Sergei Sviatchenko

From 1975 to 1983, Sviatchenko worked as an architect for a number of architectural firms in Kharkov. From 1983 to 1986, he studied and graduated with a master's degree from Kyiv National University of Construction and Architecture, having completed his Ph.D. dissertation ”Means to Visual Information in Architecture”. In 1986 Sviatchenko was invited to work as art editor for the youth magazine ”Ranok” (”Morning”) in Kiev. At the same time he became one of the founders of the Soviet Union's first center for contemporary art ”Soviart” in Kyiv and the center's first art director and curator. In the latter half of the 1980s emerged ”the Ukrainian New Wave” – a movement in Ukrainian visual art whose members rejected the restrictions of censorship, created new aesthetic principles with their creativity and insisted on the right to their own choice of artistic method. Sergei Sviatchenko was one of the participants in this perestroika-created movement in Kyiv.[9] Sviatchenko has made a number of monumental art works, among others in Nokia's headquarters in Copenhagen (now Aalborg University Copenhagen|Aalborg University), at the educational institution Tradium in Randers, in Jyske Bank's headquarters in Silkeborg, Holstebro Sygehus (hospital), Skjern kirke (church), Poul Due Jensen Akademi (Grundfos), at Nykredit and Kraftvarmeværket (CHP plant), Viborg, Denmark and FC Midtjylland (Dream99). A member of Billedkunstnernes Forbund (BKF) (Union of Visual Artists) and National Union of Architects of Ukraine. In 2007 Sergei Sviatchenko was awarded the International Yellow Pencil Award/London,(D&AD)https://advisory.artcult.org.ua/naau-auction/sergei-sviatchenko-auction. Honorary Member and Professor of the Ukrainian Academy of Architecture, 2022. Foreign academician of the National Academy of Arts of Ukraine, 2023. IPA2023 Honorable Mentioned in the categorie Fien Art Collage.

Senko Studio

In the beginning of the millennium Sviatchenko opened a non-profit exhibition studio Senko-Studio[10] in Viborg. The name of the studio is made up of the first two and last three letters of his first and last names Sergei Sviatchenko. Internationally recognized artists from several different countries participated in the studio's exhibitions. For a number of years the studio became a place of experimentation for young artists who worked in various media, while already recognized designers could exhibit their works which were specifically created for display in Senko Studio. Over seven years, Senko Studio hosted 72 exhibitions of contemporary art.[11]

Collage is found in Sviatchenko's work already in the beginning of the 1980s. In Sviatchenko's collages, a dialogue takes place between the material and the immaterial, between the realistic and the surrealistic. His collages comprise a kind of fusion of the recognizable and the unconscious, specific and symbolic, the detailed and the spontaneous. Two art movements are present in Sviatchenko's collages, of which one is anchored in Constructivism (art) and the other in Surrealism. Sergei Sviatchenko's collages are created among other under the influence of the classical representatives of the historical Ukrainian avant-garde|avant-garde Alexander Rodchenko[12](1891-1956), El Lissitzky[13](1890-1941), Kazimir Malevich[14](1978-1935) and Gustav Klutsis[15](1895-1938.[16] Inspired by the avant-garde of constructivism and the Bauhaus school movement, a connection between architecture, photomontage, scenography, decoration, design solutions and clothing style is created in Sviatchenko's artistic expression. Besides, the inspiration from Cubism, Dadaism and Surrealism is a characteristic feature in Sviatchenko's collages.[17] The method in Sviatchenko's collages is often based on a vertical-horizontal structure which can likewise be found in many of his paintings and photographs. His compositions are often created with a minimum of elements such as fragments of human figures, buildings or recognizable

From the series "Less" )2009)

objects which are combined by the artist into a new sculptural form.

