Radoslav Rochallyi

Radoslav Rochallyi (born 1 May 1980), Bardejov , Czechoslovakia is a Slovak writer, and poet living in the Malta, and Czech Republic.[2]

Radoslav Rochallyi
Born(1980-05-01)1 May 1980
Bardejov, Czechoslovakia
Alma materLondon International Graduate School
Known forGolden Ratio Poetry
Equation poetry
Notable workPUNCH
StyleMathematics-based art
MovementIn Poetry:
Concrete poetry
Visual poetry
In Visual arts:
Neo-Dada
Children4[1]
Sample of DNA Equation poetry, 2019, Poem title: Bisher
Visusal Art, 2020, title: GeneaWaste

Biography

Rochallyi was born in Bardejov, Czechoslovakia in a family with Lemko and Hungarian roots.[3][4] He start reading even before started primary school. The first book he read was the book Black Ships by Maciej Słomczyński. Around his eight years, he came across Lermontov's poems. Rochallyi started writing poetry as a ten-year-old, and he published own works in magazines from the age of sixteen.[1][5][6] The Author graduated in Management at the London International Graduate School and holds a certificate in Fine arts, which he received at the Pratt Institute.[7][8] He also studied philosophy, and mathematics (linear algebra). [9] He is a member of Mensa.[5][6]

Writing

Rochallyi is the author of fifteen books. He writes in Slovak, Czech,[10][11] English and German.[12][13] He debuted with the collection of poetry Panoptikum: Haikai no renga (2004), written in Japanese haiku.[6]

According to Jan Balaz, the poetry of Radoslav Rochally is characterized by the use of a free verse, which gives the author the necessary freedom and directness to retain the specific nature of the testimony without embellishments.[14] His book Mythra Invictus has received a positive reception.[15][16]

According to Lenka Vrebl, the perception of Radoslav Rochallyi is not playful, it is serious, direct and focused.[17]

In the DNA-Canvases of Poetry collection he uses mathematical equations to express his poetry.[18] In addition to his book, poetic equations have also been published in many anthologies and journals. For example, in anthologies and journals published at Stanford University,[19] California State University,[20] Utah Tech University,[21] Olivet College,[22] or Las Positas College.[23]

In the Punch collection, he uses poems based on mathematics, especially on mathematical equations. Both the texts and the equations are based on the author's need to divide the text into a semantically and formally clear form. This work does not belong to concrete, pattern, graphic, code, FIB, or visual poetry. It is an alternative approach to creation.[24][1] Poetic equations from the Punch collection was reviewed and published in journals.[25][9] [26][27]

By Andrea Schmidt Rochallyi be able to find a bearable relationship between the mathematical formalism and freedom. Schmidt argues that his poetry is a critique of semantics and language as such. Schmidt, in a review in the Rain Taxi, writes that PUNCH can be considered one of the most important works of experimental poetry in the last decade.[28] Later, journal Dunes Review published his poem written in a geometric plotter.[29]

Steven J Fowler in an annotation to the book # Mathaeata wrote that Rochallyi builds poetry in mathematical terms, situating a droll humour laced with Nietzchean declaration within the context of brilliantly innovative visual design.[30]

Writing style and philosophy

His work includes mainly philosophy, visual arts, and poetry, while linking each of these elements with mathematical symbols. Rochallyi uses mathematical language as an organizational principle and at the same time uses mathematical symbols to describe intonation notation, or to define various types of specifications whose semantics are easier or more effective to express in non-verbal form.[31]

In the field of philosophy, he was influenced by the work of physicist Max Tegmark and mathematician G. H. Hardy. In the field of creation, he was shaped by the works of early experimental avant-garde artists (painters and poets).[32]

In the French magazine Recours au poème n ° 212, Rochally's philosophy of creation is described as mathematical determinism.[33] In an interview in the literary magazine Tiny spoon, he claims that all the free decisions we have made and will make are determined by the mathematical nature of reality. Art and unconditional love are the only ways to turn your back on determinism, at least for a while.[34]

Golden Ratio Poetry

Rochallyi used an experimental poetic form of the golden ratio around 2012.[35] It follows a strict structure based on the golden number 1.618033 in syllables. Typically represented in the form of six lines, 1/6/1/8 / (0) / 3/3 - with so many words or syllables on the line that correspond to the golden number. The only limitation of poetry according to the golden number is the number of words or syllables followed by the sequence number 1.618033. The Greek letter Phi represents the golden ratio. Its value is 1.618034. In Golden Divine collection (2015), he tried to link poetry with Fi (φ) and hence the number 1,618034 in non-graphical form and with a golden section in its graphic form.[36] Schmidt argues that his Golden Divine is a prototype of formal fundamentalism in poetry, employing a restriction according to the Greek letter phi.[28] The only limitation of "Golden Ratio Poetry" is that the number of words or syllables follows the sequence of digits in 1.618034.

