Richard Mohaupt

Richard Mohaupt was born in Breslau, where he studied music at Breslau University with Julius Prüwer and Rudolf Bilke.[1] After his studies he worked as a répétiteur and music director at opera houses in Breslau, Aachen and Weimar.[1] After a concert tour as pianist and conductor through the Soviet Union in 1931–1932, he settled Berlin in 1932 where he began working for the UFA film company.[1] Four years later he had his first success with his ballet Die Gaunerstreiche der Courasche.[1] The work was performed during the ballet festival which was part of the supporting programme of the 1936 Summer Olympics in Berlin,[2] but shortly after this success the Nazis denounced him with the expression "Music Bolshevism" and he was excluded from the Reichsmusikkammer. With this exclusion Richard Mohaupt could not work in Germany anymore and so emigrated to the US in 1939 and settled in New York.[1]

During his time in the United States Mohaupt composed for a variety of mediums, including opera, ballet, film, radio, television and orchestral music.[1] Two of his works became very popular during the 1940s and 1950s: the 1939 orchestral work Stadtpfeifermusik (Town Piper Music) and his 1944 opera Die Bremer Stadtmusikanten; the latter of which premiered at Theater Bremen in 1949.[1] He wrote one other opera while in America: Double Trouble, which premiered at the Kentucky Opera in 1954.[1] While in America, Mohaupt also composed music for the ballets Max und Moritz (a "dance-burlesque" composed in 1945, 1949 premiere by Karlsruhe ballet) and The Legend of the Charlatan (1949, premiered in New York).[1] His works were performed by renowned American orchestras like the New York Philharmonic and the NBC Symphony Orchestra.[3]

Mohaupt created his last opera, Der grüne Kakadu, after moving back to Europe in 1955 where he ultimately settled in Austria.[1] This opera used a libretto by Arthur Schnitzler and had its 1958 world premiere at the Hamburg State Opera shortly after Mohaupt's death in Reichenau an der Rax, Austria on 3 July 1957.[1]

Notes

Sources

• Ulf-Martin Keller: Richard Mohaupt: Concerto for Orchestra (Based on Red Army Themes) (1942–43) – Gattungskontext, Analyse, Rezeption. Magisterarbeit Universität Hamburg, 2012
• Nico Alexander Schneidereit: Richard Mohaupts Chormusik. Magisterarbeit Universität Hamburg, 2010
• Friedrich Geiger: Amerika im Musiktheater – Musiktheater in Amerika. Das Beispiel Richard Mohaupt. In Peter Petersen and Claudia Maurer Zenck (edit.): Musiktheater im Exil der NS-Zeit. Hamburg 2007
• Friedrich Geiger: Mohaupt, Richard. In Ludwig Finscher (edit.): Die Musik in Geschichte und Gegenwart. 2., völlig neu bearb. Ausgabe, Kassel usw. 2004
• Mathias Lehmann: Der Dreißigjährige Krieg im Musiktheater während der NS-Zeit: Untersuchungen zu politischen Aspekten der Musik am Beispiel von Karl Amadeus Hartmanns "Des Simplicius Simplicissimus Jugend", Ludwig Mauricks "Simplicius Simplicissimus", Richard Mohaupts "Die Gaunerstreiche der Courasche", Eberhard Wolfgang Möllers und Hans Joachim Sobanskis "Das Frankenburger Würfelspiel" und Joseph Gregors und Richard Strauss’ "Friedenstag". Hamburg 2004
• Otto Friedrich Regner, Heinz-Ludwig Schneiders: Reclams Ballettführer. 8th edition, Stuttgart 1980
• Friedrich Herzfeld: Das Lexikon der Musik. Frankfurt am Main/Berlin/Wien 1976
• Kurt Stone: Mohaupt, Richard. In Friedrich Blume (editor): Die Musik in Geschichte und Gegenwart. Kassel etc. 1961
• Heinrich Lindlar: In Memoriam Richard Mohaupt (3.7.). In Musica 11 (1957), p. 581–582
• Rudolf Bilke: Richard Mohaupt. In Musica 4 (1950), pp. 324–326

• Programs and images of Richard Mohaupt in the New York Philharmonic Archives
• Obituary by Walter Abendroth: Zum Tode Richard Mohaupts. In: Die Zeit from July 11, 1957 (in German)
• YouTube video of a performance of Double-Trouble (reduced orchestra) at the University of Central Florida from April 12, 2008