Sonia Gomes
Sonia Gomes (Caetanópolis, Minas Gerais,1948) is a contemporary Brazilian artist who lives and works in São Paulo, Brazil.[1] She is known for her mixed media sculptures made of fabric, wires, and other objects that are either found or given to her.[2]
Sonia Gomes | |
---|---|
Born | 1948 (age 74–75) Caetanópolis, Brazil |
Nationality | Brazilian |
Known for | Sculpture |
Website | www |
Background
Sonia Gomes was born in 1948 to a black mother and white father in Caetanópolis, a small town in Minas Gerais considered to be the birthplace of the textile industry in Brazil.[3] Her father's family paid for her education which eventually resulted in a law degree but she credits her grandmother (on her mother's side) with her interest in art. In a 2022 profile in Sculpture magazine she states, "My grandmother was Black; she was a sorceress and would bless people with a branch of a plant called arruda. It was a ritual she would perform, and the memory of it is really strong for me. Since then, I've always been interested in craft - in things made by hand and folk art and the festivals, rituals, churches, and processions."[4] In 1994, after a career in law and at age 45, Gomes turned her attention to art full time, enrolling in the Guignard School of Art in Belo Horizonte, Minas Gerais.[5] [6]
Work
Gomes combines secondhand textiles with everyday materials, such as driftwood, wire, and furniture to create abstract sculptures. Her compositions stem from a spontaneous and casual practice of deconstructing and re-assembling everyday objects; Lágrima (Tear) (2014), for example, was made with a blue tablecloth that once belonged to her friend's family.[7][8] Gomes created Correnteza (2018) using found driftwood and fabric forms she stitched to the wood; critic Paul Laster wrote in Sculpture that the juxtaposition of the fabric and wood created "a compelling tension."[9] Gomes' use of secondhand and gifted objects is informed by her decolonial standpoint, and is both a manifestation of Brazil’s rapid and uneven industrial development and a critique of Brazil's culture of wasteful consumption and environmental destruction.[10] She often juxtaposes soft and hard materials, creating movement in her sculptures which alludes to her love of popular Brazilian dances. The artist is represented by Mendes Wood DM, Blum & Poe, and Pace Gallery.[11]
Solo exhibitions
- Sonia Gomes: O mais profundo é a pele (Skin is the deepest part), Pace Gallery, New York (2022)[12]
- When the sun rises in blue, Blum & Poe, Los Angeles (2021)[13]
- I Rise – I’m a Black Ocean, Leaping and Wide, Museum Frieder Burda and Salon Berlin, Baden-Baden/Berlin (2019)[14]
- Silence of color, Mendes Wood DM, Brussels (2019)[15]
- Still I Rise, MASP – Museu de Arte de São Paulo / Casa de Vidro, São Paulo (2018)[16]
- A vida renasce, sempre, Museu de Arte Contemporânea de Niterói, Rio de Janeiro (2018)[17]
Group exhibitions
- Gwangju Biennial, Gwangju, Korea (2021)[18]
- Liverpool Biennial, Liverpool, UK (2021)[19]
- Unconscious Landscape – Works from the Ursula Hauser Collection, Hauser & Wirth, Somerset, UK (2019)[20]
- Experimenting with Materiality, Lévy Gorvy, Zurich, Switzerland (2019)[21]
- Histórias Afro-Atlânticas, MASP, São Paulo, Brazil (2018)[22]
- O Triângulo Atlântico, 11ª Bienal de Artes Visuais do Mercosul, Porto Alegre, Brazil (2018)[23]
- Tissage, Tressage, Fondation Villa Datris, L'Isle-sur-la-Sorgue, France (2018)[24]
- Entangled, Turner Contemporary, Margate, UK (2017)[25]
- Revival, The National Museum of Women in the Arts, Washington, USA (2017)[26]
- All the World's Futures 56ª Biennale di Venezia, Venice, Italy (2015)[27]
- The New Afro-Brazilian Hand, Museu Afro Brasil, Sao Paulo (2013)[28]
- Art & Textiles - Fabric as Material and Concept in Modern Art, Kunstmuseum Wolfsburg, Germany (2013)[29]
Critical reception
Gomes came to international attention after her inclusion in the 56th Venice Biennale, curated by Okwui Enwezor.[6] In the fall of 2022, Gomes presented a major solo show in New York. The New York Times art critic Jillian Steinhauer expressed her views on the show in early January of 2023.[30]
"If Gomes has a central theme, that may be it: a sense of willful connection, a determination to use what’s on hand to forge something unexpectedly beautiful."[31]
Public collections (selection)
- Pérez Art Museum Miami[32]
- National Gallery of Art, Washington DC[33]
- Rubell Family Collection
- San Antonio Museum of Art
- Solomon R. Guggenheim
- Tate Modern, London
- Centre Pompidou, Paris
- Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina
- Museu Afro Brasil, São Paulo
- Museu de Arte do Rio de Janeiro, Rio de Janeiro
- Museu de Arte de São Paulo
- Pinacoteca do Estado de São Paulo
- Museo Nacional Centro de Arte Reina Sofía, Spain
- Muzeum Susch, Switzerland
References
- "Mendes Wood DM | Sonia Gomes". Mendes Wood DM. Retrieved 10 November 2021.