Equation Poetry

Equation Poetry uses mathematical language as an organizational principle and at the same time uses mathematical symbols to describe intonation notation (for example, nervous³), or to define various types of specifications that are simpler or more efficient to express in non-text form. In Acta Victoriana Rochallyi claims that every formal rule in poetry is a mathematical rule.[37] This restriction defines the form of poetry. Hence, it can be said that (almost) no form of poetry can do without mathematics.[38] In the Author's Note in Roanoke Review he mentioned that they both have symbolism, algorithmic basis, structures, formulas, and symmetry. Combining the two is completely natural, as is reading and studying their patterns.[39]

Rochallyi claim that the ambition of Equation Poetry should not be to preserve the meaning of the equation, but to preserve the form, formula and symmetry as accurately as possible.[40] Preserving its full meaning would define the content of poetry and not just form. In such a case, we would not even be making poetry because the resulting poem would be a cluster of precisely positioned words, but without the general meaning. And we wouldn't be creating anything mathematical either; the resulting equation would simply not make sense.[41]

According to Rochallyi's article in The Minnesota Review, Equation Poetry is characterized by a greater freedom of writing, or at least the possibility of choosing the equations used, which in itself defines the freedom of its creation. And this is a freedom much greater than that provided by most of the strict structural forms.[42]

Vector Poetry

For Rochallyi, 2022 and 2023 are the years of answering whether vector poetry can provide an extended visual interpretation of the language unavailable through traditional notation and interpretation. The combination of time, space, movement, and direction can expand all aspects of a text and its meaning. His endeavor aims to investigate the semantics/semiotics of vectors in poetry as a response to the problem of creating meaningful patterns. Rochallyi believe that Vectors can be used to create a sense of movement in a poem. For example, words can flow smoothly from one to another, creating a sense of rhythm and movement. It can add another layer of meaning to the poem and make it more interesting to explore.[34][43] Vector Poetry replaces words or partial phrases with vectors. In vector poetry, words are arranged in a specific way to visually represent the poem's meaning. Just as a vector is defined by its direction and length, each word or sentence is represented by a line that points in a particular direction and has a certain length. Vector poetry is a form of mathematical expressionism in art. It can capture words, emotions, movement, and location.[44] In an essay entitled Classification of Mathematical Poetry in Hyperrhiz Journal, Rochallyi described vector poetry as a method of creating poetry and vectorizing poetry through vector space-VSP. His vector poetry captures states, space, and time to showcase a concise but poetic expression.[45][46] It achieves an emotional effect by moving a word or phrase across a grid of vector space, creating a visual and especially emotional effect, or by using mathematical equations to create shapes and movements.[47]

Poetry
  • 2004 – Panoptikum: Haikai no renga. [in Slovak]. ISBN 978-1981294893.
  • 2014 – Yehidah. [in Slovak] 2014. 67 p. ISBN 978-1523354542.
  • 2015 – Golden Divine. [in Slovak] Brno: Tribun EU, 34 p. ISBN 978-80-263-0877-5.
  • 2015 – Blood. [in Slovak]2015. 43 p. ISBN 978-80-972031-7-7.
  • 2016 – Torwalden. [in Slovak] 2016. ISBN 978-1534848702.
  • 2018 – Mechanics of everyday life. [in Slovak] 2018. ISBN 978-80-8202-030-7.
  • 2018 – Arété.[in Slovak] 2018. ISBN 978-80-8202-041-3
  • 2019 – DNA: Leinwänden der Poesie [in German] ISBN 978-8097350116
  • 2019 – DNA: Canvases of Poetry [in English] ISBN 978-8097350123
  • 2020 – PUNCH [in English] ISBN 978-8097373702
  • 2021 – # mathaeata [in English], ISBN 9788097373719
  • 2022 – Rovnicová poézia/ Equation Poetry. [in Slovak] Bratislava: Drewo a srd, 96 p.ISBN 978-80-89550-80-7

Prose
  • 2017 – A Letter for a son.Brno: Tribun EU, 2017. 98 p. [in English] ISBN 978-80-263-1195-9.
  • 2019 – Mythra Invictus. The destiny of man. Bratislava: VSSS, 2019. 108 p. [in English] [in German] ISBN 9788082020857.
  • 2020 – ESSE. Theorems on morality and power. Bratislava: EOCN. 168p. [in English] ISBN 978-80-9735-013-0.

