Santa Maria dei Servi (Siena)

The most important works housed in the Santa Maria dei Servi have included :

Coronation of the Virgin altarpiece

• Coronation of the Virgin by Bernardino Fungai. This altarpiece is generally acclaimed as the masterpiece of Fungai and belongs to the period between 1498 and 1501. The four predella panels depicting the life of Saint Clement were sold separately, and were temporarily reunited for an exhibition at the Metropolitan Museum of Art in New York in 1988. The narrative scenes of the four panels are all painted with tempera on wood.
  • Conversion of Saint Clement, housed in the Musée des Beaux-Arts de Strasbourg. The first panel represents the young philosopher, Clement, who having thought that his parents and two brothers were lost at sea turned more seriously to inquire into the question of the immortality of the soul.
  • Reunion of Saint Clement with his family, also housed in the Musée des Beaux-Arts de Strasbourg. The second panel shows Clement reunited with his parents and brothers through the instrumentality of Saint Peter the Apostle
  • Saint Clement Striking the Rock, housed in the City Art Gallery, York, England. The third panel continues the narrative of the life of Saint Clement, after he succeeded Saint Peter as Bishop of Rome.
  • Martyrdom of Saint Clement, also housed in the City Art Gallery, York, England. The final scene depicting highlights in the life of Clement done in tempera and gold on wood, and is noted as the most magically evocative in Fungai’s career.
  • The central panel belonging to the predella, depicting The Dead Christ Supported by Two Angels, resurfaced at the 1991 sale of works from the Ferdinand and Imelda Marcos collection at Christie's in New York. The picture was subsequently purchased by the City Art Gallery, York.[2]

It is not known when the Fungai predella panels were dismantled from the altarpiece of the church of Santa Maria dei Servi and then separated. There is a lack of information regarding the dates when these panels found their way into the museums where they are housed at the present.[3]

Predella panels from Fungai
Conversion of St Clement	Reunion of St Clement with family	St Clement striking the Rock	Martyrdom of St Clement

"Madonna del Bordone" by Coppo di Marcovaldo (1261 CE).

• Madonna del Marcovaldo (called Madonna del Bordone) by Coppo di Marcovaldo, signed and dated 1261, in Byzantine style and partially repainted by a pupil of Duccio. Its height of 7 feet 3 inches and its width of 4 feet foreshadow the late-thirteenth-century tendency for panel paintings to approach the scale of frescoes.[4]
• The Massacre of the Innocents by Matteo di Giovanni (1491)
• Adoration of the Shepherds (1404) by Taddeo di Bartolo
• Madonna and Saints by Matteo di Giovanni
• Madonna with child by Duccio di Buoninsegna
• The Slaughter of the Innocents by Pietro Lorenzetti
• Madonna del Popolo by Lippo Memmi
• Herod’s Feast by Pietro Lorenzetti
• The Death of St. John the Evangelist by Pietro Lorenzetti
• Annunciation by Francesco Vanni
• The Madonna of Belvedere of Jacopo di Mino del Pellicciaio and Taddeo di Bartolo (1363)

• Charboneau, Damian M.; Montagna, Davide M. (1989). "The Fungai altarpiece in Santa Maria dei Servi in Siena (1498-1501): rare exhibit reunites lost predella pieces". Roma. {{cite journal}}: Cite journal requires |journal= (help) — Journal title=Istituto storico O.S.M.,155:164
• White, John (1966). Art and Architecture in Italy 1250 to 1400. Penguin Books.