Raiven

Sara Briški Cirman started her musical path at the age of four, when she enrolled at the Ljubljana Music Matica. Between 2002 and 2011 she attended harp lessons at the Music School in Ljubljana. She continued her education in the program of the Art Gymnasium, which she attended at the Maribor Conservatory of Music and Ballet, majoring in harp with Professor Dalibor Bernatovič, jazz singing with Ana Bezjak and solo singing with professors Leona Bašovič and Tina Bohak. She has been awarded several times for her achievements in the field of classical music. Among other awards, in 2013 she won first place at the Antonio Salieri International Harp Competition in Italy and a gold plaque at the Temsig Solo Singing Country Competition. In 2015 she graduated in solo singing and continued her music education at the Ljubljana Academy of Music (solo singing - opera), where she graduated in 2018 in the class of Professor Alenka Dernač Bunta and enrolled in a master's degree in solo singing with Professor Pija Brodnik. In 2021 she received her master's degree in solo singing - opera.

In 2019 she dedicated herself to artistic development as an opera singer and in December 2019 she sang in the world’s first tamburitza opera, Ambrož and Katarina. She is a scholarship holder of the Berlin Opera Academy. Her role Hänsl in Engelbert Humperdinck's opera Hänsel und Gretel was set to premiere in the summer of 2020, but it has been postponed to the summer of 2022 due to a new coronavirus pandemic.

In June 2021, she sang the role of Old Lady in Leonard Bernstein's opera Candid at Cankar Centre. In April 2021, she received first prize and third place at the IMMCC 2020 International Singing Competition. On June 28, 2021, she received her master’s degree with a singing recital and a master’s essay entitled The Role of Agrippina in George Frideric Händl’s opera of the same name. For her outstanding artistic achievements she received the Prešeren Prize for Students presented by the Academy of Music.

In August 2021, she performed in the role of Rosina at concert performances of Gioachino Rossini's The Barber of Seville under the direction of maestro George Pehlivanian. In October 2021, together with soprano Pia Brodnik, tenor Gregor Ravnik and pianist Andreja Kosmač, she performed a concert as part of the Studenec Summer Festival entitled Jesenska pesem (Autumn Song). Erlier, she performed twice as part of baroque music concerts with the Slovenian Baroque Orchestra under the baton of Egon Mihajlović and concert master Monika Toth.

At the end of October 2021, accompanied by Maltese Philharmonic Orchestra, she sang at an opera aria concert at the Astra Theater in Malta, conducted by José Cura.

In April 2022, she sang the title role in Händel's opera Agrippina at Cankar Center under the artistic direction of Egon Mihajlović and directed by Rocco Rapplo. In the same month she also sang at the closing concert of the Opernfest Prague at the Vinohrady Theater in Prague, under the direction of the artistic director of the Prague Opera, maestro Jaroslav Kyzlink. A week later, she sang with the Albanian Opera Orchestra in Tirana at the Marie Kraja Opera Festival, under the baton of maestro Martin Andrea. In 2022, she began studying the role of Carmen as part of a concert performance of the opera under the direction of maestro George Pehlivanian. That same year, she made her debut at the Slovenian National Theatre Opera and Ballet Ljubljana in the show 'Orpheus in the Underworld' (playing the role of Public Opinion), and in 2023, she portrayed Larina in the play 'Eugene Onegin'.

As part of her studies she performed Mozart's Spatzenmesse and Vivaldi's Gloria in D major in the Slovenian Philharmonic Orchestra as solo alto with the Baroque Orchestra of the Academy of Music in 2018. In the same year, she performed as a soloist at Cankar Center with the Big Band of the Academy of Music, under the baton of Matej Hotko. In 2019, she sang the role of Iztok Kocen's mini-opera doctor Nepotrebna (Unnecessary), which premiered in Budapest. The mini-opera was presented in Brno and Ljubljana.

Since the beginning of her music education, she has regularly attended seminars by renowned musicians such as José Cura, Bernarda Fink, Vlatka Orašanić and JD Walker.

In 2018, she also performed on theatrical boards in the play Trojanke, produced by the Slovenian National Theatre Nova Gorica, where she portrayed the character of Cassandra. The work in the new translation by Jere Ivanc was directed by Jaša Koceli.

In 2021, she accepted the main role of Urška in the musical Povodni mož (The Water Man).