Queen of Swords (TV series)

Almost immediately after signing with an agent, series star Tessie Santiago went to her first professional audition, to an open casting call that Fireworks Entertainment was conducting in a nationwide search for the lead role. Though a blonde with light skin and light eyes, Santiago knew that TV had a long history of relying on clichés and stereotypes and the typical look of a Latina, and she thus dyed her hair black a week before the audition and read for the part. It led to several callbacks, with a final test screening in Los Angeles, California, and she won the lead role of Tessa Alvarado.[4]

The part of Colonel Montoya was written specifically for Valentine Pelka by David Abramowitz, who phoned Pelka in October 1999 to offer him the part, subject to approval by the other show producers.[5]

Abramowitz met Peter Wingfield at a Highlander convention in November 1999 and offered him the parts of Doctor Helm or Captain Grisham. Wingfield chose the doctor as a part with more mileage and more challenging.[6]

Director of photography Alwyn Kumst used Super 16mm film, which has a slightly smaller widescreen aspect ratio to 16:9.[7]

The series was filmed May 3, 2000 to December 12, 2000, in Spain,[8] principally at Texas Hollywood, Almería and the surrounding Tabernas Desert with coastal locations at San José near Almería. The Alcazaba of Almería was used as Madrid and the gardens as Don Hidalgo's hacienda garden.[9] The Western buildings of Texas Hollywood were also used for the series, with the Western jail serving as the Spanish jail, and one of the large Western buildings was converted into a sound stage containing the living quarters of both Senorita Alvarado and Col. Montoya.[10]

The flashback episode "End of Days" had new material of approximately 22 minutes, which were filmed in Spain, and its interior mine scenes were filmed at Pinewood Studios, London.[11][12]

The first episode to be filmed was "Death to the Queen", directed by Jon Cassar, who set the style of the series. The soldiers's uniforms were changed after this episode to resemble a uniform that, more realistically, would have been used in a Spanish backwater community. "Vengeance" was the second episode to be filmed and was directed by Brian Grant. Next Jon Cassar stepped in to direct episode one, "Destiny" which was the third episode to be filmed. "Destiny" was written by James Thorpe using the same sets for the Napoleonic Wars scenes that director Brian Grant was using to film "Vengeance" at the same time. During 2009 personal correspondence with Jon Cassar, this process was clarified as follows: "That is exactly how we shot those shows." He noted that "it takes as long to prep[are] a show as to shoot it. So I directed the first one, [and] while I prepped the third, another director shot the second, then I shot the third. So once I was there I didn't leave until I was done."

• 
  Spanish pueblo at Texas Hollywood
• 
  The courtyard at the Alcazaba of Almería was dressed for the Madrid training sequence.
• 
  The gardens of The Alcazaba of Almería were used as Don Hidalgo's hacienda garden.
• 
  The Playa de Mónsul was used in coastal scenes.

Horse stunt co-ordinator Ricardo Cruz supplied and trained the horses throughout the series which included the Queen's horse, Captain Grisham's white horse, and a highly trained black horse for Colonel Montoya.[13] Cruz, credited as Richard Cruz, had one credited part in the episode "The Witness".

The Queen's horse is called Chico, his real name, mentioned only once in the entire series in the episode "The Pretender". He had two stunt horse doubles, Champion and Escandalo, for different action scenes. His bridle and breastplate were identical to that used by Zorro's horse in the Alain Delon film Zorro (1975) and the U.S. television series Zorro (1990). The film and TV series were filmed in Spain.[14]

The white horse that Grisham rides is named Montero and was the horse ridden by Russell Crowe in Gladiator, a film Ricardo Cruz worked on.[15]

While playing the role of Colonel Montoya, Valentine Pelka rode the horse named Salan. Salan died at the end of filming the series.

Bo Derek, an accomplished rider, chose the horse she would ride in the episode "The Witness" after putting two Palominos through their paces.[16]

Anthony De Longis was the Swordmaster/Stunt Co-ordinator on the first six production episodes (101-107, not 105). He is not credited in episode 104 because the 'film rushes' from the last sword-fight scene were lost on the way to Canada for processing and editing. So the scenes had to be reshot with French swordmaster Albert Goldberg who is credited with the entire episode.[17]

The Queen of Swords was portrayed by newcomer Tessie Santiago, who provided the voice, close-up face of the character, and character interaction. Anthony De Longis trained Tessie Santiago for two months in pre-production in California in the use of the rapier and dagger in the Spanish mysterious circle (Destreza) style,[18] and use of the whip. He purposely created complicated and extended phrases of rapier and dagger choreography and taught them to Tessie Santiago, as he recognized that, in episodic television, time is always restricted. There was a month off between training and cameras rolling in Spain with only a few days of prep before Santiago climbed to the top of a cliff to shoot her first scene in "Death to the Queen". This was a two-on-one fight scene in 40 mph winds and with a little adjustment and fine-tuning to location and situation, Santiago was able to perform all her own swordplay confidently in this opening sequence.[9][19]

Three other women helped portray the Queen of Swords. A double stands in for the "star" actor for long shots. This happened in a few instances in Queen of Swords, such as in the shot of the Queen lying on the beach face down in the episode "Death to the Queen", or the shot in the same episode of the Queen's gloved hands being loosened from their bindings. The main character in Queen of Swords required great skill in horseback riding, swordsmanship, the bullwhip, and knife fighting.[20]

