Sheila Dabney

Sheila Dabney is an American actress, best known for her co-starring role in the 1987 lesbian feminist film She Must Be Seeing Things alongside Lois Weaver and directed by Sheila McLaughlin.[1]

In 1984, Dabney won an Obie Award for her performance as Sarita in Maria Irene Fornés' play Sarita.[2]

Theater
  • Performer, The Bacchae (1980) at Circle in the Square Theatre[3]
  • Performer, The Three Travels of Aladdin With the Magic Lamp (1982) at La MaMa Experimental Theatre Club[4]
  • Performer, Hot Lunch Apostles (1983) at La MaMa Experimental Theatre Club[5]
  • Performer, Conjur Woman (1983) at La MaMa Experimental Theatre Club[6]
  • Performer, Jerusalem (1983), a work-in-progress, at La MaMa Experimental Theatre Club[7]
  • Performer, Sarita (1984), produced by INTAR Theatre[8]
  • Performer, Hot Lunch Apostles (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Pedro Paramo (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Harm's Way (1985) at La MaMa Experimental Theatre Club[10]
  • Performer, Big Mouth (1985) at La MaMa Experimental Theatre Club[11]
  • Performer, Cotton Club Gala (1985) at La MaMa Experimental Theatre Club[12]
  • Performer, Fragments of a Greek Trilogy (1987) at La MaMa Experimental Theatre Club[13]
  • Performer and musical composition and direction, Mythos Oedipus and Dionysus Filius Dei (1989) at La MaMa Experimental Theatre Club[14]
  • Performer and additional music and arrangements, Tancredi and Erminia (1993) at La MaMa Experimental Theatre Club[15]
  • Performer, Conjur Woman (2008) at La MaMa Experimental Theatre Club[16]
  • Musical director and performer, Red Noir (2009) at the Living Theatre[17]

Filmography

References
  1. Gwendolyn Audrey Foster (January 1, 1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. pp. 251–. ISBN 978-0-313-28972-9.
  2. "Two Works Share Obie". NYT. May 22, 1984. Retrieved July 25, 2014.
  3. "The Bacchae Broadway @ Circle in the Square Theatre - Tickets and Discounts | Playbill". Playbill. Retrieved March 16, 2018.
  4. Gussow, Mel (October 20, 1982). "Musical: 'three Travels of Aladin'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  5. La MaMa Archives Digital Collections, "Program for 'Hot Lunch Apostles' (1983)." Retrieved March 16, 2018.
  6. La MaMa Archives Digital Collections, "Program for 'Conjur Woman' (1983)." Retrieved March 16, 2018.
  7. La MaMa Archives Digital Collections, "Invitation: 'Jerusalem' (1983)." Retrieved March 16, 2018.
  8. Sofer, Andrew. “Maria Irene Fornes: Acts of Translation.” A companion to twentieth-Century American drama, edited by David Krasner, Blackwell, 2007, pp. 440–455.
  9. Holden, Stephen (March 29, 1984). "Theater: Poetry Pair". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  10. Gussow, Mel (November 21, 1985). "The Stage: 'harm's Way,' by Max Wellman". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  11. Holden, Stephen (May 9, 1985). "Theater: 'big Mouth'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  12. Gussow, Mel (1986). "Stage: Musical Revue, 'cotton Club-Gala'". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  13. Gussow, Mel (1987). "Stage: 'greek Trilogy' Returns to La Mama". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  14. La MaMa Archives Digital Collections, "Show File: 'Mythos Oedipus' and 'Dionysus Filius Dei' (1989)." Retrieved March 16, 2018.
  15. Bruckner, D. j r (December 16, 1993). "Theater in Review". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  16. Webster, Andy (February 6, 2008). "Conjur Woman - Review - Theater". The New York Times. ISSN 0362-4331. Retrieved March 3, 2018.
  17. "Living Theatre Announces Four-Week Extension of Red Noir | Playbill". Playbill. Retrieved March 3, 2018.


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