In Sviatchenko's work as a whole but primarily in his collages, the inspiration from the cult film ”Mirror" (1975) plays a central role. The film's poetic aesthetics, its artistic language and symbolism and its figurative execution of time and space became a model for Sviatchenko's artistic creativity. A number of works of art by Sviatchenko are dedicated to the film ”Mirror”. The collages created in the ”Mirror”-series are made on the basis of film strips from the original film.[18] In collaboration with the Japanese artist Noriko OKAKU,[19] Sergei Sviatchenko created the short film ”Mirror to Mirror” which is dedicated to the film ”Mirror”. The film won first prize at the international festival in Lucca (Italy) in 2015. Collages by Sviatchenko have been displayed at exhibitions in Denmark, Germany, Italy, Austria, France, England, Canada, and the United States and published in magazines such as Dazed & Confused, AnOther, Kilimanjaro, Varoom, Elephant, Rojo, Viewpoint, Blueprint, DAMn, Euroman, LOFFICIEL, Stiletto, Arena, Neon, Free & Easy and many others.https://archive.sviatchenko.dk/publications

The concept Less-collage emerged in the 2000s as a trend within modern conceptual collage and was introduced for the first time by Sergei Sviatchenko in 2004. Less-collage arose as a reaction to many fragmented, ”congested” compositions in classical and modern collages. What is unique about Sviatchenko's Less-collages and characteristic of his imagery are firstly the distinct cut in selected images and secondly the number of elements in the collage which deliberately is minimized to two or three at the mosthttps://designobserver.com/feature/collage-now-part-1-sergei-sviatchenko/38052. Unusually light colour backgrounds (few selected colours) highlight the motives and make them visually more convex, giving the otherwise flat images a sharper edged dimension. A further characteristic of the Less-collage is the absence of a precise geography and history. The elements have been torn out of their original reality and historical context and create instead a new room of interpretation in which the viewer can reflect.[20]

Sviatchenko's earliest image ideas were stylistically formed in his paintings at the end of 1990. The original idea was carried out in a number of paintings first displayed at the exhibition ”Ukrainian Art 1960-80s” which opened in Kiev in 1990 and then in Fyns Kunstmuseum in Odense. The principal artwork from this series was called ”Joy Beyond the Mountains” (1989), which was inspired by the painters from the so-called Peredvizhniki cooperative (”The Wanderers” 1870–1923). In the 1990s Sviatchenko continued working in this style after having settled down in Denmark. In the earliest artworks, the paintings in this series also included short texts as well as heraldic symbols and ornaments. Sviatchenko showcased this early series in full at FIAC – The international contemporary art fair in Paris in 1994 and at Galleri NORD (Randers, Denmark). The style mostly associated with Sviatchenko is especially characterized by an abstract expressionism with markings of landscape motifs applied with a significant palette and often with an atmosphere of contemplative repose pointing to the artist's preoccupation with the catharsis-theme.[21] Moreover, lines and sketchings of architectural figures are an element of many paintings, and in recent years Sviatchenko has experimented by including features from collage in characteristic mixed media. His paintings have recently become more expressive and wild and thus more spontaneous like the collages. This is especially evident in the paintings from the series "The First Snow in Bauhaus" (2020) and "All This and more" (2022).

From CUAP

In 2009, Sviatchenko together with his youngest son Erik Sviatchenko began work on the project Close Up And Private (CUAP).[22] The website started as an artistic photo project centered around the details in a man's wardrobe, his private/personal expression and style. ”Close Up And Private” brings fashion photography into an artistic frame towards a more abstract understanding that views style and fashion as elements in a new aesthetic.[23] In 2010, Sviatchenko using the pseudonym Sergey Nielsen created an image version of Close Up And Private, in 2011 a collage version ”Less CUAP”. Close Up And Private has collaborated with brands such as Costume National, Gant Rugger, Dickies, Mismo, Jack & Jones by Premium [10], Harris Tweed, AN IVY, S.T. VALENTIN and others who create new artistic interpretations and designs. According to an opinion poll conducted by the magazine EUROMAN [26], Sviatchenko has several times been voted ”best-dressed man in Denmark” in 2010, 2014 and 2019.