Translations
  • 2016 – Golden Divine. [in English]. 2016. 34 s. ISBN 978-1523223916.

Visual and Fine arts

Rochallyi's visual work includes collage and painting. All his paintings and collages contain equations or mathematical elements. His collages have been published mainly in magazines.[48]

His paintings have been exhibited, for example, in the following institutions:

See also

References
  1. Radoslav Rochallyi Interview, London, United Kingdom: Guts Publishing, 2020, archived from the original on 1 April 2022, retrieved 21 November 2022
  2. Constance Brewer, ed. (2022). "Bio Radoslav Rochallyi" (PDF). Gyroscope Review. USA: Gyroscope Press (22–3): 64. ISBN 979-8837489648. Archived (PDF) from the original on 1 July 2022. Retrieved 21 November 2022.
  3. Peabody Richard, ed. (2022). "When he comes out-R.Rochallyi". Gargoyle Magazine. Washington, USA: Paycock Press (75). ISSN 0162-1149. Archived from the original on 28 September 2022. Retrieved 21 November 2022.
  4. Dimitri Kaufman. "Radoslav Rochallyi". The Decadent Review. Archived from the original on 27 October 2022. Retrieved 21 November 2022.
  5. "Mensa Slovensko: Radoslav Rochallyi". Mensa. Archived from the original on 30 March 2019. Retrieved 21 November 2022.
  6. Cifra, Stefan (2017), Rochallyi's member medallion (in Slovak), Slovakia: Association of Slovak Writers, archived from the original on 27 July 2022, retrieved 21 November 2022
  7. "Radoslav Rochallyi profile". Retrieved 26 June 2023.
  8. Phillipe Martin Chatelain, ed. (2020). "Poetry / @rochallyi /". In Parentheses Literary Magazine (Fall 2020). USA: IN PARENTHESES.ART. 6 (2): 4. Archived from the original on 26 May 2022. Retrieved 21 November 2022.
  9. Carlaftes, Peter (2020). "The Media Promises". MAINTENANT 14-Contemporary Dada Art & Writing. New York, USA: Three Rooms Press. 14. ISBN 978-1-941110-91-1. Archived from the original on 18 July 2020. Retrieved 21 November 2022.
  10. Ludvík Hess, ed. (2021). "Her voice had a tone of complete silence". Divoké Vino (in Czech). Divoke Vino/Praha (115). ISSN 1214-6099. Archived from the original on 24 September 2021. Retrieved 21 November 2022.
  11. Martin Vlček (ed.). "Matematická poezie". Pandora. Spolek Pandora (41): 46. ISSN 1801-6782. Archived from the original on 25 May 2022. Retrieved 21 November 2022.
  12. Rochallyi. Stephan Tikatsch(Hrsg.) (ed.). "Grüsse". SYLTSE - Zeitung für Schwerdenkeleien & Leichtsinnigenten. SYLTSE (5): 68. Archived from the original on 23 August 2023. Alt URL
  13. "Die Beständigkeit der Erinnerung". Exodus Magazin (in German). Germany: EXODUS. 44 (44). 2022. ISSN 1860-675X. Archived from the original on 27 May 2022. Retrieved 21 November 2022.
  14. Baláž, Jan (2019). "Rochallyi's married poetic duo" (PDF). Literary Weekly (in Slovak). Bratislava: The Cultural-literary academy. 32 (7–8): 17. ISSN 0862-5999. Archived (PDF) from the original on 26 November 2020. Retrieved 21 November 2022.
  15. Stachova, Olivia (2020). "Questions of the essence of being". Literarny Tyzdennik (in Slovak). Bratislava: Kulturno-literarna akademia. 33 (11–12). ISSN 0862-5999.
  16. Cobejova, Alexandra (2020). "Experiment with poetics of myth". Literarny Tyzdennik (in Slovak). Bratislava: Kulturno-literarna akademia. 33 (11–12). ISSN 0862-5999. Archived from the original on 25 March 2020. Retrieved 21 November 2022.
