Roxy Gordon

Roxy Lee Gordon (March 7, 1945 – February 7, 2000) was an American poet, novelist, musician, multimedia artist, and activist.[1] Described as a "progressive country witness and outlaw poet,"[2] Gordon often used spoken vocals accompanied by music that mixed Native American rhythms with country and western themes and musicians working in Texas.

Roxy Gordon
BornMarch 7, 1945
Ballinger, Texas
DiedFebruary 7, 2000
OccupationPoet, Novelist, Musician, Activist
NationalityAmerican

Background and education

Gordon was raised and lived later in his life in Talpa, Texas.[3] He identified as being of Choctaw and Assiniboine ancestry.

Publishing

In the late 1960s, his wife Judy and he lived in Lodge Pole, Montana, where he published the Fort Belknap Notes, a newsletter of the Fort Belknap reservation.[2] In the 1970s, they moved to Albuquerque, New Mexico, and ran a country-music magazine, Picking up the Tempo. Gordon was also involved in the American Indian Movement and helped found a local chapter in Dallas.[2] His writing was featured in Rolling Stone and the Village Voice[4] and he ran a small publishing company called Wowapi.[5]

Writing

In addition to music and spoken word, Gordon published six books and more than 200 poems, articles, and short fiction; he also coauthored two plays with his wife.[6] Gordon had a following in England[7] as well as the U.S., and his circle included singer-songwriter Townes Van Zandt and others who respected poetic narratives.[8]

Works

His works include:[9][10]

  • Some Things I Did (1979), ISBN 978-0884260127
  • Breeds[11] (1984) Austin, Tex.: Place of Herons, ISBN 0916908283
  • Unfinished Business (1985)
  • At Play in the Lord's Fields (1986)
  • West-Texas Mid Century (1988)
  • Crazy Horse Never Died (1989)
  • Kerrville Live (1993)
  • Revolution in the Air (1995)
  • Smaller Circles (1997)
  • Townes Asked Did Hank Williams Ever Write Anything as Good as Nothing (2001)

References
  1. TNSF (2018-08-22). "Southern Lit Presents: Roxy Gordon | The New Southern Fugitives". Retrieved 2020-03-02.
  2. Jasinski, Laurie E. (2012-02-22). Handbook of Texas Music. Texas A&M University Press. ISBN 978-0-87611-297-7.
  3. Seventh Generation: An anthology of Native American plays. D'Aponte, Mimi, Theatre Communications Group (First ed.). New York. 1999. ISBN 1-55936-147-6. OCLC 38886676.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  4. Liles, Jeff (2000-05-11). "Some things he did". Dallas Observer. Retrieved 2020-03-02.
  5. "Roxy Gordon on Native American Authors". Retrieved 2012-08-14.
  6. "GORDON, ROXY LEE [FIRST COYOTE BOY] | The Handbook of Texas Online| Texas State Historical Association (TSHA)". tshaonline.org. 2014-08-07. Retrieved 2020-03-02.
  7. Greaves, Brendan (2018). "What I Learned from Gay Country, Communist Disco, and a Choctaw Poet's Sermon on Immigration". Southern Cultures. 24 (3): 6–29. doi:10.1353/scu.2018.0029. ISSN 1534-1488. S2CID 149594173.
  8. Polish Gypsy with Ghost. Chapbook and vinyl single, 1993.
  9. McClinton-Temple, Jennifer; Velie, Alan (2015-04-22). Encyclopedia of American Indian Literature. Infobase Learning. ISBN 978-1-4381-4057-5.
  10. "Roxy Gordon Memorial Page". Archived from the original on 2004-04-04. Retrieved 2012-08-14.
  11. Davis, R. M. (1986). Roxy Gordon: "breeds" (book review). Studies in Short Fiction, 23(3), 333.
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