Passport to Shame

A young French woman becomes embroiled in a life of prostitution. Nick Biaggi (Herbert Lom) has a number of business interests, none of them honest. He runs a finance company that provides unsecured loans to naïve young women. This serves as a facade so that he can manipulate these women into his real business, prostitution . He recruits many of these women from abroad. To get them passports he has to find "husbands" for them within marriages of convenience. He has found a suitable husband for his newest recruit, Marie Louise (Malou) Beaucaire (Odile Versois). Johnny McVey (Eddie Constantine) is a Canadian cab driver and former soldier who has just borrowed a substantial amount of money from Nick’s finance company: however, Johnny doesn’t know that this is the case at the onset. He bought a new cab and now the cab has been damaged in a traffic accident, for which Nick was also responsible. Nick assists Johnny so that he can repay the loan, and mentions that Johnny could also make a further two hundred pounds through a marriage of convenience to a young French woman who really needs a passport. The marriage would be annulled after she has obtained the document. There would be no further obligations. Johnny is an honourable man, but not a naïve one. He realises what the ruse is meant to conceal. Nick acts as a procurer for female prostitutes, (or those who can be manipulated into that profession), but he needs British passports for these women. After they have obtained these, they cannot be deported once they start engaging in street sex work. Johnny is blasé about what will follow, as he regards himself as cynical and hardboiled. When he meets Malou he assumes that she is already a prostitute . He is amused when Malou tells him that she is still an innocent young woman.

Malou believes that she has been hired as a companion to an upper class British woman. Nick has established her in a nice house and she has been given pleasant outfits to wear. Furthermore, there is another young woman who lives in the same house, Vicki (Diana Dors). Malou is under the impression that Vicki is also a respectable. She has no idea about Vicki's actual profession, nor how she affords the fashionable clothes that she wears. Malou still has no idea about her ultimate prospects. However, she starts to suspect Nick's actual objectives for her once she looks inside Room 43, and sees the lingerié that Vicki wears underneath her clothes. Malou realises that 'respectable' women do not wear undergarments like that. Then Nick explains his actual objectives for Malou. However, Johnny has been re-evaluating his own initial impressions of Malou, and doesn’t like his conclusions. He does not like the idea of Malou, his erstwhile wife, as a sex worker and recruits his fellow cab drivers to locate and rescue her. Nick blackmails Malou into engaging in street sex work, and threatens her with disfigurement if she doesn't comply. After being forced to smoke cannabis, Malou undergoes an hallucinatory dream sequence, only to find that she has inadvertently killed a client, according to her captors and is pressured into becoming a streetwalker by Nick and Aggie.

Fortunately, Johnny and his cabdriver associates have located the unwilling and reluctant Malou and rescue her from the street. However, Johnny's cab is then pursued by Nick's gangster henchmen. but manages to elude them. Malou explains her situation to Johnny, who reassures her that she is safe. Subsequently, though, Nick and his criminal associates recapture Malou and assault Johnny, while fellow cab driver Mike and Vicki grow closer. Mike discovers Johnny in his demolished flat. Aggie suggests that Malou should be sent back to France, while it is also suggested that she should be murdered. Vicki and Aggie are horrified when Nick agrees to this 'solution' to Malou's plight. When Vicki's disfigured sister takes her own life, she finally breaks with Nick altogether and tells Johnny about where Nick is keeping Malou captive. Johnny disguises himself and enters the premises to rescue Malou once more, while Vicki lures Malou's guard away through seductive behaviour and then knocks him out with a bottle blow to the head. Meanwhile, cabdrivers converge on Nick's bordello and fight a pitched battle against Nick's gangster associates while Vicki, Johnny and Malou flee from Nick, in pursuit but a fire breaks out. Nick falls to his death, but Johnny has saved Malou and Vicki has decided to quit prostitution as a consequence of her experiences, and settles down with Mike [4][5]

• Diana Dors as Vicki
• Herbert Lom as Nick Biaggi
• Eddie Constantine as Johnny McVey
• Odile Versois as Marie Louise 'Malou' Beaucaire
• Brenda de Banzie as Aggie
• Robert Brown as Mike
• Elwyn Brook-Jones as Solicitor Heath
• Jackie Collins as English girl
• Lana Morris as Girl
• Steve Plytas as French Restaurant Manager
• Cyril Shaps as Willie
• Denis Shaw as Mac
• Margaret Tyzack as June, Heath's secretary
• Joan Sims as Miriam, Phone operator in the taxi office
• Pauline Stroud as Maria
• Michael Caine as Man getting married (uncredited)
• Anne Reid as Woman getting married (uncredited)
• Maurice Bush as client, dream sequence (uncredited)
• Emil Stemler as waiter (uncredited)

"This was not a low budget film," said director Alvin Rakoff, "this was a lowest budget film." When the lighting cut out during a key scene, the filming had to continue.

The film introduced new talent, such as Michael Caine and Anne Reid in uncredited roles, Jackie Collins, later an acclaimed novelist, and Joan Sims.

Nicolas Roeg, director of Don't Look Now and The Man Who Fell to Earth was the camera operator. Alvin Rakoff, a renowned television director, took on directing duties, despite knowing that it would be an exploitation film, because he wished to work in motion pictures.

This was Eddie Constantine's first English-language film.[6]

Filming began on 3 July 1958.[7]

The film was also known as Visa to Shame and One Way Street.

The Los Angeles Times said "the picture is rather well done."[8]

The Monthly Film Bulletin called it a "wildly incredible story" which "... must be the most wholeheartedly absurd prostitute drama yet. Motivations are mysterious and characterisations grotesque. Connoisseurs of the bizarre may relish some of the production's most ambitious moments."[9]

Variety said, "Though a familiar entry in characters and general action, it has a plus in fairly unfettered looks at prostitution in London and the workings of a white slave ring. It looks to have exploitation facets for Yank dualer chances and its “X” certificate in England should also help at the boxoffice. "[2]

Filmink thought Dors was better than the female lead.[10]

• Passport to Shame at IMDb
• Passport to Shame at Rotten Tomatoes
• Passport to Shame at Screenonline
• Passport to Shame at BFI
• Passport to Shame at TCMDB
• Passport to Shame at Letterbox DVD
• Passport to Shame a BFI
• Review of film at Spinning Image