Psycho IV: The Beginning

A once-again rehabilitated Norman Bates is now married to a psychiatrist named Connie and is expecting a child. Norman secretly fears that the child will inherit his mental illness. One evening, he hears radio talk show host Fran Ambrose discussing the topic of matricide with her guest Dr. Richmond, Norman's former psychologist. Norman calls into the radio show, using the alias "Ed", to tell his story.

Norman's narrative is seen as a series of flashbacks set in the 1940s and 1950s, some slightly out of order. When Norman is six years old, his father dies, leaving him in the care of his mother, Norma. Over the years, Norma (who is implied to suffer from schizophrenia and borderline personality disorder) dominates her son, brutally beating him for even the smallest infraction, throwing him out in the rain when naked, teaching him that sex is sinful, dressing him up as a girl, and smearing lipstick on his face as punishment for getting an erection during incestuous foreplay (that Norma herself initiated). She forces him to urinate like a female by instructing him to squat over a pitcher. She also takes her frustration out on Norman when business at the motel fails due to the new interstate routing potential customers away from their location.

The two live in contented isolation until, in 1949, she becomes engaged to a brutish man named Chet Rudolph who openly bullies Norman. Driven over the edge with jealousy and sick of Chet's constant abuse, Norman kills both of them by serving them poisoned iced tea. He disposes of Chet's body before stealing and preserving his mother's corpse. He develops a split personality in which he "becomes" his mother to suppress the guilt of murdering her; whenever this personality takes over, it drives him to dress in his mother's clothes, put on a wig, and talk to himself in her voice. As "Mother", he murders two local women who try to seduce him during their stay at the motel. After these and other killings, Norman awakens, convinced that "Mother" is responsible, and destroys the evidence.

In the present day, Dr. Richmond realizes "Ed" is Norman and tries to convince Ambrose to trace the calls. Richmond's worries are dismissed. Norman fears he will go insane and kill again. He tells Fran that Connie got pregnant against his wishes and that he does not want to create another "monster". He then tells Fran he realizes that his mother is dead, but plans to kill Connie "with my own hands, just like the first time".

Norman takes his wife to his mother's house with the thought of killing her and her unborn baby. Connie reminds Norman that it was his own choice to go insane and do the things he did, reassuring Norman that their child will not be a monster with their guidance. He realizes the truth to having freedom of choice, and he drops his knife. Finally, Norman impulsively sets fire to the house where all his unhappiness began. As he tries to escape the flames, he hallucinates that he sees his victims, his mother and eventually himself preserving her corpse. Norman barely flees the burning house alive.

Examining the ruins of the house the next day, Norman happily declares himself finally free of his mother. As he and Connie leave, the wooden cellar doors of the house close on a rocking chair that continues to rock, at which point "Mother" screams for Norman to release her before the screen cuts to black and the sound of a baby crying is heard.

• Anthony Perkins as Norman Bates
  • Henry Thomas as Young Norman Bates
• Olivia Hussey as Norma Bates
  • Alice Hirson as Norma Bates (voice only)
• CCH Pounder as Fran Ambrose
• Warren Frost as Dr. Leo Richmond
• Donna Mitchell as Connie Bates
• Thomas Schuster as Chet Rudolph
• Sharen Camille as Holly
• Bobbi Evors as Gloria
• Doreen Chalmers as Mrs. Lane
• John Landis as Mike Calvecchio
• Kurt Paul as Raymond Linette

Psycho IV: The Beginning was filmed at Universal Studios Florida in Orlando, Florida from June 4 to July 1, 1990. The facade of the Bates Motel and the Bates mansion were re-created at the theme park. The production was originally to be filmed before the opening of the park but due to delays and the studio's desire to have a high-profile production on the lot, the film was shot while the park was open. This led to tourists being able to watch the filming of several scenes at the motel and house on the back lot. Anthony Perkins wanted Noel Black, who directed him in Pretty Poison, to direct the film,[1] and he even came up with a pitch for the film along with Psycho III's screenwriter, Charles Edward Pogue. Since Psycho III was a critical and financial failure, Universal rejected their idea and Mick Garris was brought in.[2] Joseph Stefano, the screenwriter of the original film, was brought back to write the fourth film. He had disliked the first two Psycho sequels, feeling that they were too commercial and catered to the conventions of slasher films. In an interview, Stefano stated: "Gearing up for Psycho IV, I decided to ignore the two sequels – like the business in II about Norman's mother".[3]

Actress Olivia Hussey was directly offered the role of Mrs. Bates. It was the intention of writer Joseph Stefano to make her at a young age as attractive as Norman had been in the first film.[4] When Henry Thomas was cast as the young Norman Bates, Perkins wanted to meet with him and discuss the role. Thomas commented in the documentary The Psycho Legacy: "Looking back on it now, he knew he had to have this conversation with me but I don't think that he was really into it. He just gave me a few broad strokes and told me to play the character real, that was it".[5] During filming, Perkins was diagnosed with HIV and had to receive treatment during production. Director Mick Garris has stated in numerous interviews that he had some creative control issues with Perkins: "He would get into long, drawn-out discussions in front of the crew, testing his director, making sure choices were not made 'because it looks good' and seeing how deep the understanding of the story and process were. He could be very forceful, just shy of bullying, but also really appreciated helpful direction. I would have to say he was the most difficult and challenging actor I've ever worked with, but he ended up going on and on about how happy he was with the film. That was gratifying".[6]

• Psycho, directed by Alfred Hitchcock
• Psycho II, a 1983 sequel to the first film (unrelated to the novel Psycho II)
• Psycho III, a 1986 sequel to the first film
• Bates Motel, 1987 network television movie and proposed series pilot
• Psycho, a near shot-for-shot remake of the original directed by Gus Van Sant in 1998
• The Psycho Legacy, 2010 documentary about the series
• Bates Motel, 2013 reboot TV series set in the present day and in Oregon instead of California

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