Ruth Chatterton

Chatterton was born in New York City on December 24, 1892 to Walter, an architect, and Lillian (née Reed) Chatterton.[1] She was of English and French extraction. Her parents separated while she was young. Chatterton attended Mrs. Hagen's School in Pelham, New York.[1]

In 1908, Chatterton and her friends were attending a play in Washington, D.C. Chatterton later criticized the acting of the lead actress to her friends, who challenged her to become a stage actress herself or "shut up". Chatterton accepted the challenge, and a few days later, joined the chorus of the stage show.[2] She soon dropped out of school to pursue a stage career.[1] Aged 16, Chatterton joined the Friend Stock Company in Milwaukee, Wisconsin, where she remained for six months.[2][3]

Ullrich Haupt and Chatterton in Madame X (1929)

In 1911, Chatterton made her Broadway stage debut in The Great Name. Her greatest success onstage came in 1914, when she starred in the play Daddy Long Legs, adapted from the novel by Jean Webster.[4]

Chatterton married her first husband, actor Ralph Forbes, on December 19, 1924, in Manhattan.[5] They moved to Los Angeles. With the help of Emil Jannings, she was cast in her first film role in Sins of the Fathers in 1928. That same year, she was signed to a contract by Paramount Pictures. Chatterton's first film for Paramount was also her first sound film, The Doctor's Secret, released in 1929. Chatterton was able to make the transition from silents to sound because of her stage experience.[6]

Later in 1929, Chatterton was loaned to Metro-Goldwyn-Mayer, where she starred in Madame X. The film was a critical and box-office success, and effectively launched Chatterton's career. For her work in the film, Chatterton received her first nomination for an Academy Award for Best Actress.[7] The following year, she starred in Sarah and Son, portraying an impoverished housewife who rises to fame and fortune as an opera singer. The film was another critical and financial success, and Chatterton received a second Academy Award nomination for Best Actress. Later that year, Chatterton was voted the second female star of the year, behind only Norma Shearer, in a poll conducted by the West Coast film exhibitors.[6]

Chatterton in the trailer for Female (1933)

In 1933, Chatterton starred in the successful Pre-Code comedy-drama Female, in which she plays the head of an automobile factory who uses handsome men in her employ for sex and then drops them. When she left Paramount Pictures, her initial home studio, for Warner Bros., along with Kay Francis and William Powell, the brothers Warner were said to then need an infusion of "class". Chatterton's last picture for Warner Brothers was the 1934 drama Journal of a Crime, co-starring Adolphe Menjou and Claire Dodd. In this late pre-Coder, Chatterton plays a jealous wife who murders her husband's mistress. Chatterton is well-remembered for the types of roles that came to an end with implementation of the Production Code in July 1934, but she went on to co-star in the film Dodsworth (1936), for Samuel Goldwyn. This is widely regarded as her finest film, with what many considered an Oscar-worthy performance, although she was not nominated. Due to her age and the studios' focus on younger, more bankable stars, she moved to England and made only two more pictures, ending with A Royal Divorce (1938). She came back in 1948 to do television until 1953.

By 1938, Chatterton had tired of motion picture acting and retired from films. She moved back to the Eastern United States, where she lived with her third husband, Barry Thomson. In 1940 she returned to the Broadway stage to star in John Van Druten's Leave Her to Heaven. She continued acting in Broadway productions and appeared in the London production of The Constant Wife, for which she received good reviews. Chatterton also raised French poodles and began a successful writing career.[8] Her first novel, Homeward Borne, was published in 1950 and became a best seller. She went on to write three more novels: The Betrayers (1953), The Pride of the Peacock (1954), and The Southern Wild (1958).

Ruth Chatterton ad from The Film Daily, 1932

In 1947 she narrated a four-sided 78 rpm disc set, The Revolt of the Alphabet, written by John Byrne, with music by Vladimir Selinsky.[9]

Chatterton came out of retirement in the 1950s, and appeared on U.S. television in several plays, including a TV adaptation of Dodsworth on Prudential Playhouse, alongside Mary Astor and Walter Huston.[10] Her last television appearance was as Gertrude in a 1953 adaptation of Hamlet, with Maurice Evans in the title role, on the anthology series Hallmark Hall of Fame.

The Lugar Mausoleum where Chatterton's remains are interred

After the death of her third husband in 1960, Chatterton lived alone in the home they shared in Redding, Connecticut. On November 21, 1961, she suffered a cerebral hemorrhage while friends were visiting her home.[22] She was taken to Norwalk Hospital in Norwalk, Connecticut, where she died on November 24, aged 68.[23] She was cremated and is interred in a niche in the Lugar Mausoleum (Section 11, Lot 303) at Beechwoods Cemetery in New Rochelle, New York.[24]

For her contribution to the motion-picture industry, Ruth Chatterton has a star on the Hollywood Walk of Fame, at 6263 Hollywood Blvd.[25] She is also a member of the American Theater Hall of Fame.[26]

• List of actors with Academy Award nominations

• Homeward Borne: A Novel (1950)
• The Betrayers (1953)
• The Pride of the Peacock (1954)
• The Southern Wild (1958)
• Lady's Man (1961)[27]

• Aherne, Brian (1969). A Proper Job: An Autobiography of an Actor's Actor (1 ed.). New York: Houghton Mifflin.
• Blum, Daniel C. (1954). Great Stars of the American Stage: A Pictorial Record. Grosset & Dunlap.
• Bordman, Gerald (2001). American Musical Theatre: A Chronicle (3 ed.). New York: Oxford University Press. ISBN 0-195-13074-X.
• Jones, Kim (2009). Aviation in Tulsa and Northeast Oklahoma. New York: Arcadie Publishing. ISBN 978-0-738-56068-7.
• Matowitz, Thomas G. (2006). Cleveland's National Air Races (Images of Aviation). New York: Arcadia Publishing. ISBN 0-738-53996-1.
• McLean, Adrienne L., ed. (2011). Glamour in a Golden Age: Movie Stars of the 1930s. Rutgers University Press. ISBN 978-0-813-54904-0.
• Roberts, Jerry (2003). The Great American Playwrights on the Screen: A Critical Guide to Film, Video, and DVD. Hal Leonard Corporation. ISBN 1-557-83512-8.
• Turner Classic Movies, Inc.; Corliss, Richard (2014). Mom in the Movies: The Iconic Screen Mothers You Love (and a Few You Love to Hate). Simon and Schuster. ISBN 978-1-476-73828-4.
• Vazzana, Eugene Michael (2001). Silent Film Necrology (2 ed.). McFarland. ISBN 0-786-41059-0.
• Wallach, Ruth; Taube, Dace; Zachary, Claude; Roseman, Curtis C. (2008). Historic Hotels of Los Angeles and Hollywood Images of America: California. New York: Arcadia Publishing. ISBN 978-0-738-55906-3.

• O'Brien, Scott. Ruth Chatterton: Actress, Aviator, Author. Bear Manor Media, 2013. ISBN 1593932480

• Ruth Chatterton Papers, 1893-1961, Sophia Smith Collection, Smith College.

Wikimedia Commons has media related to Ruth Chatterton.

• Ruth Chatterton at the Internet Broadway Database
• Ruth Chatterton at IMDb
• Ruth Chatterton at the TCM Movie Database
• Photographs of Ruth Chatterton
• Ruth Moesel Collection of Ruth Chatterton Materials, 1909-1974, Billy Rose Theatre Division, New York Public Library for the Performing Arts
• New York Public Library Blog on Ruth Chatterton