Richard Hambleton

Hambleton's early public art included his Image Mass Murder art. From 1976 to 1978 Hambleton painted a police "chalk" outline around bodies of volunteer "homicide victims." He then splashed some red paint on the outline, leaving behind a realistic looking crime scene. These "crime scenes" were done on the streets of 15 major cities across the United States and Canada.[14][15] Like Hambleton's future "Shadowman" paintings, the Image Mass Murder "crime scenes" would often have the effect of startling or shocking passersby.[16]

In 1979 Hambleton moved permanently to the Lower East Side of New York.[7] It was in New York that Hambleton gained notoriety for his "Shadowman" paintings of the early 1980s. Each painting resembles a life-sized silhouetted image of some mysterious person, a "splashy shadow figure."[17] These "shadow paintings" were splashed and brushed with black paint on hundreds of buildings and other structures across New York City.[18] Locations were believed to be calculated for maximum impact upon unsuspecting pedestrians.[6] Very often, a "Shadowman" could be found in a dark alley or lurking just around a street corner.[19] Hambleton later expanded the scope of his project and painted these "shadowmen" in other cities, including Paris, London and Rome,[20] and in 1984 he painted 17 life-size figures on the East side of the Berlin Wall, returning a year later to paint more figures on the West side of the wall.[21][22] In 1983, during Malcolm McLaren's fashion design partnership with Vivienne Westwood, they collaborated with Hambleton to create a "Shadowman" jersey skirt.[23]

After his public art, Hambleton produced a variation of his "shadow" work, showing his "Shadowman" as a sort of "rodeo man", or rugged "Marlboro Man", often riding a bucking horse. This series was painted on canvas and other materials, where they could be displayed as works of art. Inspired by the Marlboro magazine advertisements, which in some ways exploited the image of a uniquely "American hero"[17] to sell its product, Hambleton appropriated and modified the image to create a new series of work.[17]

In the early nineties, Hambleton began to withdraw from the art scene. Many of his friends and collaborators, including Jean-Michel Basquiat and Keith Haring, had died. Hambleton "became increasingly weary of the art business" and its impact on his artistic freedoms.[24][3] In 2007, a solo exhibition was produced, featuring the "Beautiful Paintings" at Woodward Gallery in NYC.[25][26]

Hambleton stated that this work was a reaction against the abundance of figurative painting displayed in galleries at the time, to which he chose not include figurative work of his own.[17] Hambleton said that he also intentionally sought out a different mood, "with a different sensibility," from his previous work.[17]