- "Sonia Gomes". Yohshii Gallery. Retrieved 17 July 2016.
- "OSGEMEOS and Sonia Gomes join Lehmann Maupin". www.lehmannmaupin.com. Retrieved 11 March 2017.
- Whitney, Kay (2022). "Sonia Gomes: Radical Intimacy". Sculpture. 41 (2): 14–17 – via Art & Architecture Source.
- "OSGEMEOS and Sonia Gomes join Lehmann Maupin". www.lehmannmaupin.com. Retrieved 11 March 2017.
- Laster, Paul (2020). "Sonia Gomes". Sculpture. 39 (1): 96–97 – via Art, Design & Architecture Collection.
- Paik, Sherry (2020). "Sonia Gomes | Artist Profile". Ocula.
- "Sonia Gomes | Pace Gallery". www.pacegallery.com. Retrieved 3 December 2021.
- Laster, Paul (29 October 2019). "Sonia Gomes". Sculpture. Archived from the original on 18 May 2022. Retrieved 18 March 2023.
- "Sonia Gomes | Pace Gallery". www.pacegallery.com. Retrieved 24 February 2023.
- "Sonia Gomes Represented by Blum & Poe « News « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
- "Sonia Gomes: O mais profundo é a pele (Skin is the deepest part) | Pace Gallery". www.pacegallery.com. Retrieved 14 February 2023.
- "When the Sun Rises in Blue « Exhibitions « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
- "Museum Frieder Burda: Sonia Gomes "I Rise – I'm a Black Ocean, Leaping and Wide"". World Art Foundations. 12 October 2019. Retrieved 10 November 2021.
- "Mendes Wood DM | Sonia Gomes - The Silence of Color". Mendes Wood DM. Retrieved 10 November 2021.
- "MASP". MASP. Retrieved 10 November 2021.
- "A Vida Renasce, Sempre". C& AMÉRICA LATINA. Retrieved 10 November 2021.
- "Sonia Gomes | Gwangju Biennale, Gwangju, South Korea « News « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
- "Sonia Gomes | Liverpool Biennial of Contemporary Art". www.biennial.com. Retrieved 10 November 2021.
- "Unconscious Landscape Works from the Ursula Hauser Collection - Hauser & Wirth". www.hauserwirth.com. Retrieved 10 November 2021.
- "Experimenting with Materiality: Terry Adkins, Sonia Gomes, Senga Nengudi, Carol Rama - Lévy Gorvy". www.levygorvy.com. Retrieved 10 November 2021.
- "MASP". MASP. Retrieved 10 November 2021.
- "Mercosul Biennial". C& AMÉRICA LATINA. Retrieved 10 November 2021.
- "Villa Datris: "Tissage, tressage quand la sculpture défile"". World Art Foundations. 20 May 2018. Retrieved 10 November 2021.
- Judah, Hettie (27 February 2017). "Entangled: Threads and Making". Frieze. No. 186. ISSN 0962-0672. Retrieved 10 November 2021.
- "Revival | Exhibition". NMWA. Retrieved 10 November 2021.
- "Sonia Gomes reflects upon challenges and achievements as a black woman artist - Editorial". SP-Arte. Retrieved 10 November 2021.
- Revolution in the making : abstract sculpture by women, 1947-2016. Emily Rothrum, Elizabeth A. T. Smith, Jenni Sorkin, Anne Middleton Wagner, Paul Schimmel, Hauser Wirth & Schimmel. Milan. 2016. p. 226. ISBN 978-88-572-3065-8. OCLC 932125281.
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: CS1 maint: location missing publisher (link) CS1 maint: others (link) - Art & textiles : fabric as material and concept in modern art from Klimt to the present. Markus Brüderlin, Hartmut Böhme, Amy Klement, Kunstmuseum Wolfsburg, Staatsgalerie Stuttgart. Ostfildern. 2013. ISBN 978-3-7757-3627-5. OCLC 861609070.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link) - Langlois, Jill (28 August 2020). "Fabrics With Powerful Stories to Tell". The New York Times. ISSN 0362-4331. Retrieved 14 February 2023.
- Times, The New York (5 October 2022). "Art We Saw This Fall". The New York Times. ISSN 0362-4331. Retrieved 14 February 2023.
- "Pérez Art Museum Miami Announces New Acquisitions by Thirteen Artists for Permanent Collection • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 14 February 2023.
- "Acquisition: Sonia Gomes". www.nga.gov. Retrieved 14 February 2023.