Polly Morgan (cinematographer)

Before Polly Morgan became a cinematographer, she spent around ten years working in film and television, including six years as an assistant.[11] She first started in film working on sets as a production assistant for a Canadian director in Toronto. She then moved to London with her PA experience.[6] In 2002, she was hired as an in-house production assistant at RSA Films (founded by Ridley Scott and Tony Scott), based in London.[9] As a PA on a music video, she met cinematographer Haris Zambarloukos,[11] who hired her as a camera trainee.[6] In the following six years, she worked on commercials for Zamarloukos as a loader and as an assistant camera.[11] Cinematographers she worked with included Wally Pfister, Seamus McGarvey, Dan Mindel,[1] Caleb Deschanel, and Alwin Kuchler. She had met Kuchler when she was an assistant camera. She then worked for him in Canada and the United Kingdom as an assistant, eventually working for him as a camera operator and a second-unit director of photography.[11]

In 2006, Morgan attended lighting and camera workshops in the US state of Maine,[9] where she met cinematographer and ASC member Michael Goi, who became her mentor for numerous years.[12][6] Zambarloukos encouraged Morgan to attend the American Film Institute's AFI Conservatory,[11] and Goi wrote a reference for her.[12] In 2008, she received a Fulbright Fellowship that enabled her to move to Los Angeles and attend the conservatory.[9] While she was at the AFI Conservatory, she assisted Pfister on numerous commercials;[11] she also interned for him as production assistant when he worked on the 2010 film Inception.[10][13] She graduated from the AFI Conservatory in 2010 with a Master of Fine Arts degree in cinematography.[10][6][14] In 2012, she was given the Rising Stars of Cinematography award by the ASC.[15]

Morgan's first feature film credit as cinematographer was Venom (2011), followed by The Evil Inside (2011), Rock Jocks (2012), and Junkie (2012).[16] She was also cinematographer for two independent feature films released in 2013: The Pretty One and The Truth About Emanuel.[11] The latter film premiered at the Sundance Film Festival in 2013, and in subsequent film festivals, Morgan was recognized for her cinematography,[17] including the Best Cinematography award at the 2013 Brooklyn Film Festival.[18] Afterward, several films she worked on premiered at Sundance, South by Southwest, and Tribeca Film Festival. She also worked on several TV productions in the United Kingdom and the United States.[17] One of her TV contributions was a result of Goi hiring her to shoot additional photography for almost a dozen episodes of the TV series American Horror Story.[6] Morgan has also worked on music videos and TV commercials.[19]

In the late 2010s, Morgan was cinematographer for several works outside of the United Kingdom. She lensed several episodes of the TV series Legion (2017–2019) and the films The Intervention (2016), Slumber (2017), and Spinning Man (2018). The British Film Institute said for Slumber, Morgan "created nightmarish visuals", and for The Intervention, she provided an "intimate, intense look". The BFI said of her cinematography in the latter, "The relaxed aesthetic [gives] way to sharper angles and deeper shadows as the story evolves and motivations are revealed."[4]

In 2018, Morgan became a member of the ASC,[19] having been recommended by Goi, Dean Cundey, and Robert Primes.[6] In 2019, she was nominated for an ASC award for Episode of a Series for Commercial Television for her cinematography of the Legion episode "Chapter 23". The Hollywood Reporter wrote that Morgan was "a rare female nominee".[20]

Morgan's cinematography work on Legion led its showrunner Noah Hawley to hire her as cinematographer for his 2019 film Lucy in the Sky,[19] which, as a Fox Searchlight Pictures production, was her first credit for a studio feature film.[21] Following that, she was hired as cinematographer for the 2020 film A Quiet Place Part II by Paramount Pictures.[19]

During the COVID-19 pandemic, in mid-2020, Morgan read the book Where the Crawdads Sing and related to it with her own remote upbringing. In the following October, when she learned a film adaptation was in development, she petitioned director Olivia Newman and made a pitch deck to present. She was hired as cinematographer for the film, Where the Crawdads Sing, which Sony Pictures Releasing released in 2022.[22] Morgan was also cinematographer for The Woman King, which was also under Sony Pictures Releasing. She is also cinematographer for the upcoming films Marmalade and Back to Black.[23][24]