and incorporated a multiplicity of cultural influences by virtue of Poland being a trading crossroads for centuries that welcomed and integrated people of diverse cultures to its society. In contemporary art, Polish artists have played integral roles in the development of art forms such as murals by Nespoon and neons throughout the Cold War era that are preserved at a dedicated museum in Warsaw. Artworks are showcased throughout PolArt, whether at exhibitions in galleries or in public spaces. These artworks are created by Australian and New Zealand artists influenced by Polish culture and/or heritage. The exhibitions typically run throughout the duration of the festival but on occasion extend beyond the core festival dates to provide more viewing opportunities for festival visitors.

Dramatic theatre is the staple of Polish theatre, however, other historic forms were notable at times, for example visual theatre that played a role in evading state censorship. Polish actors became renowned across continents, such as Helena Modjeska in both London and the United States. Polish-Australians continue this tradition and PolArt puts on plays and theatre shows throughout each festival. These plays include original pieces and historic items, some in Polish and others in English.

Polish music has been an art form whose exemplars are world famous, including classical composer Frédéric Chopin, and that have influenced other European cultures such as the Polonaise that was adopted in the court of France. Music in Polish culture is inextricably linked with the national identity. Sir Pawel Edmund Strzelecki, a famed explorer in Australia, felt so connected to his culture through music that he composed Polonaises of his own, that over a century later was discovered and have had dances choreographed to their music. Music at PolArt is presented live in concert and in intimate performances, both traditional and contemporary, by musicians and vocalists from across Australia and New Zealand.

Wellington will be hosting the next festival in 2025, set to be the first time the festival is hosted in New Zealand.