Ron Arias

Arias' journalism career began in 1962 in Argentina working for the English-language daily newspaper, Buenos Aires Herald. Later, he became a Peace Corps volunteer near Cusco, Peru, contributing to the Christian Science Monitor an eyewitness account of a massacre of farmers by government troops. He also worked for a year on the Daily Journal in Caracas, Venezuela, thereafter publishing as a freelancer to various publications, including The Nation, the Los Angeles Times, Hispanic Link, and Nuestro magazine.[5]

In 1985 Arias began work as a People magazine senior writer with a global beat. His feature byline stories focused on all manner of people in war, famine, hurricanes, earthquakes and other calamities.[6]

Of his time as the magazine's parachute journalist, Arias has said, "On every continent, I covered five wars, famine, earthquakes, hurricanes, all kinds of disasters in Haiti, Somalia, Ethiopia, Australia, Vietnam, Moscow, you name it." His first major disaster article was the 1985 Mexico City earthquake, which he was assigned simply because he was the only staff member fluent in Spanish.[7]

Arias' work is influenced by twentieth-century Latin American literature[8] and he has been called "a post-modernist who integrates in his fiction a keen eye for actual Mexican-American experience."[9]

Arias' best known work is the novel The Road to Tamazunchale, for which numerous critical studies exist. The Road to Tamazunchale depicts the last days of Fausto Tejada, an old widower being cared for by his teenage niece in Los Angeles and occasionally visited by the spirit of his dead wife. Fausto spends his final days in a number of fantastic scenarios that suggest magic realism.

Tamazunchale, while a real place, serves here as a metaphorical place, a magical place where wishes come true but that can never really be reached; the real town is never shown in the novel, but is used in the fantastical play that Fausto and his neighbors create called "The Road to Tamazunchale". The novel radically breaks with the tradition of Chicano literature that focuses on learning to understand reality, constructing a Chicano version of history and bringing order to the world. Instead, Arias' protagonist is more a creator of worlds than an interpreter of them.[10]

Chicano Literature: A Reference Guide's entry for Arias describes The Road to Tamazunchale as a breakthrough work of Chicano fiction:

It may be that future historians of American literature will look back on The Road to Tamazunchale as critics now look at Joyce's Portrait of the Artist as a Young Man: as the foundation piece by which Joyce emerges from the matrix of his marginal, minority culture to transform its localism into enduring and lucid literary symbols relevant to the universal human experience.[4]

A feature film adaptation of The Road to Tamazunchale entitled Fausto's Road is in the works.[11]

According to Arias himself, The Wetback and Other Stories, a collection of short stories inspired by the Mexican-American denizens of the Elysian Valley of his youth, is an attempt to "bridge the white world and the darker Spanish-speaking world":

They are right next door, they are in our backyards, they take care of our kids, they wash our dishes... who are these people? This is who they are. It's a literary treatment or peek at that but... I want to humanize Mexicans or people from my kind of background, not just Mexicans, but all Latin Americans because I do have their perspective.[12]

• The Road to Tamazunchale (1975) — Arias' seminal novel about the fantastical journeys of an old man approaching death, National Book Award nominee.[17]
• The Wetback and Other Stories (2016) — a collection of short fiction about the Mexican-American inhabitants of Los Angeles' Elysian Valley neighborhood.

• Five Against the Sea (1988) — survival tale of five men who survived 142 days drifting at sea
• Healing from the Heart (1988) with Dr. Mehmet Oz — famed surgeon Mehmet Oz relates his experiences combining modern and traditional medical therapies
• Moving Target: A Memoir of Pursuit (2002) — Arias' childhood recollections and the search for his POW father, Latino Literary Hall of Fame Award recipient[19]
• White's Rules: Saving Our Youth One Kid at a Time (2007) with Paul D. White — story of a Canoga Park school teacher's response to the killing of a student
• My Life as a Pencil (2015) — a collection of essays about Arias' travels as a journalist

• "Red agitation Peru Indians stirred", Christian Science Monitor (October 5, 1965) as Ronald Arias — Peru government crackdown on an indigenous guerrilla uprising
• "The Rooster That Called Me Home", The Nation (June 18, 1983)
• "Sorrow and Strength Amid the Ruins", People (October 7, 1985) — Arias' reporting of the 1985 Mexico City earthquake
• "Red Wine, Hemingway and Me", People (October 14, 1985) — a chance encounter between Ernest Hemingway and a young Arias in Pamplona, Spain
• "Against All Odds", People (October 26, 1987) — profiles of three children thriving despite hardship
• "A Trip to the Edge", People (July 11, 1988) — source for Arias' book Five Against the Sea
• "Jane Goodall", People (May 4, 1990) — profile of the world's foremost expert on chimps in the wild
• "Heaps of Pain," Who (January 4, 1992)
• "From Inca to Inka Kola", Going Up Country: Travel Essays by Peace Corps Writers (1994) — Arias' travels in Peru as a Peace Corps volunteer
• "Snakes," Brevity: A Journal of Concise Literary Non-fiction Issue 31 (September 25, 2009) — jogging in Managua with Daniel Ortega