Ryan McNamara

Ryan Ponder McNamara (born 1979) is an American artist known for fusing dance, theater, and history into situation-specific, collaborative performances.[1][2][3] McNamara has held performances and exhibitions at Art Basel,[4] The High Line,[5] Dallas Symphony Orchestra,[6] The Whitney Museum, MoMA P.S.1,[7] and The Kitchen amongst other places.[8]

Early life and education

McNamara was born and raised in Arizona.[9]

He studied photography at Arizona State University and graduated with a MFA at Hunter College in New York City.[10]

Work

McNamara typically works in with sculpture, drawing, video, and performance. The artist has described his work as "under-your-bed" art and, more recently, image-heavy collaborative performances nicknamed "readymade choreography."[9][11][12][13] Writer and critic Alex Fialho notes that the artist often uses "the stage as a medium in itself."[14]

McNamara participated in the 2nd Athens Biennale in 2009 with a video work titled, "I Thought It Was You."[15] The work featured two screens portraying the artist enacting a spontaneous dance alongside a Herbie Hancock recording.[16]

In 2010, the artist performed one of his most ambitious projects to date: “Make Ryan a Dancer.” Over the length of five months and under public scrutiny and surveillance, the artist took to the task of learning ballet, contact improvisation, and exotic dancing, amongst other dance styles, at MoMA PS1.[17][18]

McNamara's solo show at Elizabeth Dee gallery in 2012, "Still," transformed the gallery space into a chaotic trompe l'oeil photography studio. The studio included backdrops and props, found objects, set pieces and costumes, and rolling cameras overseen by the artist and assistants.[19] The eerie and improvisational images invoked the surrealist impulses of artists Lucas Samaras and Jimmy DeSana. Later that summer, McNamara and artists K8 Hardy, T.M. Davy, and Paul Sepuya attended BOFFO, a queer arts and performance residency on Fire Island founded by architect Faris Saad Al-Shathir.[20]

In 2013, McNamara was named the winner of Performa 2013’s Malcolm McLaren Award. Titled, "MEEM: A Story Ballet About the Internet," the thirty-one dancers and performance ensemble re-enacted various internet clips featuring George Balanchine, “West Side Story,” Janet Jackson, K-pop, and more.[21][22]

Curated by Piper Marshall, McNamara's 2015 show, "Gently Used," repurposed costumes from previous performances and gallery lighting into campy and ambitious sculptural and time-based works.[14] Later that same year, McNamara collaborated with musician Dev Hynes for a one night-only performance, "Dimensions," that fused dance, soul, and opera into a kaleidoscopic meditation at the Perez Art Museum.[23]

In 2016, McNamara's re-purposed MoMA PS1 back into a choreographed school. The piece, titled "Ryan McNamara Presents: Back to School," rooms and viewing spaces were emptied out and turned into classrooms; performers acted as teachers, administrators, goths, preps, jocks, and cheerleaders.[24]

For part of the Works & Process series at the Guggenheim Museum in 2017, McNamara collaborated with John Zorn to re-stage a commedia dell'arte that included just under a dozen dancers, a jazz trio, an a cappella quartet, and the nooks and crannies of the museum space itself. Roberta Smith of the New York Times writes of McNamara's performances as an, "increasingly impressive transition from performance art to choreography."[25]

The following year, McNamara performed an updated iteration of his ME3M performance, "ME3M 4 Boston," at the ICA Boston. That same year, he performed "Battleground" at the Guggenheim Museum. "Battleground" was one of McNamara's most ambitious projects to date. For the piece, McNamara collaborated with nine contemporary dancers, including Reid Bartelme, Jason Collins, Dylan Crossman, Fana Fraser, John Hoobyar, Kyli Kleven, Sigrid Lauren, Mickey Mahar, and Brandon Washington. The dancers partook in a cosplay-battle-ballet choreographed for the idiosyncratic architecture of the theater at the Guggenheim. Audience members acted as witnesses to the three groups' battle in "The Red Choir Loft," "The Green Balcony," and "The Blue Stage."[26]

In 2018, McNamara showed a collection of goopy sculptures and dolls for an exhibition at ASHES/ASHES called, "I.L.L.I.S. & I.S.L.I.F. (It Looks Like It Sounds & It Sounds Like It Feels)."[27]

For the 2019 BOFFO Performance Festival, McNamara performed A Quote by Frank O’Hara or Something Like That alongside Brandon Washington, Aaron Burr Johnson, Victor Lozano, and Oisín Monaghan.[28] McNamara also curated a group exhibition at Baby Company gallery, called "Fire" that same year. Artists included in the group exhibition were A.L. Steiner, Cajsa von Zeipel, Kia LaBeija, Matthew Leifheit, Nicole Eisenman, Paul Sepuya, Raúl de Nieves, and Wolfgang Tillmans amongst many others.

