Saikat Majumdar

Majumdar's novels are written in evocative and lyrical style, and mainly deal with the themes and subjects like religion, memory, sexuality, education, and history. His novels primarily take place in the Indian city of Calcutta and surrounding areas.[5]

Majumdar's debut novel, Silverfish, was published in 2007. It brings together two stories: a single day in the life of a retired schoolteacher, Milan Sen, in 1980's Calcutta, and several decades in the life of Kamal, a woman in an aristocratic family from 19th century Bengal, who is married and widowed young. Milan finds the manuscript of Kamal's diary and reads the torn pages of Kamal's memoirs as he spends the day fighting bureaucracy and crime in order to get his pension from the Communist government of the state. The stories of Kamal's suffering, including her widowhood and the death of her son in the hands of the British, seem to echo with Milan's own suffering as their voices eventually merge at the tragic end of Milan's day.[2][6][7]

His next novel The Firebird was published in 2015. It was published in the US under the title Play House in 2017. It was featured in the Daily Telegraph's Best Books of 2015 and was a finalist for the Mumbai Film Festival Word to Screen Market and the Bangalore Literature Festival Fiction Award.[4][8]

The Firebird is set in the backdrop of Indian theatre (in north Calcutta) and take place in mid to late-1980's. It tells the story of a small boy, Ori, who grows up in a once-affluent family now trying to maintain its social status in a conservative north Calcutta neighborhood. Its main focus is Ori's relation with his mother, Garima, a stage actress, whose profession evokes moral suspicion in the family and the neighborhood, and how that suspicion eventually shapes Ori's destructive relation with the art form of theatre.[9][2][10] Writer Sumana Roy praised the storytelling and the central metaphor of the novel, death.[11] Sheila Hattangdi reviewed The Firebird in the American Book Review and praised the characterisation and the presentation of scenes, writing: "he [Majumdar] has the remarkable ability to get into the skin of his characters while remaining somewhat detached, and he asks the reader to assume an active position in confronting the society that the characters come face to face with, so much so that the voice of the narrative becomes something far greater than the sum of its parts".[10] Writer Hansda Sowvendra Shekhar praised the 'atmospheric' description of student life and the author's writing. He wrote that Majumdar's writing is so subtle that some parts of this novel warrant a second reading. Shekhar called the novel 'a revelation draped in sensuousness'.[12]

Majumdar's third novel The Scent of God, a bildungsroman, was written during 2015 and 2018, and was published in 2019. It narrates a love story between two teenage boys (Anirvan/Yogi and Kajol) in an all-boys' boarding school run by Hindu monastic order. Anirvan, a young student, is fascinated by the music and silence of spiritual life. He dreams of becoming a monk. But as he seeks his dream, he finds himself drawn to a fellow student, and they come together to form an intimate and unspeakable relationship. The novel is set in late 20th-century when same-sex relationship constitute a crime.[13] The novel received critical acclaim upon release and was listed as the Best Romance Novels of 2019 by the Times of India.[5] It was shortlisted for the Mathrubhumi Book of the Year Award.[14]

Author Aditya Sudarshan praised the novel's narrative and called it 'fluent' and 'significant'.[15] Imran Ali Khan, writing for Scroll.in, noted that the novel is potent with promise but remains opaque. He noted that author's efforts to think about the delicate lines between the sensory and the erotic are perhaps too thin and they remain unexplored. He praised the 'beautiful narrative' and storytelling.[16] Lamat R Hasan, writing for Hindustan Times, praised the novel for its 'powerful' writing, and wrote that "every word is carefully crafted and the subtle carelessness in every sentence opens an ocean of interpretations. The poetry-prose captures the tension of the two entangled world orders, spiritual and material".[17]

Writer Sohinee Roy reviewed the novel in The Wire. She termed the novel as an "intimate and aesthetic response to religious life of India". According to her the novel offers a way to understand why dismissing religion as backward has not prevented it from intruding on and usurping our secular existence. The novel also presents a counter to limited visions of religion.[18]

Majumdar's fourth novel The Middle Finger was published in early 2022. It is a contemporary college campus novel about poetry, performance, and mentorship. An examination of the teacher-student relationship through the lens of ancient myths, particularly that of Drona and Ekalavya from The Mahabharata.

Writer and Professor, Lantz Fleming Miller reviewed the novel in LARB. He called it "a masterpiece of subtlety and gentle ellipsis". He says "Another striking feature of the book is Majumdar’s sculpted language, at once sensual and sharply honed. Each sentence is a poem in itself, and some especially glimmer with insight.” [19]

Trailblazer policymaker, and an officer of the Indian Administrative Services (IAS), Uma Mahadevan-Dasgupta calls The Middle Finger "a white brilliance" in The Hindu. She says, "Saikat Majumdar’s latest novel is a pointed examination of the ethics of modern education". She asks "Is there poetry for those who have not been ‘taught’ to read it? Are there ways in which poetry can reach out and ‘touch’ a reader, as Socrates says to Agathon? This is the question at the heart of this novel. The answer, of course, is yes; because, as one of the characters realises, “There are different ways one can exist in the world.” [20][21]

Senior Deputy Editor of Frontline Suhrid Sankar Chattopadhyay says "Saikat Majumdar has emerged as one of the most powerful and important voices of his generation in Indian literature in English. Through his beautiful and often dark writings, Majumdar has not only explored the complexities of human relationships in their different socio-political milieus but has also gently questioned universally accepted social norms, traditions, and behaviour." In an interview "The sensory filters of politics: In conversation with Saikat Majumdar",[22] when asked by Chattopadhyay about The Middle Finger sounding controversial, Majumdar says "perhaps the title does; but it actually comes from the retelling of a myth. At the heart of this novel is the nature of the relation between a teacher and a student, the many confusing shades of that relationship. Who gets close access to a teacher, to certain kinds of education, and why? What are the limits of friendship and intimacy between a teacher and a student? What is the connection between the artistic, the intellectual, and the erotic?"

• The Critic as Amateur (Bloomsbury, 2019; co-edited with Aarthi Vadde)
• Special Issue: American Book Review ("Little India")