Portal:Novels

The Novels Portal

Title page of the 1628 edition of Bacon's New Atlantis
Title page of the 1628 edition of Bacon's New Atlantis

A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story (of something new)", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel.

Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird. Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love.

Murasaki Shikibu's Tale of Genji, an early 11th-century Japanese text, has sometimes been described as the world's first novel, because of its early use of the experience of intimacy in a narrative form. There is considerable debate over this, however, as there were certainly long fictional prose works that preceded it. The spread of printed books in China led to the appearance of classical Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616-1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century. (Full article...)

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Hunt in action in 2004
La Peau de chagrin is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine. Although the novel uses fantastic elements, its main focus is a realistic portrayal of the excesses of bourgeois materialism. The book's central theme is the conflict between desire and longevity. The magic skin represents the owner's life force, which is depleted through every expression of will, especially when it is employed for the acquisition of power. Ignoring a caution from the shopkeeper who offers the skin to him, the protagonist greedily surrounds himself with wealth, only to find himself miserable and decrepit at the story's end. La Peau de chagrin firmly established Balzac as a writer of significance in France and abroad. His social circle widened significantly, and he was sought eagerly by publishers for future projects. It inspired Giselher Klebe's opera Die tödlichen Wünsche and may have influenced Oscar Wilde's novel The Picture of Dorian Gray.

Selected novel quote

  • "You know that song 'If a body catch a body comin' through the rye'? I'd like — "
    "It's 'If a body meet a body coming through the rye'!" old Phoebe said. "It's a poem. By Robert Burns."
    "I know it's a poem by Robert Burns."
    She was right, though. It is "If a body meet a body coming through the rye." I didn't know it then, though.
    "I thought it was 'If a body catch a body,'" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around — nobody big, I mean — except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy."

The Catcher in the Rye

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  • File:Alfons Mucha - 1896 - La Dame aux Camélias - Sarah Bernhardt.jpg
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