McNamara presented a suite of new drawings and a live performance, called "The Consolations," at Company gallery in 2020.[29]

"Before I Forgot Myself," is a 2022 exhibition at OCDChinatown that brings together a collection of artworks and video works from the artist's studio and archives over the past fifteen years.[30]

Influences

McNamara has a range of influences including dancer and choreographer Merce Cunningham, composer John Zorn, artist Thomas Lanigan-Schmidt, the Internet, New York's club kids, ballet, SAGE, science fiction, and more.[11][31]

Selected Performances and Exhibitions

  • Before I Forgot Myself, OCD Chinatown, NY 2022
  • Still Life, The Bunker, Palm Beach, FL, 2021
  • Cavern of Fine Gay Wine & Video, Hauser & Wirth, NY, 2021
  • The Consolations, Company Gallery, NY, 2020
  • A Quote by Frank O’Hara or Something Like That, Boffo Performance Festival, Fire Island, NY, 2019
  • Dyke Dads Fag Fathers, Sotheby’s, NY
  • Fire, Baby Company, New York, NY
  • ME3M 4 Boston, ICA Boston, Boston, MA, 2018
  • Battleground, Guggenheim Museum, New York, NY, 2018
  • Commedia del Arte, with John Zorn, Guggenheim Museum, New York, NY, 2017
  • Awareness Raising and Befriending Schemes, Frieze Projects, New York, NY, 2017
  • Divided States of America, The LGBT Center, New York, NY, 2017
  • Ryan McNamara Presents: Back to School, MoMA PS1, Queens, 2016
  • Several Interventions Over the Course of Two Hours, The Power Plant, Toronto, 2016
  • Battleground, Guggenheim Museum, New York, NY, 2016
  • Dimensions, with Dev Hynes, Perez Art Museum, Miami, FL, 2015
  • The Poseurs, A Dance, with K8 Hardy, The Whitney Museum of American Art, New York, NY, 2015
  • Gently Used, Mary Boone Gallery, New York, NY, 2015
  • ME3M 4 Miami, Miami Grand Theater, Miami Beach, 2014
  • Misty Milarky Ying Yang, The High Line, New York, NY, 2014
  • Rockaway!, Rockaway Beach Club, MoMA PS1, The Rockaways, NY, 2014
  • ME3M, Performa13, New York, NY, 2013
  • Ryan McNamara’s Candid, Brand New Gallery, Milan, Italy, 2013
  • Pose, MOVE!, SESC, Sao Paulo, Brazil, 2013
  • And Introducing Ryan McNamara, Collectorspace, Istanbul, Turkey, 2013
  • Still, Elizabeth Dee, New York, NY, 2012
  • Moscow Biennale for Young Art, Moscow, Russia, 2012
  • This Charming Man, Bulletin Board, 208 Bowery, New York, NY, 2012
  • II, Watermill Performance Center, Water Mill, NY, 2011
  • On Shuffle, Lehmann Maupin, New York, NY, 2011
  • Card Ending in 5589, Art Basel, Miami Beach, FL, 2011
  • Meditation, Repetition, Trance, Mendes Wood, Sao Paolo, Brazil, 2011
  • Collaboration with Michele Abeles, Public Art Fund, New York, NY, 2011
  • Jack Smith: Thank You For Explaining Me, Barbara Gladstone Gallery, New York, NY, 2011
  • And Introducing Ryan McNamara, Elizabeth Dee, New York, NY, 2010
  • The Whitney Houston Biennial, Whitney Museum of American Art, New York,  NY, 2010
  • Greater New York, MoMA PS1, New York NY, 2010
  • Forever, The Kitchen, New York, NY, 2010
  • Ryan McNamara Presents: Klaus von Nichtssagend, The Musical, Klaus von Nichtssagend Gallery, New York, NY, 2009
  • Stars!, Salon 94 Freemans, New York, NY, 2009
  • 2nd Athens Biennale, Athens, Greece, 2009
  • Ryan McNamara Presents: Bernie, the Magic Lady, Art Production Fund Lab, New York, NY, 2009

Collections

Awards and Grants

  • Foundation for Contemporary Art Grant
  • ArtMatters Grant
  • Performa Malcolm McClaren Award