Natalia Guijarro Brasseur was originally hired to perform the role of the Queen in scenes requiring specific physical skills. Some of the American producers of the series included the producers of Highlander: The Series, as well as the swordmaster Anthony De Longis. But during initial rehearsals for the series in Spain, before filming began, De Longis and producer Ken Gord recognized that Natalia Brasseur was not as talented with the sword as they needed. This forced Los Angeles-based executive producer David Abramowitz to contact the fencing instructor/actress/swordmaster who had tested and helped producers cast the role of the Queen of Swords, Roberta Brown. Brown was flown to Spain, where she appeared in the first five episodes as sword double for the Queen. She also appeared as Marta in carriage-chase scenes and Mary Rose's sword double in the seventh episode.[21] In the meantime, Brasseur doubled for the Queen in stunt horse scenes and some falls. When the producers found that they needed to use their limited American visas for other guest stars and crew members, De Longis and Brown were dismissed from the series before the first hiatus in filming. The producers brought in French fencer Gaëlle Cohen as a replacement.[22]

Other performers who portrayed the Queen during the series included Mary Gallien (who later became Dr. Mary De Longis) and Mary Jose. In the episode "Hanged Man", male stuntman Curro doubled for the Queen to perform one of the most dangerous stunts in a Western involving a moving wagon and horses, when dressed as the Queen, Curro jumped from the wagon onto the horses then passed under the horses and wagon, grabbed a trailing rope and was dragged along the ground from where he hauled himself back on to the rear of the wagon. This was performed in the style of Yakima Canutt, who had first performed the stunt in the films Stagecoach and Riders of the Dawn.[20]

Regarding the need for so many performers for one character, swordmaster Anthony De Longis wrote on his website: "You don't learn sword skills over night, especially when you're busy performing all the other action for a new episode every week."[20]

The need for four women to perform the role of the Queen is exemplified in the Queen's run up the hill away from the soldiers in "Death to the Queen". Mary Gallien started the run up the hill, Roberta Brown performed the medium shot duel with swords on the hill, Tessie Santiago performed the spoken parts and was in the close-up, and Natalia Brasseur fell off the cliff as the Queen of Swords.

Jean-Louis Airola became swordmaster/stunt co-ordinator on episodes 105, 108–119. Michel Carliez episodes 120, 121 (Spain), 122. Richard Hammatt 121 (London).[23]

The show's incidental music was composed by Phillip Stanger, with music editor Kevin Banks and additional music byJohn Herberman.

The show's theme, a song titled "Behind the Mask", was written and composed by Spencer Proffer and Steve Plunkett and performed by José Feliciano. Only the last verse is featured in the opening titles. The full unpublished English version is available on YouTube,[24] sung by José Feliciano with Spencer Proffer and Steve Plunkett, and a promotional video exists of José Feliciano in Spanish but again never released;[25] this was filmed by Tom Laurie at The Texas Hollywood Studios, Tabernas, Almería, Spain.

A limited edition VHS set with all 22 episodes was released at the end of 2001, when after the show had been cancelled, a cult following had grown. A small survey had been done with fans of the show by the show's producers, Fireworks Entertainment, where fans had voted for a VHS release at the then official Queen of Swords website (Fireworks noted they would not be making DVD collections of the series during the survey). The set was manufactured in Canada by Fireworks themselves and was sold by CanWest Global. It was made available only through online ordering to customers in the United States and Canada (NTSC region 1 format) through the official Queen of Swords website linked through Fireworks' official website at the time. It was an 8 volume VHS set, limited to under 1,000 sets made. The first tape contained episode 1 while the remaining 7 tapes contained 3 episodes each, with the series presented in the cropped broadcast 4:3 pan and scan format. The set cost $99.99 US/$149.99 Canada, plus shipping costs. A certificate of authenticity card sheet was also released with the set, inside the box of the first tape volume. The VHS set sold out within months. A promised special addition to the first episode's tape was not included with initial earlier pressed tapes delivered to customers, a ninth tape (which was a re-issue of the first episode volume, this time with the bonus content added at the end; the bonus material included was a lengthy set of clips and promo scenes from the series with the theme song "Behind the Mask" being played) was later sent to all who purchased the sets from CanWest. Subsequent orders that were made afterward were with the corrected volume 1 video.[27]

In Japan the series was released between July and November in 2004 by Happinet Pictures. There were ten DVDs available in total. There were two episodes per DVD combined into one 85 minute film with one opening title and a double credit list at the end. They were generally in no particular order and the two missing episodes are The Pretender and Takes a Thief. The DVDs are uncut Region 2 with the original English soundtrack, Japanese dubbing, and Japanese subtitles 4:3 Pan and scan NTSC, with Dolby Digital sound.[28]

In France the series was released in 2006 by Elephant Films under the title 'Sous Le Signe de L'Épée'. The DVDs are the French version Tessa, à la pointe de l'épée uncut on a multiregion in a six DVD box set with the original English soundtrack, French dubbing, and French subtitles, 16:9 widescreen as it was filmed, in PAL with Dolby Digital sound. The episodes are in production order (see List of episodes). Includes an episode booklet in French.[29]