Pole sports

Pole sports, or poling, merges dance and acrobatics using a vertical metal pole. Athletes climb up, spin from, hang off, flip onto, jump off, and invert on poles. Poling requires agility, strength, balance, endurance, and flexibility. A 2017 study of 52 female pole dancers indicated that pole-dance fitness improves strength and posture.[1] Poling can serve as a form of cardiorespiratory exercise, and improve muscle strength and flexibility.[2][3] Pole-sports athletes include men and women of a variety of ages and physical abilities, including para-athletes, who perform alone or with others (for example, in doubles competitions).

Poling developed into a fitness activity and sport during the 1990s and 2000s, with national and international pole competitions. Poling has become a dance, fitness activity and sport, and continues to evolve.[4] The International Pole Sports Federation (IPSF), formed in 2009 by Tim Trautman and Katie Coates, is endeavoring to make poling an Olympic sport.[5] The federation has held world championships since 2012, and poling was one of seven sports granted observer status by the Global Association of International Sports Federations (GAISF) in 2017.[6] Professional pole-sports leagues have been formed, notably Oksana Grishina's O.G. Pole Fitness (which holds its annual championship at Mr. Olympia)[7] and the Pole Championship Series (which holds its annual championship at the Arnold Sports Festival).[8]

Poling involves technique as well as artistry.[9] In a pole competition, each athlete performs a routine to music. Athletes are judged on their ability to perform complex movements (e.g. spins and strength and flexibility poses), choreography, style, and expressiveness. Poles in IPSF pole-sports competitions are brass, 45 mm (1.77 in) in diameter, with 4m (13.12 feet) of usable height. In competition, athletes use a static (non-spinning) pole and a spinning pole. Their skin helps performers grip the slippery poles, and athletes wear clothing which exposes the skin on their shoulders, waist, arms and legs.[10] The IPSF requires competitors to cover their pelvis, gluteal muscles and (for women) breasts. When using Chinese poles (which differ from IPSF poles), thicker clothing protects the body.

Background

Poles have been used in mallakhamba and circuses. Mallakhamba traces its origins to the 12th-century malla-yuddha, a type of wrestling in India.[11] It commonly uses a 2.25-metre (7 ft 5 in) wooden pole and a cotton rope. The practice has a spiritual component, involves acrobatic and yogic movements, and was first developed as a tool for wrestlers.[11][12] Mallakhamba has developed into a contemporary sport:

When mallakhamb re-emerged in the nationalist period before Indian independence, it was practiced separate to wrestling. At this point, paradoxically, the actual form of mallakhamb in its new incarnation became influenced by English competitive sports and took on the structural framework of colonial British gymnastics. It was at this point that mallakhamb became an organized sport and was most often practiced in Western-style gymnasiums and urban sport grounds.[11]

Mallakhamba has been demonstrated to improve mood.[12] According to Qifeng and Xining, acrobatic Chinese pole-climbing was first mentioned 2,000 years ago.[13] Its techniques arose from tree-climbing in agriculture. Chinese poling is an acrobatic activity which has been part of Cirque du Soleil and is taught for recreational purposes in aerial gyms, such as Aerial Athletica in Las Vegas.[14][15] Although online articles and websites draw historical connections between the ancient activities and contemporary pole dance and pole sports, how much and in what ways mallakhamba and Chinese poling may have affected their development is unclear. Online conversations suggest contemporary connections, such as the adoption of moves from Chinese poling by pole athletes.[16] Researchers suggest other influences on contemporary pole sports. This includes maypole dancing.[17]

Poling is commonly associated with striptease, and poling for fitness and sport grew out of exotic-dance clubs.[17][10] Not all exotic-dance clubs have poles, however, and not all exotic dancers make a pole central to their performance.[18] Fitness model, performer and former exotic dancer Fawnia Mondey-Dietrich is often credited with developing the first instructional pole dance videos and classes during the 1990s.[19][20] Classes in exotic pole, pole fitness and pole dance have been offered in exotic-dance clubs, bars, gyms and specialized pole studios.[21][22] Pole studios (studios focused on teaching pole) have also sprung up in Africa, Asia, Australia and Europe. They offer classes with erotic components and classes focused on fitness and athletics;[21][4] for instance, Power Pole Sports offers training in competitive pole sports and judging.[23]

Students in pole classes learn how to perform spins, supporting their body weight with their hands. They learn how to climb the pole, invert (flip upside down), and perform complicated maneuvers or tricks.[4] Pole classes are physically challenging, and poling requires a high level of understanding how the body's points of contact work with the pole. As pole athletes develop skill, they can use fewer body points of contact with the pole and make more aerial moves without being on the ground (including deadlifting their bodies from a stationary aerial position parallel to the pole into an inverted – upside-down – position).[9] In addition to strength and flexibility, pole sports can be painful.[21] Researchers have begun to study the physiological effects of poling and potential risks for injury.[3]

