Ross Alexander
Ross Alexander (born Alexander Ross Smith; July 27, 1907 – January 2, 1937) was an American stage and film actor.
Ross Alexander | |
---|---|
Born | Alexander Ross Smith July 27, 1907 Brooklyn, New York, U.S. |
Died | January 2, 1937 29) Los Angeles, California, U.S. | (aged
Occupation | Actor |
Years active | 1924–1937 |
Spouses |
Early years
Alexander was born Alexander Ross Smith in Brooklyn, New York,[1] the son of Maud Adelle (née Cohen) and Alexander Ross Smith.[2] His maternal great-grandfather Morris Cohen was a Polish Jewish immigrant. His father was a leather merchant.
Ross Alexander was born and raised in Brooklyn until his high school years. He attended Erasmus Hall High School in Brooklyn for a while until he and his family moved to upstate Rochester, New York. He attended high school there, but he dropped out before graduating.[3]
When he was 17, he went to New York City and studied acting at the Packard Theatrical Agency.[4]
Stage
Alexander began his acting career with the Henry Jewett Players in Boston, debuting in Enter Madame.[5] By 1926, he was regarded as a promising leading man with good looks and an easy and charming style and began appearing in more substantial roles.
His Broadway credits include The Party's Over (1932), Honeymoon (1932), The Stork Is Dead (1932), After Tomorrow (1931), That's Gratitude (1930), Let Us Be Gay (1928), The Ladder (1926), and Enter Madame (1920).[6]
Film
Alexander was signed to a film contract by Paramount Pictures, and his film debut in The Wiser Sex[7] (1932) was not a success, and so he returned to Broadway. In 1934, he was signed to another studio contract, this time by Warner Bros. His bigger successes from this period were Flirtation Walk (1934), A Midsummer Night's Dream and Captain Blood (both 1935).
In 1936, he starred in Hot Money. It was a defining role in his persona as a glamorous, well-dressed and dapper leading man, not in the usual Warner gangster mold of rough-hewn stars such as Edward G. Robinson or Paul Muni.
His final film Ready, Willing and Able, a Ruby Keeler musical, was released posthumously. Supposedly Ronald Reagan was signed by the studio as a replacement for Alexander due to remarked similarities in their radio voices and mannerisms.[8]
Personal life
Alexander married actress Aleta Freel on February 28, 1934, in East Orange, New Jersey.[4] Freel committed suicide on December 7, 1935, shooting herself in the head with a .22 rifle.[9] On September 17, 1936, Alexander married actress Anne Nagel,[10] with whom he had appeared in the films China Clipper and Here Comes Carter (both 1936).[11]
Death
On January 2, 1937, three months after marrying Nagel, with his professional and personal life in disarray and deeply in debt, Alexander shot himself in the head in the barn behind his home. Although it has been reported that Alexander used the same rifle with which his first wife Aleta Freel killed herself,[12] he actually shot himself with a .22 pistol, not a rifle. He is buried in lot 292 of the Sunrise Slope section of Forest Lawn Cemetery in Glendale, California.[13]
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1932 | The Wiser Sex | Jimmy O'Neill | |
1934 | Social Register | Lester Trout | |
1934 | Gentlemen Are Born | Tom Martin | |
1934 | Flirtation Walk | Oskie | |
1935 | Maybe It's Love | Rims O'Neil | |
1935 | Going Highbrow | Harley Marsh | |
1935 | We're in the Money | C. Richard Courtney, aka Carter | |
1935 | A Midsummer Night's Dream | Demetrius | |
1935 | Shipmates Forever | Lafayette "Sparks" Brown | |
1935 | Captain Blood | Jeremy Pitt | |
1936 | Boulder Dam | Rusty Noonan | |
1936 | Brides Are Like That | Bill McAllister | |
1936 | I Married a Doctor | Erik Valborg | |
1936 | Hot Money | Chick Randall | |
1936 | China Clipper | Tom Collins | |
1936 | Here Comes Carter | Kent Carter | Alternative title: The Voice of Scandal |
1937 | Ready, Willing, and Able | Barry Granville | Released posthumously |
References
- Frasier, David K. (2005). Suicide in the Entertainment Industry: An Encyclopedia of 840 Twentieth Century Cases. McFarland. pp. 9–10. ISBN 9781476608075. Retrieved June 16, 2017.
- "Hundreds at Actor's Funeral". The Edwardsville Intelligencer. Illinois, Edwardsville. January 9, 1937. p. 3. Retrieved June 16, 2017 – via Newspapers.com.
- Ross Alexander: The Life and Death of a Contract Player (2020) by John Franceschina.
- Allen, John R. Jr. "Ross Alexander". Classic Images. Archived from the original on 7 July 2012. Retrieved 16 June 2017.
- "Signed for Films". The Brooklyn Daily Eagle. New York, Brooklyn. November 4, 1931. p. 21. Retrieved June 16, 2017 – via Newspapers.com.
- "("Ross Alexander" search results)". Playbill Vault. Playbill. Archived from the original on 16 June 2017. Retrieved 16 June 2017.
- Monush, Barry (2003). Screen World Presents the Encyclopedia of Hollywood Film Actors: From the silent era to 1965. Hal Leonard Corporation. pp. 7–8. ISBN 9781557835512. Retrieved June 16, 2017.
- Anger, Kenneth (1984). Hollywood Babylon II, Plume, New York, p. 215.
- "Milestones". Time. December 7, 1935.
- "Alexander Ended Life As Film Fame Neared". The Brooklyn Daily Eagle. New York, Brooklyn. Associated Press. January 4, 1937. p. 3. Retrieved June 15, 2017 – via Newspapers.com.
- "Ross Alexander: The Tragic Suicide of a Closeted 1930s Hollywood Star". Original Cinemaniac. December 28, 2020. Retrieved November 27, 2021.
- Donnelley, Paul (2005). Fade to Black: A Book of Movie Obituaries. Omnibus Press. p. 38. ISBN 1-84449-430-6.
- Wilson, Scott (August 19, 2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. McFarland. p. 14. ISBN 978-1-4766-2599-7. Retrieved January 22, 2021.