Tex Morton

About 1934, he recorded some "hillbilly songs" privately. He later claimed that these were played on New Zealand radio, though this is perhaps unlikely. Some of these recordings have recently come to light, though they have not been commercially reissued. About 1934 (the exact date is uncertain - Morton himself also claimed it was 1932), he emigrated to Australia, apparently intent on a recording career.[4] On 25 February 1936, he recorded four songs for the Columbia Graphophone Company in Sydney, Australia.[5]

Purportedly Morton exiting a polling booth in Sydney in 1934, but now generally recognised as not of Morton, who was most likely still in New Zealand at the time.

Between 1936 and 1943, Morton recorded 93 songs, accompanying himself on an acoustic guitar for most tracks, for Columbia's Regal Zonophone label. On some later tracks, he was accompanied by his band, The Rough Riders, and a female singer 'Sister Dorrie' (Dorothy Carroll). In 1943, he left Columbia following a dispute with Arch Kerr, the Record Sales Manager, probably over the company's reluctance to use The Rough Riders. He was billed as 'The Yodelling Boundary Rider' on records, though he apparently did not approve of the name.[5] In 1940 he recorded musical settings of 'The Stockman's Last Bed' (Regal Zonophone G24031) and 'Rover No More' originally written by Australian composer Louis Lavater.

During the 1930s and 1940s, he gradually incorporated Australian themes and motifs into some of the songs he wrote.[4] This approach was followed by other Australian country artists who followed in his footsteps, such as Buddy Williams and Slim Dusty, leading to a particular genre of country music - the Australian bush ballad, which was also influenced by the turn-of-the-century poetry of Banjo Paterson and Henry Lawson.

In the 1940s, Morton ran a 'Dude Ranch' and guest house on a rural property in Agnes Banks on the Castlereagh Floodplain.[6]

In 1949 and 1950, he recorded more sides in Sydney and possibly New Zealand. These were released on the Rodeo and Tasman labels; some songs were probably recorded at the instigation of US record producer Ralph Peer, who visited Sydney in 1949 and met Morton.

From 1950 to 1959, Morton was in Canada and the United States. He toured with Pee Wee King in 1952 and recorded in Nashville in March 1953. Morton toured Canada and the United States as a stage hypnotist, memory expert, whip cracker and sharpshooter,[4] and was associated for some time with the Canadian country singer, Dixie Bill Hilton. He claimed to have toured for six months as an opening act for Hank Williams, but this is extremely unlikely, though he may have met Williams in late 1952 through Oscar Davis, who was Morton's manager and Williams's last manager, or he might have been part of Hilton's opening act for Williams in one of Williams' concerts in Canada.[7]

He returned to Australia in 1959 with a Grand Ole Opry show, featuring Roy Acuff, the Wilburn Brothers and June Webb, but the show was not popular with Australian audiences and the tour had to be called off.[7]

In one of his acts, he asked the audience to give him 100 words. He would recount them back in order, "forgetting" one of them around the 50th word only to suddenly remember the word when he had almost finished his act.

Morton continued to record during the 1960s and 1970s, and had a surprise hit with "Goondiwindi Grey" on the Australian Singles Charts, reaching No. 5 in June 1973.[8] The fiddle accompaniment on the track was provided by long-time friend and veteran of the Sydney entertainment scene comedian/violinist George Raymond.

During this period, Morton showed an increasing interest in acting.[4] He appeared in Australian television shows and feature movies (such as We of the Never Never).

He was the first inductee into Australian Roll of Renown in 1976, recognising his pivotal role in the development of country music in Australia and New Zealand.[9]

The Country Music Awards of Australia (CMAA) (also known as the Golden Guitar Awards) is an annual awards night held in January during the Tamworth Country Music Festival, celebrating recording excellence in the Australian country music industry. They have been held annually since 1973.