Poling has not developed into a fitness activity and sport without tension.[24] Some feminists say that poling is part of the larger sexualization of culture and is objectifying.[25] Pole classes have provided opportunities for students to bond with and support each other, however, and encourages athleticism.[21][17][26] Poling has sex-positive aspects, may challenge gender and sexual stereotypes, and studies have indicated that polers can feel empowered.[21][10][27][28][29]

Disagreements have existed between exotic dancers and fitness-sport polers, who are trying to demonstrate that a pole can be more than erotic and belongs in other settings than strip clubs.[17][10][30] Terminology can be controversial, and those trying to distance pole dancing from its erotic connotations refer to "pole fitness".[21][10][31] Dancers have argued that distancing can be divisive, be stigmatizing, serve as a source of cultural appropriation, and ignore contributions made by erotic dancers to poling. A Twitter debate occurred, with polers using the hashtag #notastripper to distance poling from exotic dance; erotic dancers and supporters used the hashtags #yesastripper and #eroticnotexotic.[32][33] AM Davies created "Yes, A Stripper" podcast.[34] According to some polers, the pole community needs to come together and support all forms of poling.[35]

Poling is practiced in classes, in professional and international competitions, strip clubs, and onstage in non-strip clubs;[10] Felix Cane and others have performed in Cirque du Soleil.[36] The IPSF hosts world competitions in pole sports and ultra, artistic and para pole.[9]

Sport

Scholars of sport and leisure note a process in which physical activities develop into sports.[37] According to Allen Guttman, modern sports are characterized by secularism, equality of opportunity, specialization of roles, rationalization, bureaucratic organization, quantification and the quest for records.[37]

Pole dance has become pole sports; the International Pole Sports Federation was founded in 2008,[5] with national federations, competitive teams, formalized rules and a code of points. "Pole sports: This flagship discipline includes artistic elements but is based more heavily on athleticism and technical merit, and judged by an original Code of Points in line with other Olympic standard sports such as diving, ice skating and gymnastics."[9]

Extreme sport

Poling tricks have multiplied as the pole community has developed and shared new techniques. Some athletes perform acrobatic tricks, jumps and other maneuvers, making poling an extreme sport. The IPSF supports ultra pole competitions: "The exhilarating Ultra Pole, was designed to encourage innovation, embolden creativity, elevate freedom of expression, and escalate ultimate athleticism to attract the most radical and innovative athletes yet. Judged by the Freestyle Rules, Ultra Pole is an ultimate trick battle enabling the athlete to trick out against other competitors in battle style rounds."[9]

Commercial aspects

Companies have formed to support pole sports, manufacturing competition poles and poles for home and practice.[38][39][40][41][42] Performers use a variety of grip aids to minimize sweat or aid stickiness.[43] Other companies provide clothing to polers.

