'Salem's Lot

Ben Mears, a writer, has returned to Jerusalem's Lot, Maine after 25 years to try to write his next novel. He quickly becomes friends with high school teacher Matt Burke and strikes up a romantic relationship with Susan Norton, a young college graduate with ambitions of leaving town. Ben has returned to "the Lot" to write a book about the long-abandoned Marsten House, where he had a bad experience as a child when he saw a hanging ghost. He learns that the house—the former home of Depression-era hitman Hubert "Hubie" Marsten—has been purchased by Kurt Barlow, ostensibly an Austrian immigrant who has arrived in the Lot to open an antique furniture store. Barlow is supposedly on an extended buying trip; only his business partner, Richard Straker, is seen in public. The truth, however, is that Barlow is an ancient vampire and Straker is his human familiar.

The duo's arrival coincides with the disappearance of a young boy, Ralphie Glick, and the death of his 12-year-old brother, Danny, who becomes the town's first vampire turned by Barlow. Barlow also turns town dump custodian Dud Rogers and telephone repairman Corey Bryant. Danny turns other locals into vampires, including the graveyard digger, Mike Ryerson; a newborn baby, Randy McDougall; a man named Jack Griffen; and Danny's mother, Marjorie. Danny fails to turn his classmate Mark Petrie, who resists him by holding a plastic cross in Danny's face. To fight the spread of the new vampires, Ben and Susan are joined by Matt Burke and his doctor, Jimmy Cody, along with Mark and the local priest, Father Callahan. Susan is captured by Barlow, who turns her. She is eventually staked through the heart by Ben.

When Father Callahan and Mark go to Mark's parents' house to explain the danger that the family is in, the power is suddenly cut off and Barlow appears. After killing Mark's parents, Barlow takes the boy hostage. Callahan pulls out his cross in an attempt to drive him off, and it works until Barlow challenges him to throw the cross away. Callahan, not having faith enough to do so, is soon overwhelmed by Barlow, who forces Callahan to drink his blood, making him "unclean". When Callahan tries to re-enter his church, he receives an electric shock, preventing him from going inside. Defeated, Callahan leaves Jerusalem's Lot.

Matt suffers a fatal heart attack while Jimmy is killed when he falls from a rigged staircase and is impaled by knives set up by the vampires. Ben and Mark destroy Barlow, but are lucky to escape with their lives and are forced to leave the town to the now-leaderless vampires. Ben returns the following day to retrieve and bury the bodies of Mark's parents in a clearing behind the Petrie residence. The novel's prologue, which is set shortly after the end of the story proper, describes Ben and Mark's flight across the country to a seaside town in Mexico, where they attempt to recover from their ordeal. Mark is received into the Catholic Church by a friendly local priest and confesses for the first time what they have experienced. An epilogue reveals the two return to the town a year later, intending to renew the battle. Ben, knowing that there are too many hiding places for the vampires, starts a brush fire in the nearby woods with the intent of destroying the town.

While teaching a course on fantasy and science fiction for students at Hampden Academy, King was inspired by Dracula, one of the books covered in the class. "One night over supper I wondered aloud what would happen if Dracula came back in the twentieth century, to America. 'He'd probably be run over by a Yellow Cab on Park Avenue and killed,' my wife said. [In the Introduction to the 2004 audiobook recording that Stephen King read himself, he says it was he who said, "Probably he'd land in New York and be killed by a Taxi Cab, like Margaret Mitchell in Atlanta" and that it was his wife who suggested a rural setting for the book.[6]] That closed the discussion, but in the following days, my mind kept returning to the idea. It occurred to me that my wife was probably right – if the legendary Count came to New York, that is. But if he were to show up in a sleepy little country town, what then? I decided I wanted to find out, so I wrote 'Salem's Lot, which was originally titled Second Coming."[7] Though King initially planned to title the novel Second Coming, he changed it to Jerusalem's Lot on the advice of his wife, novelist Tabitha King, who thought the original title sounded too much like a "bad sex story." King's publishers then shortened it to the current title, thinking the author's choice sounded too religious. King's paperback publisher bought the book for $550,000.

