Roger Lee

He received his bachelor's degree in Arts and Architecture from the University of California, Berkeley, and graduated in 1941 with top design honors. As a student, he was a member of the Delta Sigma Chi, the Honorary Architecture Fraternity.[4]

During 1941 and 1945, while the U.S. was engaged in World War II, he worked on designing U.S. Post Offices, and served as an Assistant Engineer with the U.S. Engineers office in Honolulu working on various defense projects. Following the war he practiced for a year with a number of firms in the Los Angeles area, and returned to the Bay Area in 1947 where he was associated with architect Fred Langhorst.

Lee was noted for the "grace and clarity" of his residential designs which made him one of the foremost proponents of the Bay Region Style after World War II. He received a number of awards and honors including "America's Best Small Houses, 1949" for his own Berkeley residence; an Award of Merit in the American Institute of Architects (AIA) Honor Awards Program, 1955 for the George Channing residence in Sausalito; and First Honor award in the AIA "Homes for Better Living Program, 1956" for the William Wilkinson House in Orinda.[4] Irene Wilkinson stated that she loves her house because "it is unpretentious and harmonizes with nature."[3]

In 1957, the London Architectural Review recognized him as one of forty U.S. architects who have "made personal contributions to American Architecture." During the course of his California practice he designed nearly 100 residences, and a small number of apartments, housing projects, recreational facilities, and churches. In 1955 he designed a series of "Universal Homes" in Kensington CA.

According to Weinstein, he helped introduce a "new way of living" using modernist designs. In 1949, Architectural Forum devoted three pages to a cluster of six El Cerrito homes designed by Lee with the headline "Modern design: Out West the customer is starting to demand it."[3] Lee influenced other architects, including Case Study House (#26) architect Beverly (David) Thorne[5] and Paffard Keatinge-Clay, both of whom had interned under Lee.[6]

Lee helped develop the "Second Bay Area Tradition" of mid-century modernism, incorporating open plans, glass walls, and attention to nature.[7] His houses are considered easy to identify, generally having a flat roof, inconspicuous front door and glass walls. The homes are usually long and low, have no decoration other than "lovely rhythms created by structural elements, ceiling beams and decking, and a strong Asian influence," notes landscape architect Ted Osmundson.[3] He used post-and-beam construction — exposed beams supported by widely and regularly spaced posts. The technique, which is common to modern homes, allows for larger spaces and larger expanses of glass than are possible with traditional wood-frame construction. It also provides a visual element: "Literally you can see the structure from anywhere in the house," notes a former client of Lee.[3]

Weinstein notes that after the war, young architects were "energized" as popular home magazines published numerous articles about the new techniques being used in construction, such as plastics and aluminum, which could be used to manufacture affordable homes for the new middle class. "It was to be a new age with a new way of living, and modernism, with its clean lines, would make it work . . "[7] As a result, Lee is considered one of "the Bay Area's great forgotten architects," notes Waverly Lowell, curator of UC Berkeley's Environmental Design Archives.[3]

Lee's designs resembled the modern homes of Joseph Eichler, with post-and-beam construction, concrete slab foundations, radiant floor heating, and an "open" plan. Within a year after he opened his own firm in 1949 through the 1960s, Lee's homes were often written up in major architectural magazines. His name was often mentioned alongside other leading modern architects of the time, including Richard Neutra, and William Wurster, both of whom also worked in Northern California. Within a few years his designs were also described in popular home magazines including House and Garden, Sunset, and others.[7]

Lee also designed a unique home style which became known as the "Moduflex" house, based on standardized parts to keep costs down. During the mid-1960s his homes could be built for as little as $25,000, or about $20 a square foot.

In 1964, he moved his practice to Hawaii and continue to design modern homes. He also designed a hospital in Hawaii.

Lee was a family man, having met his wife in Hawaii during World War II. They had two sons and a daughter. He enjoyed sports cars and summer vacations with his family to Yosemite or Oregon, and loved to fish when he had time. He died of cancer in 1981.[7]