Rain Temple

In his review of the album, Sean O'Neal from The A.V. Club states that before Rain Temple, vaporwave felt like an "exhausting inside joke before it even started," adding that since the genre had been split into a multitude of subgenres, it was difficult to know "how seriously" they were to be taken, if they were serious at all.[3] Outside of the general vaporwave community, the genre was mostly treated as a "dead" joke or meme, partly because of how some critics felt the genre was too "easy" to produce, but mainly for the genre's popularization after the release of Vektroid's Floral Shoppe, which besides presenting nearly all core vaporwave elements, became almost synonymous with the term "vaporwave" after the release of the Digg video titled "The Most Satisfying Video in the World", which presented the second track of the album.[5][6]

2814 broke into the vaporwave scene with their second studio album Birth of a New Day in 2015.[7] The album became the best-selling dreampunk release on Bandcamp, popularizing the dreampunk movement, the post-vaporwave movement, and vaporwave in general.[8][9] HKE later expressed satisfaction with the album, stating that, although the duo did not plan on producing another album under the alias 2814 after Birth of a New Day, the album had received such a huge amount of positive reactions that HKE wanted to release more music under the alias since it was, in his own words, functioning perfectly for both producers.[4]

Prior to the album's release, Telepath was already established in the vaporwave community as one of the most prolific and prominent figures in the scene, being considered as the best producer of the genre by HKE himself.[10][11] His previous album, Everlasting love (stylized in Japanese for aesthetic purposes as 永遠の愛) was released on January 28, 2016, and had been praised by its Bandcamp buyers, who stated that "all the songs are wonderful, and flow perfectly together."[12][13]

HKE, formerly known as Hong Kong Express, was also a popular figure of the genre. Although Birth of a New Day was the most successful album he had ever been involved in, the producer is also known for his Bandcamp debut album HK, which had been described by some of its Bandcamp buyers as their "gateway drug" to the dreampunk genre and related subgenres.[14][15] His previous studio album, Omnia, was a culmination of the worldviews he express in a Rolling Stone interview which were probably considered extremely obscure by the general public, being a release inspired by his sleep paralysis, hallucinations, nightmares, and dreams;[16] the release was met with a small but generally positive reaction from Bandcamp buyers, which had described the album as "an out-of-body connection to something in which I cannot explain."[17]

Along with other vaporwave releases such as the previously mentioned Birth of a New Day and most of HKE's albums, Rain Temple is one of the first vaporwave releases to also present ambient characteristics in its composition, such as rain, as the album's name suggests.[9][18][19] In an interview with the website Neon Dystopia, HKE compares both albums, stating that, although Birth of a New Day is the greatest album he was ever involved in, Rain Temple is, in his opinion, much more involving, dramatic, and cinematic, adding that the initial plan was to not make a "Birth of a New Day pt. 2," which Rain Temple "certainly didn’t end up being." In this interview, he further demonstrated the thoughts and emotions that motivate him and Telepath to continue the 2814 project, which are, in his own words, "life, the universe, the dreams, and the entities beyond our perception."[4] On an interview for Bandcamp Daily, HKE revealed that he wanted to produce an album about "a sacred place away from our current reality... a reality we can’t perceive with our limited senses."[20]

Most of Rain Temple's tracks feature short, 5-30 second melodies, looped over for lengths ranging from 6 to 11 minutes, a technique also employed in the duo's previous album and one that strongly resembles William Basinski's critically acclaimed ambient release The Disintegration Loops.[2][9][21] O'Neal states that it is unclear whether Rain Temple may be classified as vaporwave, an uncertainty caused by the rigorous definitions applied by artists such as James Ferraro or Saint Pepsi. HKE himself does not classify it as vaporwave, but instead as "dream music";[3] in an interview with Tiny Mix Tapes, HKE states that it's better not to worry about what exactly is vaporwave as it is of little importance in his opinion, adding that vaporwave isn't a music genre but rather an artistic concept that can be evoked within music. He further points out he likes to call his music "dream music" simply because it is an easier term to make sense of.[22]

