Ramsharan Darnal

Ramsharan Darnal, named Danda Kumar at Nwaran, was born on 10 July 1937, in Dhobichaur, Kathmandu to the-then drum major Satyakumar Darnal and his wife, Dilkumari Darnal.[6][7] Born to a lower caste family, deemed untouchable during the Rana regime, Darnal was no stranger to hardships. In fact, despite being the second child born to his parents, he was the first to survive.[1] Due to his father’s musical background, he was exposed to music at an early age.[2]

Darnal was an alumnus of Durbar High School, Kathmandu and was sent to St. Robert’s School, Darjeeling, India for secondary education, where he learned to play the mandolin and the guitar.[1][2]

Darnal had a weak immune system since birth, and was carried to health practitioners and faith healers from time to time. In 1948, an eleven-year-old Ramsharan was wed to a nine-year-old Harimaya from Mahadevsthan Mandan, Kavrepalanchok in high hopes of his cure. In 1951, he left for Darjeeling to complete his education. He spent a total of 12 years abroad. Amiable and articulate Darnal fathered three sons and a daughter.[8][9]

Darnal, amid his schooling in India, started working at a recording company in Kolkata, where he was acquainted with fellow Nepalese musicians and singers, including Dharmaraj Thapa, Nati Kaji, Shiva Shankar Manandhar and Tara Devi. In 1958, Darnal brought to Nepal the mandolin and the guitar, and is considered to be the first person to introduce such western instruments in the country. Expanding his career contacts landed him a job at the Nepal Academy in 1959 as a mandolinist. Five years later, he was appointed as the secretary of the Nepal Music and Dance Academy as a part of a three-year plan brought about by the-then King Mahendra of Nepal. He was fired from the post by Kedar Man Vyathit in 1966 but was soon reinstated on account of Surya Bikram Gyawali, after which he worked at the academy until 2004. The contributions of Darnal in the field of ethnomusicology are, to say the least, commendable. Moreover, under the guidance of Puskal Budaprithi, he extended his research to include western traditions and instruments. His admirable contributions in the fields of songwriting, music and musical instruments have made him a cultural icon.[2][10]

During his time at the Academy, he was the sole member in charge of the Music Museum, a depository of 127 musical instruments of hundred different types, including the 2500 years old Kwatah used in the time of the Buddha.[3] After working for 35 years as a notator, Darnal retired from the Academy.[11][12]

Darnal, who was brought into the Arts Department for Rs. 150 a month by Sangeet Shiromani Yagya Raj Sharma, spent 50 years at the Academy, till 2009. He was a member of the Academic Council from 2004 to 2009. He worked at Music Nepal shortly after his retirement. He was a patron and worked as an advisor for several cultural organizations, including the Tribhuvan University Music Department, Nepalese Folk Musical Instrument Museum, and Nepal Dalit Literature and Cultural Academy.

• Sangeet Parikrama (1981)
• Nepali Sangeet Sadhak (1981)
• Vishwa Vikhyat Sangeetkar (1984)
• Sangeet ko Vistrit Avalokan (1984)
• Nepali Sangeet-Sanskriti (1988)
• Sangeet Saurabh (2002)
• Nepali Baagina ra Kala (2003)
• Nepali Baja (2004)
• Gaayan Shaili (2004)
• Kathmandu Upatyaka ka Pracheen Samasamayik Geetharu (2010)

Darnal has received several awards and honours for his indispensable contributions in the field of ethnomusicology.[23][24]

Nepal Post, in honour of Darnal’s contributions, has published tickets with a picture of Darnal, which is worth ten rupees.[25]

The curriculum developed by the Ministry of Education, Nepal includes Darnal’s biography, entitled "Sangeetagya Ramsharan Darnal", as a part of Nepali textbooks for grade 9.[26]

A revolutionary in his own right, Darnal suffered from Parkinson's disease for a long time until his demise on 18 September 2011 at the age of 74.[4][6][27]