Rea Tajiri

Tajiri is credited as being a groundbreaking documentary filmmaker for brilliantly weaving together different narratives, taking from found footage but also her own history and experiences.

Directed by Rea Tajiri, '"Strawberry Fields" doesn't follow a straight narrative line. Instead, Tajiri opts for graceful and dreamlike forays into the collective memory of war-era Japanese Americans. By showing the audience grainy photos and films of a world that Irene can never know, director Tajiri heightens the sense of quest in this enigmatic film." Lynn Voedisch Chicago Sun Times[8]

"Tajiri often focuses her inquiry on the representation of Asian-Americans in popular media. In Off Limits (1988), she critiques Hollywood's portrayal of the Vietnam War and Vietnamese people, juxtaposing fragments from Easy Rider with her own text to give voice to a Vietnamese character. In History and Memory (1990), Tajiri examines the construction of history and the manipulation of collective memory through a powerful pastiche of personal reminiscences and mass media images of the internment of Japanese-Americans during World War II." Electronic Art Intermix[9]

An experimental film which reflects the memory of Tajiri's mother of the war period which she lived in. The plot is displayed through pieces of memory and known family history. Tajiri presents the film in four different parts: Events that happen in front of the camera, events that are restaged, events that are told through the memory of character conversation, and events that are known to have happened but not shown at all. As the narrator of this documentary, Tajiri uses text and verbal communication with her audience in order to enhance the purpose of the memory or images she gives to her audience. Through this film Tajiri has highlighted the absence of Japanese Americans among filmmaking. By upholding whatever deconstructed history and memory she may have of her family's experience, Tajiri is praised for bringing attention to the culture of her family's past. Tajiri is also known to bring attention to a topic by using absence to declare presence. In History and Memory, absent characters share a significant presence since their memory is so vital to the film's message. This ability to highlight a character, topic, or event that is absent without confusion or misunderstanding is difficult to achieve for a filmmaker, but Tajiri certainly succeeds in doing so (Streamas). This documentary ultimately awarded Tajiri with the Distinguished Achievement Award from the International Documentary association and a Special Jury Award from the San Francisco International Film Festival (Dorsey). Tajiri's way of filming is most recognized in History and Memory where she distorts the camera in order to show the recollection of memory.

Strawberry Fields was produced by Open City Films and ITVS. It was first premiered in Europe at the Venice International Film Festival and the film also was the recipient of the Grand Prix at the Fukuoka Asian Film Festival (Dorsey).

Tajiri focuses on the recognition of the Asian American identity in her films, which is different than the Asian American culture. Tajiri goes against societal norms in Strawberry Fields, where protagonist Irene, a third generation Japanese American woman, publicly flaunts her inner rage. In the majority of Tajiri's filmmaking she is constantly bringing attention to societal issues, like in History and Memory, where she highlights Asian Americans, Latinos, or Black people not being able to immerse themselves within the white American population shank.[10]

• Hitchcock Trilogy 1987
• Off Limits 1988
• History and Memory: For Akiko and Takashige 1992
• Yuri Kochiyama: Passion for Justice 1993
• Strawberry Fields 1997
• Little Murders 1999
• Aloha 2000
• Lordville 2014

• Strawberry Fields 1997
• Yuri Kochiyama: Passion for Justice 1999

• Strawberry Fields 1997

• Robot Stories 2003