References

  1. Scott, Andrea K. (20 June 2016). "Ryan McNamara, the Artist Who Dances About the Internet". The New Yorker. ISSN 0028-792X. Retrieved 2020-01-20 via www.newyorker.com.
  2. "Ryan McNamara". www.foundationforcontemporaryarts.org. Retrieved 2020-01-20.
  3. Wilson, Michael (23 October 2017). "Is Ryan McNamara an Artist or a Dancer?". Retrieved 2020-01-20.
  4. Needham, Alex (3 December 2014). "Ryan McNamara – ME3M 4 Miami Art Basel review: the web made dance". The Guardian. ISSN 0261-3077. Retrieved 2020-01-20 via www.theguardian.com.
  5. Rooney, Kara L. (5 February 2015). "RYAN MCNAMARA Gently Used No Entrance, No Exit". The Brooklyn Rail. Retrieved 2020-01-20.
  6. Kennedy, Randy (2014-04-09). "New Dallas Festival Teams Symphony With Artists". artsbeat.blogs.nytimes.com.
  7. Holmes, Helen (2016-09-24). "Inside Ryan McNamara's Wild "Back to School" Benefit at MoMA PS1". W Magazine. Retrieved 2020-01-20.
  8. "Devonté Hynes & Ryan McNamara Performance "Dimensions" Takes Over Pérez Art Museum Miami Terrace During Miami Art Week Celebration". www.pamm.org. Retrieved 2020-01-20.
  9. "Ryan McNamara on choosing to be an artist". thecreativeindependent.com. Retrieved 2020-01-20.
  10. Stewart, Chris (2018-11-19). "Ryan McNamara's Serious, Messy, Kinda Gross Art". Vulture. Retrieved 2020-01-20.
  11. Gartenfeld, Alex (2009-05-21). "The New New York Art Scene". Interview Magazine. Retrieved 2020-01-23.
  12. Katz, Miriam (2016-04-02). "Ryan McNamara". Flash Art. Retrieved 2020-01-23.
  13. Scott, Andrea K. (2013-11-04). "Live Action". The New Yorker. Retrieved 2020-01-24.
  14. Fialho, Alex. "Ryan McNamara - Mary Boone Gallery". Artforum. Retrieved 2020-01-24.
  15. "The 2nd Athens Biennale 2009 HEAVEN is conceived as a multifaceted contemporary art festival that extends along the coastline of Athens, in the central areas of Palaio Faliro and Kallithea". Biennial Foundation. 2009-05-09. Retrieved 2020-01-23.
  16. "Cathryn Drake on the 2nd Athens Biennale". www.artforum.com. Retrieved 2020-01-23.
  17. McDougall, Rennie (2017-10-27). "Ryan McNamara's Populist Approach to Dance Falls Short at the Guggenheim". Hyperallergic. Retrieved 2020-01-24.
  18. Schaefer, Brian (2016-04-29). "Ryan McNamara's 'Battleground' Invokes Costume and Conquest at the Guggenheim". The New York Times. ISSN 0362-4331. Retrieved 2020-01-24.
  19. Smith, Roberta (2012-03-08). "Ryan McNamara: 'Still'". The New York Times. ISSN 0362-4331. Retrieved 2020-01-24.
  20. Entertainment, The Magazine for Architectural. "INTERVIEW: BOFFO Founder Faris Al-Shathir on 10 Years of Diversity and Art in Fire Island". pinupmagazine.org. Retrieved 2022-05-04.
  21. Davis, Ben (2019-12-30). "The 100 Works of Art That Defined the Decade, Ranked: Part 2". artnet News. Retrieved 2020-01-23.
  22. Scott, Andrea K. (4 November 2013). "Live Action". The New Yorker. Retrieved 2020-01-24.
  23. Herriman, Kat (2015-12-01). "Inside Art Basel Miami Beach's Most Anticipated Collaboration". The New York Times. ISSN 0362-4331. Retrieved 2020-01-24.
  24. "Ryan McNamara Takes You Back to School at MoMA PS1". artnet News. 2016-09-07. Retrieved 2020-01-24.
  25. Smith, Roberta; Cotter, Holland; Farago, Jason (2017-12-06). "The Best Art of 2017". The New York Times. ISSN 0362-4331. Retrieved 2020-01-24.
  26. "Ryan McNamara: Battleground - Announcements - e-flux". www.e-flux.com. Retrieved 2022-05-04.
  27. "ASHES/ASHES - Ryan McNamara / I.L.L.I.S. & I.S.L.I.F." ashesonashes.com. Retrieved 2022-05-04.
  28. "Ryan McNamara A Quote from Frank O'Hara or Something Like That - BOFFO". boffo.art. Retrieved 2022-05-04.
  29. "Company Gallery : The Consolations, Live Performance". companygallery.us. Retrieved 2022-05-04.
  30. "Ryan McNamara — OCDChinatown". ocdchinatown.com. Retrieved 2022-05-04.
  31. "Thomas Lanigan-Schmidt remembers Stonewall". Artforum. 2019-06-25. Retrieved 2020-01-23.
  32. "Untitled". whitney.org. Retrieved 2020-01-20.
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