  17. Vrebl, Lenka. "Rochallyi's poet known and unknown. Analysis of creation". Obrys-Kmen (in Czech). Praha: Union of the Czech Writers. 2019 (24). ISSN 1210-1494. Archived from the original on 12 June 2022. Retrieved 21 November 2022.
  18. Rochallyi, Radoslav (2019). DNA- Leinwänden der Poesie. European Open Culture Network o.z. p. 39. ISBN 978-80-973501-2-3.
  19. Lorenzo Bartolucci, Katherine G. T. Whatley, ed. (8 May 2021). "The World Pretends to Be Burning". Mantis, Stanford Journal of Poetry, Criticism, and Translations. Stanford University (19): 128. ISSN 1540-4544. OCLC 49879239.
  20. Sarah Pape, ed. (8 May 2021). "RTAW". Watershed Review at Chico State. California State University. 43. Archived from the original on 27 March 2022. Retrieved 21 November 2022.
  21. "The Halved". Route 7 Review. Dixie State University. 1 (8). 28 October 2020. ISSN 2694-1481. Archived from the original on 29 August 2022. Retrieved 21 November 2022.
  22. Jack Caporuscio, ed. (2020). "One PoeMath". The Garfield Lake Review (PDF) (2020 ed.). MI, USA: Olivet College. p. 51. Archived (PDF) from the original on 25 March 2022. Retrieved 21 November 2022.
  23. Melissa, Korber (2020). "Poetica". Havik 2020: Homeward- the las Positas College Journal of Arts and Literature. CA, USA: The Las Positas College. 1.
  24. Rochallyi R. McFarland A, Jordan B (eds.). "A dozen, A.I". Antilang. Canada: The Anti-Languorous Project. 8 (Fall 2020): 45. ISSN 2561-5610. Archived from the original on 15 November 2020. Retrieved 21 November 2022.
  25. "Respirator Blues by Radoslav Rochallyi". The Wax Paper. Chicago, USA: The Wax Paper ltd. 3 (11): 50. 20 October 2020. ISSN 2641-6433. Archived from the original on 16 November 2022. Retrieved 21 November 2022.
  26. Pufpaf, Tyler (2020). "The Media Promises". Variant Literature Journal. North Carolina, USA: Variant Literature Inc. 1 (3). ISBN 9781714921188. Archived from the original on 20 May 2022. Retrieved 21 November 2022.
  27. Igor V. Zaitsev, ed. (2020). "A dozen, Ice on, A:I". Night Picnic Press. New York, USA: Night Picnic Press, LLC. 3 (3). ISBN 9781970033137. Archived from the original on 12 December 2020. Retrieved 21 November 2022.
  28. Andrea Schmidt (2021). "PUNCH". Rain Taxi. Minneapolis, USA: Rain Taxi, Inc. (Summer 2021). ISSN 1943-4383. OCLC 939786025. Archived from the original on 1 September 2021. Retrieved 21 November 2022.
  29. Rochallyi, Rado. Jennifer Yeatts, Teresa Scollon (ed.). "Vector and Termination". Dunes Review. Traverse City, Michigan: Michigan Writers, Inc. 27.1 (Summer 2023). ISSN 1545-3111.
  30. Fowler, Steven J (2021). # Mathaeata. EOCN. ISBN 9788097373719. Retrieved 1 November 2021.
  31. "Radoslav Rochallyi". Novotvar. The international literary festival Novotvar. Archived from the original on 24 July 2022. Retrieved 21 November 2022. 1
  32. "Poets & Writers Directory › Radoslav Rochallyi". Poets & Writers. USA: Poets & Writers, Inc. Archived from the original on 25 March 2022. Retrieved 21 November 2022.
  33. Marilyne Bertoncini and Carole Mesrobian, ed. (30 December 2021). "Radoslav Rochallyi, Envoler et autres poèmes". Recours au poème. Recours au Poème (Nice, France) (212): 1. ISSN 2269-0298. Archived from the original on 29 May 2022. Retrieved 21 November 2022.
  34. "Tiny talks with Radoslav Rochallyi". Tiny Spoon-Literary Magazine. Archived from the original on 26 March 2023. Retrieved 26 March 2023.
