Reginald Baker (film producer)

A soldier, a successful accountant and a movie magnate, Baker was the fourth of the five children of Samuel Henry Baker (1866–1918), a manager of chemical works who lived at 44 James Lane[3] in Leytonstone[note 1], Essex and his wife Jane Louisa Baker (1870–1955), the daughter of builder John Cort Christoffer (1834–1913).[10] In 1917, he married Gwendolyn Emily Christabel Webb, the daughter of Arthur Webb, a Draper from Romford, Essex.[11]

Baker was a remote relative[12] of British Army officers Sir Arthur Borton and Brigadier general Neville Travers Borton Pasha CMG (1870–1938), Postmaster general in Egypt and British military governor of Jerusalem[note 2]. Baker was also related to clergyman Neville Arthur Blachley Borton.Other family connections include John Browne, a renowned English landscape engraver.

A co-founder of Ealing Studios and a key figure there for some 30 years, 'Major' Reginald Baker became one of Britain's best-known producers.

Following his WWI service, he worked in accountancy[16] negotiating the purchase[17] of Gainsborough Pictures' Islington site[note 3] from Famous Players–Lasky on behalf of Michael Balcon. The studio was small but well equipped with the latest American cameras and lighting equipment and fully staffed. The staff included an ambitious young man, Alfred Hitchcock.

Before moving into film production, Baker was a partner in the firm of Berger,[note 4] Baker and co[note 5], Chartered Accounts and Business Consultants at Southampton Row, London, the firm had connections in the film industry.

When theatre producer Basil Dean and actor Gerald du Maurier founded Associated Talking Pictures (ATP) in 1929,[20] Baker was first to join the management team, quickly followed by textiles heir Stephen Courtauld. Construction costs on the company's new studios at Ealing having doubled by late 1931, he and Courtauld arranged additional finance, ensuring production continued.

All together about 60 pictures were made there over the seven years from 1931 to 1938 such as Perfect Understanding starring Gloria Swanson and Laurence Olivier, other coming stars started their careers there like Madeline Carroll, Margaret Lockwood or director Carol Reed

In 1938, with ATP struggling, he invited[note 6] his former Gainsborough employer Michael Balcon (at that time, head of MGM-British) to take over the studio from Dean; Balcon subsequently hailed their 20-year partnership as the most successful of his career. An early collaboration was The Ware Case, which helped move Ealing beyond the Gracie Fields and George Formby vehicles that the studio had previously produced.

Ealing had its roster of personnel, directors, writers, and technicians on permanent salary, its pool of actors, its recurrent thematic preoccupations, and from all these there was derived a very recognizable house of style of film making.

Baker was, like Balcon, a vocal critic of what he saw as the monopolisation of British film exhibition by the Rank Organisation, and in 1944 he negotiated a more favourable co-production and distribution deal for Ealing.

Backed by Rank's ample resources, Ealing entered into its finest period with the national epic Scott of the Antarctic, classic adaptation Nicholas Nickleby, romantic costume drama Saraband for Dead Lovers, the supernatural with Dead of Night. Most often remembered for its comedies such as Hue and Cry, Passport to Pimlico, The Lavender Hill Mob, Kind Hearts and Coronets starring Dennis Price, The Man in the White Suit and the black comedy The Ladykillers.

However, following the withdrawal of Courtauld's financing in 1952 having relocated to Rhodesia the previous year due to failing health,[22] he and Balcon were reluctantly forced to end this arrangement, selling the Ealing lot to the BBC in 1955 and relocated to MGM-British in Boreham Wood.[23]

The last Ealing film appeared in 1959.

In the aftermath of the imprisonment of his son, Peter, for fraud and forgery,[24] Baker became a major creditor of many of his son's seventeen companies,[25] he sold off some of his assets including his Kentish manor,[26] his son's art collection[note 7] went up for auction at Sotheby's in 1966–68.[27]

Baker retired to Australia, the home of his two grandchildren,[28] he died in 1985, he was survived by his widow Maxine Poynton Baker née Murray-Jones (1913–2007), a friend of Australian playwright and critic Sydney John Tomholt (1884–1974).[29]

• Martha Butler alias Baker (1770–1841), wife of bookseller and printer John Williams[note 8] of 44 Paternoster Row, London.
• Henry Minson Baker (1785–1819), he attended the Royal Military Academy, Woolwich, Lieutenant of the 20th Regiment of Bengal Native Infantry, he participated in the capture of Java in 1811, died at sea on 15 June 1819 on board the EIC ship the Sesostris.[30]
• Grenadier Guards Captain Cecil Douglas Baker (1870–1917), killed in action,[31] a friend of journalist and author Bertram Fletcher Robinson. Captain Oxford University RFC, 1892–1893, The Varsity Match. The Isis Magazine featured Baker as its first ‘idol‘.[32]
• Alice Diana Baker (1881–1969), wife of Herbert William Pride Jones, grandson of Henry Jones, inventor of self-raising flour.
• Monica Gwendoline Baker[33](1903–1990), wife of British protozoologist Clifford Dobell and stepdaughter of British bacteriologist and pathologist William Bulloch (1868–1941).
• Grenadier Guards Captain Nigel Ernest Westby Baker (1914–1968)[note 9], Military Cross, one bar,[38] Baker was married to one of the daughters of Baron Henri Charles van Tuyll van Serooskerken who was Aide-de-camp to his HRH Prince Bernhard of the Netherlands and his spouse Barones Marcelle Wilhelmine de Smeth.
• Joan Clare Baker[39] (1916–1988), wife of British Judge Mervyn Griffith-Jones.

• Michael Balcon Presents...A Lifetime of Films, by Michael Balcon, published by Hutchinson, 1969.