Robert Miles

External video
"Robert Miles - 'Children' (Dream Version)" on YouTube

In 1994, Miles wrote a trance and chill-out piece based on acoustic guitar chords and soft synthesizer effects, "Children", which was later developed into a dream house song featuring a piano theme on top.[6] The single picked up sales slowly, but within two weeks of its official release in 1995, it had sold more than 350,000 copies all over Europe and topped the charts in many countries. The single received an unprecedented "Essential Tune of The Week" three weeks in a row on Pete Tong's show, causing a furious bidding war. It was then signed to Deconstruction Records in the UK by Giles Goodman of Dynamik Music (who represented Platipus Records the initial UK licensee).[6] After occupying the Euro Top 100 chart number 1 spot for thirteen consecutive weeks (see European Hot 100 Singles), by 1997, "Children" had sold more than five million copies worldwide. It earned Miles platinum records[7][8] in many countries, a Brit Award (Robert Miles is, to date, October 2022, the only Italian artist who has received the award) as Best International Male Newcomer 1997,[9] a World Music Award as World's Best Selling Male Newcomer,[6] and various other awards.

Miles' next single was "Fable".[6] Part of this song was used in the theatrical trailer for the U.S. movie Ever After (see Ever After § Trailer) starring Drew Barrymore and Dougray Scott. His debut album Dreamland was released on 7 June 1996 in Europe,[6] and released in the United States about a month later. The album included a cover of "One and One" featuring British singer Maria Nayler. This cover became very popular (it reached number 1 in the Euro Top 100 Singles Chart during the Christmas period and remained in the top spot for six consecutive weeks)[10] and was later released as a single in Europe and the U.S.

In November 1997, Miles released another track, "Freedom", which was one of the key tracks on his second album 23am,[6] featuring vocals provided by Kathy Sledge of Sister Sledge. Containing a different feel from the previously more club-oriented Dreamland, 23am incorporated more lyrics-driven songs than its predecessor while maintaining Miles' trademark piano sound from the first album.[6]

After splitting from Deconstruction, BMG and his former management in London, he set up his own independent record label Salt Records (stylised as S:alt Records, with S:alt being short for suitably:alternative) in 2001 and released his third album, Organik,[11] featuring the new single "Paths" with vocals provided by Nina Miranda of Smoke City. Guests on the album included Trilok Gurtu, Bill Laswell and Nitin Sawhney. Music from Organik was used on various movie soundtracks such as The Bourne Identity, Derrida, and City of Ghosts. It was licensed to Narada Productions' Shakti Records label in the USA. In 2002, an album containing mainly remixes of songs found on Organik was released. The album, appropriately entitled Organik Remixes,[12] contained remixes by the winners of the remixing contest held on Robert Miles's Web site, as well as remixes from well-known artists such as Future Sound of London, Riton, and Alexkid among others.[13] The album also had one new track, "Bhairav", which featured the vocals of Amelia Cuni.[14]

In 2004, Miles released Miles Gurtu,[15] his fourth album, which was a collaboration with percussionist Trilok Gurtu and included jazz and electronica elements. Also guesting on the album were Nitin Sawhney, Jon Thorne, Mike Patto and Paul Falloon.[13]

Miles' fifth album, entitled Thirteen,[16] was released worldwide on Salt Records in February 2011. For this album, Miles produced a blend of alternative and progressive rock with ambient and electronic soundscapes.[17]

In 2012 Miles finished working on the soundtrack for the movie documentary The Turn of THIS Century, directed by Peter Beyak and featuring the photography of Life Magazine. He founded a new FM and online alternative radio station, Open Lab, broadcasting from Ibiza, a project bringing together culture, arts, media, technology and innovation.[18]