Quebec City Film Festival

• 21 September – 2 October
• 122 films
• 80 special guests
• 10 387 festival visitors

For its first edition, the QCFF opened with film Jean-Marc Vallée’s film Café de Flore, which was attended by the film's team; The Happiness of Others (Le bonheur des autres), the feature debut by Jean-Philippe Pearson, closed the festival.

• 13 – 23 September
• 155 films
• 75 special guests
• 24 421 festival visitors

Based on a true story, L'Affaire Dumont was presented as the opening film of the second edition of the QCFF[5] and attended by director Podz, producer Nicole Robert and actors that appeared in the film. Filmmaker Anaïs Barbeau-Lavalette's Inch'Allah was chosen to close the second festival.

Festival activities were centred around the Dôme (aka the Igloo) in Place d’Youville and became a distinctive feature of the festival. It was open free to the public and hosted several evening parties and VIP events.[6]

• 18 – 29 September
• 161 films
• 88 special guests
• 25 464 festival visitors

For its third edition, Parkland by Peter Landesman, an ensemble film based around the assassination of JFK, was presented to open the festival. The Quebec premiere of Stefan Miljevic’s film Amsterdam was chosen to close the festival.[7]

New for the third year: the creation of the Cinephile Jury, made up entirely of residents of Québec City. The jury awards the most original film among first-time filmmakers. In 2013, the award went to Don Jon, the debut by American actor Joseph Gordon-Levitt.[8]

• 18 – 28 September
• 161 films
• 105 special guests
• 23 191 festival visitors

Mommy by Xavier Dolan was presented as the opening film and attended by the film's team.[9] The North American premiere of Beauty and the Beast was screened at the awards ceremony and attended by the film's writer and director Christophe Gans.[10]

The usual closing ceremony, which had been held on the last Saturday, is from then on replaced by a gala on the second Wednesday, during which the award ceremony takes place.

Shortly before the festival began, containers were remodelled as mini cinema halls named Ciné Pop-up. A roaming project, they are placed in different locations throughout Québec City. The goal of Ciné Pop-up is to relocate screenings to where residents live so that they can view a selection of short films in their neighbourhoods.[11]

• 16 – 27 September
• 217 films
• 208 special guests
• 24 839 festival visitors

Place d'Youville during QCFF's 5th edition.

Paul à Québec by François Bouvier was presented as the opening film: author Michel Rabagliati, producer Karine Vanasse and actors from the film descended on the red carpet of Place d’Youville for the occasion.[12] Philippe Falardeau's film My Internship in Canada was screened at the awards ceremony.[13][14]

The concert film The Phantom of the Opera (a screening of the Rupert Julian classic from 1925 set to music by an orchestra conducted by Gabriel Thibaudeau) was presented at the Palais Montcalm and featured a Casavant organ.[15]

Ciné Pop-up continued to relocate throughout the city[16] as Place d'Youville was transformed into a large open-air cinema, with screenings that included, among others, the Back to the Future trilogy to coincide with the 30th anniversary of the release of the first film.[17]

• 14 – 24 September
• 204 special guests
• 294 films
• over 30 000 festival visitors

For its sixth edition, the festival opened with Boundaries (French title: Pays) by Chloé Robichaud,[18] with some members of the film's crew attending. Along with the director, actors such as Rémy Girard, Yves Jacques, Macha Grenon, and Emily Van Camp, as well as Quebec cinema artists like Julien Poulin, Marie Eykel, Manon Briand and Rock Demers walked up the red carpet of place D’Youville.[19]

The Palais Montcalm also hosted the North-American premiere of 1:54[20] by Yan England, screened as the film of the Award ceremony night. The features It's only the End of the World (French title: Juste la fin du monde) by Xavier Dolan[21] and Kiss me like a Lover (French title: Embrasse-moi comme tu m’aimes) by André Forcier, both premiered at the festival and were favorites among the audience, the latter winning the Public's Choice Award for a Feature Film.

For a third year in a row, the Ciné Pop-up also spread around downtown, both before and during the festival, becoming over the years a classic and must-see event.[22]

• 13 – 23 September
• 253 special guests
• 291 films
• over 45 000 festival visitors

For its 2017 edition, the Festival opened with the world premiere of Cross My Heart, directed by Luc Picard.[23] The filmmaker and members of the casr were in attendance. Barefoot At Dawn by Francis Leclerc screened as the Gala Night Film,[24] and was preceded by the awards ceremony : cast members Roy Dupuis, Justin Leyrolles-Bouchard, Robert Lepage and Marianne Fortier were attending.[25][26]

Two Film Concerts were hosted at Palais Montcalm.[27] The Passion of Joan of Arc, Dreyer's silent masterpiece of 1928, eas interpreted by the pianist and organist Karol Mossakowski. QCFF also screened Oscar-winning BiRDMAN by Alejandro González Iñárritu, with the soundtrack performed live by its composer, drummer Antonio Sánchez.

Various cultural personalities attended the Festival: Louise Lecavalier, Marc Séguin, Zachary Richard, Cédric Klapisch, and others.