  35. Rochallyi, Radoslav (2022). Deanna Haunsperger (ed.). "GOLDEN RATIO POETRY: MATHEMATICAL POETRY ACCORDING TO Φ". Washington D.C.: Mathematical Association of America. Archived from the original on 7 June 2022. Retrieved 21 November 2022.
  36. Vrebl, Lenka. "Rochallyi's poet known and unknown. Analysis of creation". Obrys-Kmen (in Czech). Praha: Union of the Czech Writers. 2019 (24). ISSN 1210-1494. Archived from the original on 27 June 2019. Retrieved 21 November 2022.
  37. Rochallyi, Radoslav (2021). Marco Istasy and Claire Ellis (ed.). "Equations/ Just for today". Acta Victoriana. Victoria University, Toronto (2021). ISSN 0700-8406. Archived from the original on 13 August 2022. Retrieved 17 March 2023.
  38. Rochallyi, Radoslav (2021). Deanna Haunsperger (ed.). "EQUATION POETRY". Washington D.C.: Mathematical Association of America. Archived from the original on 4 November 2021. Retrieved 21 November 2022.
  39. Rochallyi, Radoslav (2021). Mary Crockett Hill (ed.). "3 poems". Roanoke Review. Roanoke College (2021). ISSN 0035-7367. Archived from the original on 6 November 2021. Retrieved 21 November 2022.
  40. "Chapter 3-Mixed Bag". Spoken To Different People. Mumbai,India: Poets' Choice. 2019. p. 150. ISBN 9781946211149.
  41. Rochallyi, Radoslav (27 October 2021). Sulej, Peter (ed.). "Rovnicová poézia" [Equation Poetry]. Vlna (in Slovak). 88 (2021): 120. ISSN 1335-5341. OCLC 45012887. Archived from the original on 4 November 2021. Retrieved 21 November 2022.
  42. Rochallyi, Radoslav (1 November 2022). Watson, Janell (ed.). "Δt = Panta rei". The Minnesota Review. 2022 (99): 53–54. doi:10.1215/00265667-9993097. eISSN 2157-4189. ISSN 0026-5667. Archived from the original on 19 January 2023. Retrieved 19 January 2022.
  43. Rochallyi, Radoslav. Melissa Ford Lucken (ed.). "I pay with blood". Washington Square Review. MI 48933: Lansing Community College. 2023 (Summer).{{cite journal}}: CS1 maint: location (link)
  44. Rochallyi, Radoslav (2023). "Vector Poetry". Washington D.C.: Mathematical Association of America. Archived from the original on 29 June 2023. Retrieved 29 June 2023.
  45. Rochallyi, Radoslav (2022). Peyton Toups (ed.). "time in a glass spoon". Philadelphia: The Penn Review,University of Pennsylvania. Archived from the original on 5 June 2023. Retrieved 10 June 2023.
  46. Rochallyi, Radoslav. "Rochallyi's poet known and unknown. Analysis of creation". The Rialto (poetry magazine). Norwich: The Rialto. 2023 (100). ISSN 0268-5981. Archived from the original on 1 June 2023. Retrieved 10 June 2023.
  47. Rochallyi, Radoslav (2023). "Classification of Mathematical Poetry". Hyperrhiz: New Media Cultures. North Carolina: North Carolina State University. 2023 (26). doi:10.20415/hyp/026.a01. ISSN 1555-9351. Archived from the original on 8 June 2023. Retrieved 10 June 2023.
  48. "Arts & Media- Radoslav Rochallyi". US: Illinois State University. 2022. Retrieved 29 June 2023.
  49. "ÍLLYEN ÉS HÁRBORÚ". Budapest, Hungary: Szépművészeti Múzeum. 2019. Archived from the original on 4 July 2022. Retrieved 10 March 2023.
  50. "Exhibition- Social 2022" (PDF). Soul, South Korea: CICA Museum. October 2022. Retrieved 10 March 2023.
  51. "Exhibition-PROGRESS, ON CONTEMPORARY AND FUTURE SOCIETY". Rome, Italy: GALLERY Loosenart. December 2022. Retrieved 10 March 2023.
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