King expands on this thought of the 20th-century vampire in his essay for Adeline Magazine, "On Becoming a Brand Name" (February 1980): "I began to turn the idea over in my mind, and it began to coalesce into a possible novel. I thought it would make a good one, if I could create a fictional town with enough prosaic reality about it to offset the comic-book menace of a bunch of vampires." Yet the inspirations for 'Salem's Lot go back even farther. In Danse Macabre, a non-fiction overview of the modern horror genre, King recalls a dream he had when he was eight years old. In the dream, he saw the body of a hanged man dangling from the arm of a scaffold on a hill. "The corpse bore a sign: ROBERT BURNS. But when the wind caused the corpse to turn in the air, I saw that it was my face - rotted and picked by birds, but obviously mine. And then the corpse opened its eyes and looked at me. I woke up screaming, sure that a dead face would be leaning over me in the dark. Sixteen years later, I was able to use the dream as one of the central images in my novel 'Salem's Lot. I just changed the name of the corpse to Hubie Marsten."

King first wrote of Jerusalem's Lot in the short story "Jerusalem's Lot", penned in college, but not published until years later in the short story collection Night Shift. In a 1969 installment of "The Garbage Truck", a column King wrote for the University of Maine at Orono's campus newspaper, King foreshadowed the coming of 'Salem's Lot by writing: "In the early 1800s a whole sect of Shakers, a rather strange, religious persuasion at best, disappeared from their village (Jeremiah's Lot) in Vermont. The town remains uninhabited to this day."[8]

Politics during the time influenced King's writing of the story. The corruption in the government was a significant factor in the inspiration of the story. Of this he recalls,

I wrote 'Salem's Lot during the period when the Ervin committee was sitting. That was also the period when we first learned of the Ellsberg break-in, the White House tapes, the connection between Gordon Liddy and the CIA, the news of enemies lists, and other fearful intelligence. During the spring, summer and fall of 1973, it seemed that the Federal Government had been involved in so much subterfuge and so many covert operations that, like the bodies of the faceless wetbacks that Juan Corona was convicted of slaughtering in California, the horror would never end ... Every novel is to some extent an inadvertent psychological portrait of the novelist, and I think that the unspeakable obscenity in 'Salem's Lot has to do with my own disillusionment and consequent fear for the future. In a way, it is more closely related to Invasion of the Body Snatchers than it is to Dracula. The fear behind 'Salem's Lot seems to be that the Government has invaded everybody.[9]

Illustrated edition cover

In 2005, Centipede Press released a deluxe limited edition of 'Salem's Lot with black and white photographs by Jerry Uelsmann and the two short stories "Jerusalem's Lot" and "One for the Road", as well as over 50 pages of deleted material. The book was limited to 315 copies, each signed by Stephen King and Jerry Uelsmann. The book was printed on 100# Mohawk Superfine paper, it measured 9 by 13 inches (23 cm × 33 cm), was over 4+1⁄4 in (11 cm) thick, and weighed more than 13 pounds (5.9 kg). The book included a ribbon marker, head and tail bands, three-piece cloth construction, and a slipcase. An unsigned hardcover edition limited to 600 copies, was later released. Both the signed and unsigned editions were sold out.[10] In an interview with the printed trade journal Fine Books & Collections, King said of the illustrated folio version of his 'Salem's Lot, "I think it's beautiful!"[11] A trade edition was later released.

In the short story anthology A Century of Great Suspense Stories, editor Jeffery Deaver noted that King

singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He's often remarked that 'Salem's Lot was 'Peyton Place meets Dracula,' and so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampires and make them fresh again.[12]

Wikiquote has quotations related to 'Salem's Lot.

• 'Salem's Lot title listing at the Internet Speculative Fiction Database