• ”You”. Retrospective exhibition. Viborg Kunsthal, 2017

• ”Nattergalen” (The Nightingale) – scenography and costume design for Dansk Danseteater, 2020

• "Better than the Moon", Fredericia Kunstforening, 2020

• Sergei Sviatchenko: Collages | SCHLEBRUGGE.EDITOR (schlebruegge.com)
• https://issuu.com/lr_carlsen/docs/sergei_issuu
• SERGEI SVIATCHENKO & 10 YEARS WITH 'CUAP' – AN IVY COPENHAGEN (an-ivy.com)
• Nature Matter (silkeborgbad.dk)
• https://acclaimmag.com/art/interview-sergei-sviatchenko/
• Sergei Sviatchenko - MuseumsQuartier Wien (mqw.at)
• https://thenumber4.com/?s=sergei+sviatchenko&post_type=post
• https://www.facebook.com/tradiumhhx/videos/kunsten-m%C3%B8der-erhvervslivet-p%C3%A5-tradium-hhx/1823959431016877/
• Light and Memory – Painting and Collage by Sergei Sviatchenko | Multiple Identities of a Face (wordpress.com)
• closeupandprivate.com
• For Light and Memory. Painting and Collage by Sergei Sviatchenko
• senko.dk
• https://www.nowness.com/story/sergei-sviatchenko-for-light-and-memory
• https://www.abramovych.art/eng/artists/sergei_sviatchenko
• «EVERYTHING GOES RIGHT AND LEFT IF YOU WANT IT» PAINTING AND COLLAGE BY SERGEI SVIATCHENKO
• Sergei Sviatchenko «The world of art is extremely diverse! Experiment more!»
• Danish artist of Ukrainian origin Sergei Sviatchenko and his creative credo
• Collage Now: Sergei Sviatchenko: Design Observer
• cut above: inside the spirited collage worlds of Sergei Sviatchenko — The Calvert Journal
• Sviatchenko: Collages Another Something

• 2022 Sergei Sviatchenko, Close Up and Private, Modern Cassicist, Verlag für moderne Kunst, Wien
• 2020 Christian Kortegaard Madsen, Better than the Moon, Fredericia Kunstforening
• 2018 Jørn Jacobsen, Sergei Sviatchenko, Jeg er en collage, Lindhardt & Ringhof, København
• 2018 Jørn Jacobsen, Sergei Sviatchenko: I am collage, Lindhardt & Ringhof, Copenhagen
• 2017 Sergei Sviatchenko — You red. Helena Nyborg Bay, Viborg Kunsthal 2017
• 2014 Rick Poynor, Sergei Sviatchenko: Collages, Schlebrueger.editor, Vienna
• Skull Art Prints, 20 removable posters, Laurence King Publishing, London
• 2013 Dennis Busch, Hendrik Hellige and Robert Klanten (eds.), The Age of Collage, Gestalten, Berlin
• 2012 Silke Krohn (eds.), Everything Goes Right & Left if You Want It: The Art of Sergei Sviatchenko
• 2011 Hendrik Hellige, Robert Klanten and James Gallgher (eds) Cutting Edges: Contemporary collage, Gestalten, Berlin
• 2008 Trine Rytter Andersen o.a., Mirror By Mirror. Homage to Andrei Tarkovsky by Sergei Sviatchenko, Galleri Image, Aarhus
• 2007 Sergei Sviatchenko, Less, limited edition artist's book, Rojo, Barcelona
• 2006 Hans Henrik Jacobsen, Paintings & Others 1991–2006, Hovedland, Aarhus
• 2003 Viktor Antonov, Georgy Nikich and Martine Arnault-Tran, Sviatchenko: Multimedia, Light, Art, Stories, Borgen, Copenhagen
• 1996 Jørgen Hansen, Sergei Sviatchenko: Paintings 1993–1996, Galerie Egelund, Copenhagen
• 1995 Jesper Overgaard, Byens Magi, Art Sted, Viborg
• 1994 Torben Weirup, When the Light Breaks Through, Galerie Egelund, Copenhagen
• 1993 Jørgen Hansen, 3 års malerier I Danmark, Galerie Nord, Randers & Galerie Egelund, Copenhagen
• Tom Jørgensen, Sergei Sviatchenko: Works on Paper 1989–1998, Galerie Egelund, Copenhagen