Richard Morris (actor)

Lubin Manufacturing Company logo in 1914

The Lubin Manufacturing Company was an American motion picture company producing silent films from 1896 to 1916. When Richard Morris returned to America from London, he sought work in the burgeoning movie industry. In September 1909, he joined the Lubin organization based in Philadelphia, Pennsylvania.[3] Richard Morris was 50-years-old when he entered the movie industry, a comparatively late age for those seeking employment in an industry preoccupied with beautiful young people. In his first recorded film for Lubin, Morris played an organ grinder in Little Boy Blue, released on May 6, 1912.[10] No known records exist documenting if Morris acted in any Lubin productions before 1912. It is also unknown when he started using the screen moniker Richard Morris.

Between 1912 and 1914, he would act in 25 films for Lubin, opening with Little Boy Blue and ending with the December 1914 release of A Believer in Dreams.[11] During his stretch at Lubin, he met Lloyd B. Carleton. Carleton signed a Lubin contract in 1911, allowing him to direct both features and shorts. Despite the late introduction, Carleton saw Morris's value as a character actor, and they made 3 Lubin-produced 2-reelers in 1914.

He remained one of Lloyd B. Carleton's favorite character actors. Between 1914 and 1920, Morris acted in 15 Lloyd B. Carleton-directed films.[3] Carleton had found a fellow brother from the Eastern stage, whose stage credentials were impeccable. Morris remained with Lubin until July 1914. Carleton left Lubin earlier and gained employment with another movie company in Autumn 1914.

After making more than a thousand motion pictures, the Lubin Manufacturing Company declared bankruptcy on September 1, 1916

In late Summer 1914, Morris traveled once again to London, England. During his stay in London, World War I was flaring up. On August 4, 1914, the United Kingdom declared war on Germany. Morris returned to American, arriving in New York on November 16, 1914. The ship's manifest lists William R Stuart Morris, born in Charlestown on January 30, 1862. The manifest further states he was single, 52 years old, and residing at 1108 Walnut Street, Philadelphia, Pennsylvania.[12]

Between January and August 1915, Morris returned to making movies and acted in 4 films for various organizations, including Powers Picture Plays and Jesse L. Lasky Feature Play

In 1915, Morris signed a contract with Selig Polyscope based in Chicago, Illinois but having offices in Los Angeles. During his stay with Selig, he was reunited with Lloyd B. Carleton. Between September and December, Morris acted in 4 Carleton-directed short films. Morris's total film output for 1915 was 6 short movies and 2 feature-length. He made 3 more pictures for Selig Polyscope before departing.

Universal logo

Lloyd Carleton signed a Universal contract in the autumn of 1915. Richard Morris signed a Universal contract in 1916 and permanently moved to Los Angeles, California.

Morris reunited with Lloyd B. Carleton again and acted in the Red Feather feature-length production of A Yoke of Gold released on August 14, 1916. The same film provided an introduction to Emory Johnson. This relationship would prove beneficial in the coming years.

Between August 1916 and December, Morris would act in 7 Lloyd Carleton-directed films. All films were feature-length with the sole exception of the 2-reelerThe Human Gamble. All films would feature Emory Johnson in the lead. The feature-length films were:

• A Yoke of Gold Red Feather film released in August
• The Unattainable Bluebird film released in September
• Black Friday Red Feather film released in September
• Barriers of Society Red Feather film released in October
• The Devil's Bondwoman Red Feather film released in November
• The Morals of Hilda Red Feather film released in December (his last film for Universal)

1916 would be Morris's glory year in films. He had successfully made the transition from filming 2-reelers to feature-length movies. He would continue to shoot only feature-length films for the remainder of his career.

After he departed from Universal in 1916, his picture output declined. He was an actor in his later 50s looking for work in a youth-obsessed industry. He acted in one film in 1918 and another one in 1919. He made 4 films in 1920, including reuniting with Lloyd Carleton to act in The Amazing Woman.

Film Booking Offices 1926 logo

In January 1921, Richard Morris turned 59-years-old. In 1921, Hobart Bosworth productions invited Morris to play the part of Uncle Billy in The Sea Lion. He acted with Hobart Bosworth, Emory Johnson and Bessie Love. It was the only movie Morris filmed in 1921.

Emory Johnson embarked upon a career as a director in 1922. Johnson's first film was the FBO feature-length production of In the Name of the Law. When Johnson evaluated players for his first movie, Johnson probably recalled Morris had acted in 7 movies with him in 1916. Johnson hired the aging actor to play the role of Dr. Lucus in his first film.

Richard Morris would continue to appear in FBO productions directed by Emory Johnson including The Third Alarm, The West~Bound Limited, The Mailman and The Spirit of the USA until his untimely death in October 1924.[3]