Sengadal

Sengadal (The Dead Sea) is a 2011 Indian Tamil-language independent film written and directed by Leena Manimekalai, who makes her directing debut and stars in the film.[1] Produced by Janaki Sivakumar, the film features cinematography by M. J. Radhakrishnan and editing by Sreekar Prasad. The film was initially banned by the regional centre of the Censor Board, but Appellate Tribunal authorities of the board at New Delhi cleared the film in July 2011 after legal struggle.[2][3][4][5] Sengadal was part of the Indian Panorama at the 42nd International Film Festival of India after the censor board had cleared the film.[6]

Sengadal
Poster
Directed byLeena Manimekalai
Written byC. Jerrold
Antonythasan Jesuthasan
Produced byJanaki Sivakumar
StarringLeena Manimekalai
Antonythasan Jesuthasan
CinematographyM. J. Radhakrishnan
Edited bySreekar Prasad
Music byL. V. Ganesan
Production
company
Tholl Paavai Theatres
Release date
  • August 2011 (2011-08) (Durban)
Running time
90 minutes
CountryIndia
LanguagesTamil
English

Cast

Plot

On the Indian mainland, across the waters, arrive the Tamil refugees from Sri Lanka, an unending stream of people dispossessed of their lands and Gods, to an uncertain future with ever receding hopes of return. Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Hope is a big word and resistance but a tired expression. Three decades of struggle for a nation is washed out, a race obliterated. For, there is no one fighting their war back home now. Heroic images have turned to dust. The bunkers run with the wasted blood. Smoke rises from heaps of putrid flesh. Unwanted lives rot away in barbed wire human zoos. The misery spills over to the Indian shore. Fishermen fishing in fear in ignorance of friendly and enemy waters get dumped as rebels, spies and smugglers and unceremoniously beaten to death or shot or maimed. Yet, each morning sees their boats launched once again to the sea as the sea is their motherland and the language of fish their mother tongue. Manimekalai, the filmmaker, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration. Soori, a half-wit Sri Lankan Tamil, who connects to the world through his radio, stands aloof in this bleak world of despair sending lightning jolts of truth into the dark recesses of History. No wonder, he vanishes into the blue and Manimekalai is forced by the State to return to the world of civil obedience. Munusamy is killed and Rosemary turns to her God, the same God who parted the Red Sea to save his flock in their flight from annihilation.

Production

This film was a people participatory work, says director.[7] The movie was filmed in Dhanuskodi, India which is just 18 km from Sri Lanka.[8] When talking about the movie, the director says, the real victory of her movie would be, even if one fisherman is saved from killing of Sri Lankan navy.[9] Writer, director, producer Leena Manimekalai, tried gather funds via crowd sourcing for the distribution of the movie.[10]

Film crew, IFFI (2011)

List of official selections
  • Sengadal the DeadSea had won the GFI Production grant for 2010[11]
  • Only Tamil film to be screened at the 42nd International Film Festival of India.
  • Official Selection, International Competition, 32nd Durban International Film Festival, August 2011[12]
  • Official Selection, First Film Competition, 35th World Montreal Film Festival, September 2011[12]
  • Official Selection, International Competition, Mumbai Film Fest, MAMI, October 2011[4][13]
  • NAWFF Award (Best Asian Woman Film award), Tokyo International Film Festival, November 2011[12]
  • Indian Panorama, Indian International Film Festival, Goa, December 2011[9][14][15]
  • World Cinema Official Selection, International Film Festival of Kerala, 2011
  • Chithrabarathi Competition, Bangalore International Film Festival, 2011
  • Official Korean Premiere, International Women Film Festival, South Korea, 2012
  • Official Taiwan Premiere, International Women Film Festival, Taipei, 2012
  • NAWFF Premieres at International Women Film Festivals at Israel and Beijing, 2012
  • Pecheurs De Monde International Film Festival, Lorient, France, 2013
  • Rare Picks at Hundred years of Indian Cinema Package, 2013

References
  1. "Fishing in death sea - Livemint". www.livemint.com. 8 April 2011. Retrieved 10 May 2017.
  2. "Between body and the flesh". ulaginazhagiyamuthalpenn.blogspot.my. Retrieved 10 May 2017.
  3. "Leena Manimekalai: Broke but not broken | Latest News & Updates at Daily News & Analysis". dna. 6 November 2011. Retrieved 10 May 2017.
  4. "Troubled Waters - Indian Express". archive.indianexpress.com. Retrieved 10 May 2017.
  5. "Tehelka - India's Independent Weekly News Magazine". archive.tehelka.com. Retrieved 10 May 2017.
  6. "Sengadal to put spotlight on Tamil fishermen - Indian Express". archive.indianexpress.com. Retrieved 10 May 2017.
  7. "Sea of sufferings". The New Indian Express. Retrieved 10 May 2017.
  8. "Horrors of Tamil-Lankan fishermen on celluloid". archive.mid-day.com. Retrieved 10 May 2017.
  9. "Festive fare". The Hindu. Retrieved 10 May 2017.
  10. "Small budget filmmakers now woo the masses for money". The Times of India. Retrieved 10 May 2017.
  11. Summer Granting release globalfilm.org
  12. KAMATH, SUDHISH. "No holds barred". The Hindu. Retrieved 10 May 2017.
  13. "Of dead seas and Indian independent films". Retrieved 10 May 2017.
  14. "'There are no actors in my film'". Rediff. Retrieved 10 May 2017.
  15. "Limelight". The Telegraph. Retrieved 10 May 2017.
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