Rod Quantock

Quantock grew up in Coburg. His father worked in Fitzroy in a metal polishing factory and as a tram conductor. Before venturing into professional comedy, Quantock studied architecture at the University of Melbourne for 5 years. His interest in comedy started at the university Architect's revue in 1969,[3] where he felt extremely comfortable once onstage. It was here that he met his future wife Mary Kenneally. One of Quantock's sisters, Loris, is a Sydney-based artist.[4]

Quantock's break into theatre came in the early '70s. Quantock played a large part in the rebirth of live theatre in Australia in the '70s, conceiving and performing in full-scale productions for many of Australia's comedy venues including The Flying Trapeze Cafe, Foibles Theatre Restaurant, The Last Laugh, The Comedy Café and the Trades Hall.[5][6]

Along with Kenneally, Geoff Brooks and Stephen Blackburn, Quantock opened and operated The Comedy Cafe and Banana Lounge.

Quantock became more involved in television in the early 80s and the 90s, working on the series Ratbags, Australia You're Standing In It, Fast Forward, Denton,[3] BackBerner and was a regular on The Big Gig and Good News Week.[7]

In 2005, he appeared as the subject of an art exhibition displayed at Crown Casino.

Quantock was a founding member on the Melbourne International Comedy Festival board,[7] a consultant to the Melbourne Moomba Festival[7] and a member of the Arts Committee of the Bicentennial BHP Awards For Excellence.

Quantock starred in a series of television advertisements for bed retailer Capt'n Snooze from the '80s to the late '90s. In a working relationship spanning 18 years, Quantock explains that there were "a lot of things about Capt'n Snooze that were good and a lot of things that were bad"[8] but concedes that his main reason for continuing to be the face of Capt'n Snooze was financial:

They said, "All you've got to do is wear a little nightshirt and put a hat on and jump up and down on beds and you can have that semi-trailer full of money". But I think it made me a bit less ambitious in terms of comedy. I mean I won’t go into the details, but we’ve had a lot of medical problems in our family, so that money took a lot of pressure off working professionally as a comedian. So I regret it at that level. I think I probably would be a better comedian, doing more interesting things if I hadn't have had that in my life.[9]

Quantock conducted various evening bus tours of Melbourne and other parts of Victoria since the early '80s, a concept called Bus, Son of Tram or just Bus, where a group of people would travel on a bus with him to a surprise location to meet other people who had no idea of their coming. The success of the bus tour depended largely on the element of surprise and the results were almost always comical.[10] Quantock saw it as a way of seeing how frightened people have become:

We've got gated communities; we've got car alarms; we've got people putting steel shutters over their windows at night. People are frightened – of other people taking what they've got, of being killed, I suppose – so the thing I am going to find most interesting is how severe security has become but also as a way of introduc[ing] unsuspecting people to this idea that the world's not such a frightening place and you can have fun with strangers."[11]

The audience members were all given Groucho Marx masks and Rod carried a rubber chicken on a stick,[3] named Trevor.