Welcome to the Dollhouse (album)

For this album, all of the girls had written and/or produced some kind of song, that they thought was suitable for their second effort. As mentioned in interviews, Danity Kane has stated that they came up with the name of the album when they all had brought in their own material into the studio to see which tracks would make the cut. They also expressed, that it felt as if they were in a music box, hence getting the name, Welcome to the Dollhouse. Each of the girls, also, were given chances to co-write a handful of the tracks that are on the record.

The album's lead single, "Damaged," was chosen through an online fan poll.[1] In January 2008, Danity Kane had posted a bulletin on their respective MySpace page, expressing that they were giving their fans the chance to choose their newest single. Fans were given two choices, "Damaged" and "Pretty Boy". Of the two choices, "Damaged" dominated the poll by a vast majority, and thus, became the lead single from Welcome to the Dollhouse. The song debuted on the US Billboard Hot 100 at number 64, and eventually peaked at number 10, becoming their second and final top ten in the United States. Elsewhere, it reached top thirty of the Canadian Hot 100, peaking at number 26, and the top twenty of Billboard's Global Dance Songs, becoming Danity Kane's highest-charting international single.[3]

Erik White directed and Gil Duldulao choreographed the music video for "Bad Girl."[4] The video featured cameos from Missy Elliott, Qwanell Mosley from their fellow Bad Boy Records band Day26, and Talan Torriero of the MTV show Laguna Beach. The concept of the video is a graphic novel and stays true to the line in the song "When the red light comes on, I transform" as each member transforms into an alter ego of theirs after a flash of red light. "Bad Girl" marked Danity Kane's last single as a group before their early 2009 breakup, and the band's last single to be released with now-former members D. Woods and Aundrea Fimbres. It peaked at number 85 on the US Billboard Pop 100.[3]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	59/100[5]
Review scores
Source	Rating
AllMusic	[6]
Entertainment Weekly	C[7]
Slant Magazine	[8]
USA Today	[9]

Welcome to the Dollhouse received mixed or average reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 59 based on 8 reviews.[5] The Village Voice editor Clover Hope wrote that "these gals are older, more cohesive, and more enchanting than before". She found that while the "made-for-Idol ballads "Poetry" and "Is Anybody Listening" impress, Danity's better at cock-teasing over mid-tempo-to-jumpy rhythms. Curiously strong, theirs is more Altoids than bubble-gum pop."[10] Sal Cinquemani from Slant Magazine called the album "a solid collection of appropriately vacant party jams, slinky come-ons, and modern, urban balladry."[8] In another positive review, Vibe remarked that "while DK's quest for pop domination falls short, the club-friendly Dollhouse cements their posh appeal."[5] Billboard's Mariel Concepcion remarked that "unlikely the quintet's self-titled debut, which took a slightly more hip-hop soul approach, Welcome to the Dollhouse features more mid- and uptempo pop tracks."[11]

Entertainment Weekly journalist Simon Vozick-Levinson felt that with Welcome to the Dollhouse "the group continues to show us precious little in the way of actual personality or soul. On one song after another, they sing about sex with all the feeling of fresh-from-the-factory mannequins."[7] AllMusic editor Stephen Thomas Erlewine called the album "a paler, plainer recycling of their debut. All five of the DK girls are blandly, conventionally pretty in their voices (not to mention their looks), and no amount of melisma can lend them personality [...] Maybe hearing the end results would be interesting if you've witnessed the labors on Making the Band, but anybody else will wonder why it takes so much work to sound so bland... and why we are bothering thinking about them anyway."[6] The Boston Globe wrote that "unlike their modestly appealing and tuneful debut, this disc [...] is generic and vapid, seemingly geared more for the strip mall than the strip club."[12]

Welcome to the Dollhouse debuted on top of the US Billboard 200, with first week sales of 236,000 copies, making it the band's second consecutive number-one album.[13] This made Danity Kane the first female group in Billboard history to have both their debut and second albums enter the main charts at the top of the chart.[14] Less than a month after its release, Welcome to the Dollhouse was certified gold by the Recording Industry Association of America (RIAA). By August 2008, the album had sold over 525,000 copies in the US, according to Nielsen SoundScan.[15] Billboard ranked Welcome to the Dollhouse at number 75 on its Billboard 200 year-end listing.[16]

Notes

• ^{^[A]} denotes vocal producer
• ^{^[B]} denotes co-producer
• ^{^[C]} denotes additional vocal producer
• ^{^[D]} denotes additional producer

According to the album's booklet and the BMI Repertoire.[17][18][21]