Rocío Dúrcal

Her first film was Canción de Juventud (1962) directed by Luis Lucia. The plot of the film portrayed a teenager with her own personality. The movie scored huge box office and critics success. This success was repeated in other Spanish-speaking countries where the movie was shown. Immediately Dúrcal became the star of Rocío de La Mancha. Following this, she got her first record deal with transnational Phonogram (now Universal Music). The songs the artist played in both films served to make her first album, Las películas de Rocío Dúrcal (1962).

Dúrcal with Palito Ortega in Amor en el aire (1967)

In Dúrcal's third film, Tengo 17 años (1964), she put aside her role of "child star". That same year, she appeared in her first theater play, Un domingo en Nueva York, in which she was revealed as a great theatrical actress. In 1965 she filmed Más bonita que ninguna; the band Los Brincos wrote some songs for the movie. In 1966, she shared the spotlight with Enrique Guzmán in the film Acompáñame. She began to perform duets with such singers as Jaime Morey and Amalia de Isaura. Then she co-starred in the film Amor en el Aire (1967) with the then young Argentine singer-songwriter Palito Ortega. In 1968 she filmed Cristina Guzmán, the first of her films that was aimed at an audience over 18.[10]

Her last film was with Bárbara Rey in Me Siento Extraña in 1977.

In 1970, Dúrcal married Filipino-born musician Antonio Morales (known professionally as Júnior), who would manage her singing career. In 1972, Antonio Morales began a series of television shows in Spain and Latin America singing with his wife as a duet. Their first child, Spanish actress Carmen Morales de las Heras, was born in December 1970. After the birth of their second child, Antonio Morales de las Heras, in April 1974, Morales decided to give up his career to devote time to their children. Dúrcal meanwhile continued her film and singing career. In 1979 she had her third child, Shaila Morales de las Heras, who took up a singing career under the stage name of Shaila Dúrcal and is also a successful singer.[11]

In 1977, Dúrcal signed a contract with Ariola Eurodisc (with singer-songwriter Camilo Sesto supporting her in her projects) dedicating herself to the musical career. That year, while in Mexico, she met the Mexican singer-songwriter Alberto Aguilera Valadez, better known as Juan Gabriel, who decided to record a whole album of rancheras performed by Rocío Dúrcal entitled Rocío Dúrcal canta a Juan Gabriel. Without further advertising, the LP received high levels of sales, so Dúrcal and Juan Gabriel considered the possibility of a new recording together. They ended up doing 5 LPs, marking the revival of Rocío Dúrcal as a singer. The final collaboration between Dúrcal and Juan Gabriel emerged in 10 albums. Dúrcal's album named Canta A Juan Gabriel Volumen 6 (1984) is among the top ten best-selling albums in the history of Mexico. For this album Rocío Dúrcal received her first Grammy Award nomination.

Sign advertising (below the Desert Inn) a Dúrcal concert at Las Vegas, Nevada, in 1989

The collaboration of Dúrcal with Juan Gabriel was interrupted by disagreements between the artists and because of problems of Juan Gabriel with his record label, so Dúrcal continued to record albums with other songwriters such as Marco Antonio Solís and Rafael Pérez Botija (who produced for her, and wrote most of the songs for, the ballads album, Confidencias). In 1988 she recorded the album Como Tu Mujer with producer Marco Antonio Solis.

A statue in honor of Dúrcal is located in the municipality of Dúrcal, Spain.[12]

In 1990, she recorded her first album on CD format entitled si te pudirea mentir. In 1991, Durcal offered a concert at the National Auditorium in Mexico City, recorded in a double disc El Concierto... En Vivo. Between 1992 and 1993 she recorded the album Desaires, produced by the Mexican singer and songwriter Joan Sebastián. In this album she reprises ranchera.[13]

In 1995, she launched her production Hay Amores Y Amores, with songs written and produced by the Argentine Roberto Livi. For this album she was nominated again to the Grammy Awards in the category "Best Latin Pop Album". In 1997 the double album Juntos Otra Vez brought Rocío Dúrcal and Juan Gabriel together again for the last time. That album was made by an engagement with the record company and not by the desire of both artists to continue to cooperate.

In 1998, under the direction of her discoverer Luis Sanz, Dúrcal starred in the Spanish TV show Los negocios de mamá, broadcast by Televisión Española. In 2000, she celebrated 40 years in the industry. In that year she returned to ranchera music with the album Caricias, under the production of songwriter and producer Bebu Silvetti. In 2001 Rocío Dúrcal recorded Entre Tangos Y Mariachi, again produced by Bebu Silvetti, an album that includes 10 of the most famous Argentine tango arrangements interpreted with ranchero/bolero style like her previous album. In the summer of 2001 Dúrcal made a successful tour in Spain, 13 years after her last Spanish performance.

After a year and a half absence, she returned to the stage on 19 September 2002 with a concert at the National Auditorium in Mexico, which was recorded in a double album that was released on CD and then on DVD on 22 October 2002, En Concierto... Inolvidable. The album was nominated for a Latin Grammy Award. In 2003, the artist received another Latin Grammy Award nomination for her album Caramelito, produced by Kike Santander. In May 2004 she returned to Spain to record what would be her last album, Alma Ranchera, which was nominated for a Latin Grammy Award, but did not win.[14]