References

  1. Nawrocka Agnieszka, Mynarski Arkadiusz, Powerska Aneta, Rozpara Michał, Garbaciak Wiesław (2017). "Effects of exercise training experience on hand grip strength, body composition and postural stability in fitness pole dancers". The Journal of Sports Medicine and Physical Fitness. 57 (9): 1098–1103. doi:10.23736/S0022-4707.16.06510-5. PMID 27385549.{{cite journal}}: CS1 maint: multiple names: authors list (link)
  2. Nicholas, Joanna C.; McDonald, Kirsty A.; Peeling, Peter; Jackson, Ben; Dimmock, James A.; Alderson, Jacqueline A.; Donnelly, Cyril J. (2019). "Pole Dancing for Fitness". Journal of Strength and Conditioning Research. 33 (10): 2704–2710. doi:10.1519/JSC.0000000000002889. ISSN 1064-8011. PMID 30507730. S2CID 54511109.
  3. Naczk, M; Kowalewska, A; Naczk, A (2020). "The risk of injuries and physiological benefits of pole dancing". The Journal of Sports Medicine and Physical Fitness. 60 (6): 883–888. doi:10.23736/S0022-4707.20.10379-7. PMID 32162500. S2CID 212678004.
  4. Fennell, Dana (2018). "Pole studios as spaces between the adult entertainment, art, fitness and sporting fields". Sport in Society. 21 (12): 1957–1973. doi:10.1080/17430437.2018.1445995. S2CID 148619542.
  5. "History of Pole Sports and the IPSF". www.polesports.org. Retrieved 2017-12-20.
  6. "Observers". gaisf.org. Retrieved 2017-12-20.
  7. "Olympia Hosts First Pole Competition | Pole Press". polepress.org. Archived from the original on 2019-02-25.
  8. "5 Years of Pole at the Arnold: Interview with Lindsey Kimura". 4 February 2019.
  9. "World Pole Sports Championships". www.polesports.org. Archived from the original on 2018-02-03. Retrieved 2017-12-20.
  10. Dale, Joshua Paul (2013). "The Future of Pole Dance". The Australasian Journal of Popular Culture. 2 (3): 381–396. doi:10.1386/ajpc.2.3.381_1.
  11. Burtt, Jon. "Mallakhamb: An Investigation into the Indian Physical Practice of Rope and Pole Mallakhamb". The International Journal of the Arts in Society. 5.
  12. Tatke Neeta, Purandare Mrinalini (2014). "Enhancement of Optimism as a Result of Participation in Competitive Sport - Mallakhamb". Journal of Psychosocial Research. 9: 71–80.
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  14. "Cirque du Soleil Presskit" (PDF). Archived from the original (PDF) on 2012-04-03.
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  18. Roach, Catherine M. (2007). Stripping, Sex, and Popular Culture. Berg.
  19. "Interview with Fawnia Dietrich | Vertical Wise". Vertical Wise. 2015-08-26. Retrieved 2017-12-20.
  20. "Home". Pole Fitness Studio. Retrieved 2017-12-20.
  21. Holland, Samantha (2010). Pole Dancing, Empowerment, and Embodiment. Palgrave Macmillan.
  22. Holland, Samantha; Attwood, Feona (2009). "Keeping it Fit in Six Inch Heels: The Mainstreaming of Pole Dancing". In Attwood (ed.). Mainstreaming Sex. I.B. Tauris.
  23. "Welcome to Power Pole® Ft. Lauderdale | Power Pole® Sports". Welcome to Power Pole® Ft. Lauderdale | Power Pole® Sports. Retrieved 2017-12-28.
  24. Kim, Yunjung; Kwon, Sun-Yong (July 2019). ""I'm a Poler, and Proud of It": South Korean Women's Managed Experiences in a Stigmatized Serious Leisure Activity". Social Sciences. 8 (7): 199. doi:10.3390/socsci8070199.
  25. "Empowering Or Sexist: Should Pole Dancing Be Classed As A Sport?". HuffPost UK. 2017-10-17. Retrieved 2017-12-20.
  26. "Milan Pole Dance Miami Base". Milan Pole Dance Studio. Retrieved 2017-12-20.
  27. Whitehead, Kally; Kurz, Tim (2009). "'Empowerment' and the Pole: A Discursive Investigation of the Reinvention of Pole Dancing as a Recreational Activity". Feminism & Psychology. 19 (2): 224–244. doi:10.1177/0959353509102218. hdl:10871/11306. S2CID 144679486.
  28. Fennell, Dana (2020-12-14). "Pole Sports: Considering Stigma". Sport, Ethics and Philosophy. 16: 96–110. doi:10.1080/17511321.2020.1856914. ISSN 1751-1321. S2CID 230587251.
  29. Kim, Yunjung; Kwon, Sun Yong (2020-11-02). ""Before I am biologically a male, I am me": Exploring gender identity of South Korean male exotic polers". International Review for the Sociology of Sport. 56 (7): 1035–1050. doi:10.1177/1012690220968767. ISSN 1012-6902. S2CID 228833083.
  30. "Which came first – The propaganda, or the misogyny?!". The Political Pole Dancer. 2018-01-27. Archived from the original on 2018-12-31. Retrieved 2018-12-30.
  31. Melanie (2018-02-06). "Exotic vs. Erotic: What's Correct in the Pole Dance Community?". Pole Positive.
  32. "Pole Dancers Using the #NotAStripper Hashtag Get Well-Deserved Pushback From Strippers". www.themarysue.com. January 2016. Retrieved 2017-12-20.
  33. "Video: Elle Stanger Interviewed for Evolution of Pole Dancing".
  34. "Yes, a Stripper Podcast". The Queen of Sexy. Retrieved 2021-02-17.
  35. ""So, Like, Are You A Stripper?": A Pole Dancers Guide To A Very Common Question – :: Welcome to the International Pole Convention". www.poleconvention.com. 2014-11-18. Retrieved 2017-12-20.
  36. "An Interview with Pole Superstar Felix Cane". Bad Kitty Blog | Pole Dancing Fitness Lifestyle News. 2017-07-11. Retrieved 2017-12-20.
  37. Guttman, Allen (1978). From Ritual to Record. Columbia University Press.
  38. "X-Pole Dancing Poles - Shop Portable Dancing Poles | X-Pole". Xpole US. Retrieved 2017-12-20.
  39. "Lupit Pole".
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  41. "Sun Pole".
  42. "X-POLE AUSTRALIA". www.dance4me.com.au. Retrieved 2021-02-17.
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