The opening track "Before The Rain" is, as the name suggests, the only of two tracks that do not present a recognizable rain sound effect in the background.[23] The following track, "Eyes Of The Temple," presents a sudden precipitation ambient noise in its beginning and is mentioned by O'Neal as the standout track, being depicted by him as sounding like the soundtrack for a sci-fi movie that is "just waiting to happen."[24] "Lost In A Dream" features vocals performed by singer MXXA;[2] this track and "Contact" have been compared by O'Neal to the gothic dream pop sound found in the discography of artists such as This Mortal Coil and Cocteau Twins. "Guided By Love" features instrumentals inspired by post-rock artists, and "This Body" presents a strong influence from Balam Acab.[3] The album ends with "Inside The Sphere," which is the only other track that does not present rain in its ambient sound.[25]

Rain Temple was produced by vaporwave musicians HKE and Telepath, both collaborating under the alias 2814, which was described by Marcel Foley as "one of the most innovative musical acts in recent memory."[26][2] Their previous album, Birth of a New Day, had received wide critical acclaim from the vaporwave community and was highly praised by critics as an album that offers "years of peaceful healing to everybody who gives it a listen."[27][28] The album was also frequently mentioned by HKE for its vaporwave-related themes that were not produced with samples, a feature which is often praised by him and also included in Rain Temple.[16]

In a 2015 interview with C Monster, a writer from the website Tiny Mix Tapes, HKE described the production process for the 2814 alias in detail, stating that either Telepath or him would start producing a track, "flesh out" ideas between the two, and then send it over the other. Then they'd "send it back and forth" until the track was fully constructed and they were satisfied with it, ending up with one of them finishing the mastering process. Then they'd "put it in the pile ready for album consideration." HKE praises this form of musical collaboration, stating that this process is generally "as 50/50 as you can get with collaborative work." He further stated that although a specific track's style might suggest who was the one with most impact on the production of that specific track, the production process is overall very balanced. He noted that producing music with Telepath was one of the greatest collaborating experiences he'd ever had, to the point where he was "so excited" after finishing the mastering process of a track for a new release that he had dropped his new laptop on the ground and broke the screen.[22]

Like in Birth of a New Day, Rain Temple was also frequently mentioned by HKE for its vaporwave-related themes that were not produced with samples, a feature which is often praised by him and also included in Rain Temple.[16][3] In an interview with Christopher Towlyn from the website Neon Dystopia, HKE revealed that he used a program called Reason, a digital audio workstation for creating and editing music and audio, to produce Rain Temple, which made the musical collaboration easier than what would be normally expected as both musicians have a "firm understanding" of the software and generally make music in similar ways, which also facilitated the production process. Although HKE noted that he has produced music with various different musicians over his career, he again stated that working with Telepath is one of the most enjoyable experiences one can have while producing a music collaboration project.[4]

Like Birth of a New Day, Rain Temple features a default and an animated version of its artwork made by art designer Gustavo Torres, professionally known for his art project Kidmograph, which was previously well-known on social media platforms such as Tumblr for producing other vaporwave art and for working with other mainstream artists.[2][29][30] The artwork features a woman and a ball inside a building that is being taken over by growing leaves and trees. The woman is viewing the panoramic view of a cyberpunk city similar to the one featured in the cover for Birth of a New Day.[2][9] The animated version features moving rain drops and moving leaves and has been described as "fucking gorgeous" by some Twitter users.[31]

The CD packaging features a glass-mastered disc inside a jewel case with double-sided card cover and rear inlay, sealed in protective cellophane wrapping. The blue-themed cassette was notably recorded in real time on a Nakamichi High-Com tape deck, a German noise reduction system used as a high-quality compression tool for audio recordings; the cassette comes in full colour cassette labels and double-sided full colour printed J-cards. The vinyl record features a gatefold sleeve housing.[2]

It was released on 26 July 2016 by the duo's own label Dream Catalogue, made available for download, alongside a limited physical run of double vinyl, cassette and CD.

• Rain Temple on Internet Archive
• Official website