Joy of Man's Desiring

Isabella W. Athey of The Saturday Review described Giono's novel as "an expression of his revolt against the effects of industrial materialism, more poetical and radical than any garden-city retreat from urban life. His territory is whole forests, whole plateaux, and this intensity perhaps explains why he is frequently described as a pagan." Athey continued: "The term seems inexact as well as inadequate, for the only pagan world with which the average reader is familiar is that of Greek and Roman cultures, and the classical values, clear even at second and third hand of organic restraint, of rationalistic emphasis on cause and effect, have no bearing upon Giono's code which is, at bottom, a refusal to compromise. This quality constitutes his originality, both as a man of beliefs and as a novelist. It leads also to some of his weaknesses, carelessness in characterization, for instance, and disregard for motivation beyond his personal intuition."[3]