Sonia Gomes

Sonia Gomes (Caetanópolis, Minas Gerais,1948) is a contemporary Brazilian artist who lives and works in São Paulo, Brazil.[1] She is known for her mixed media sculptures made of fabric, wires, and other objects that are either found or given to her.[2]

Sonia Gomes
Born1948 (age 7475)
NationalityBrazilian
Known forSculpture
Websitewww.blumandpoe.com/artists/sonia_gomes

Background

Sonia Gomes was born in 1948 to a black mother and white father in Caetanópolis, a small town in Minas Gerais considered to be the birthplace of the textile industry in Brazil.[3] Her father's family paid for her education which eventually resulted in a law degree but she credits her grandmother (on her mother's side) with her interest in art. In a 2022 profile in Sculpture magazine she states, "My grandmother was Black; she was a sorceress and would bless people with a branch of a plant called arruda. It was a ritual she would perform, and the memory of it is really strong for me. Since then, I've always been interested in craft - in things made by hand and folk art and the festivals, rituals, churches, and processions."[4] In 1994, after a career in law and at age 45, Gomes turned her attention to art full time, enrolling in the Guignard School of Art in Belo Horizonte, Minas Gerais.[5] [6]

Work

Correnteza (2018) at the National Gallery of Art in 2023

Gomes combines secondhand textiles with everyday materials, such as driftwood, wire, and furniture to create abstract sculptures. Her compositions stem from a spontaneous and casual practice of deconstructing and re-assembling everyday objects; Lágrima (Tear) (2014), for example, was made with a blue tablecloth that once belonged to her friend's family.[7][8] Gomes created Correnteza (2018) using found driftwood and fabric forms she stitched to the wood; critic Paul Laster wrote in Sculpture that the juxtaposition of the fabric and wood created "a compelling tension."[9] Gomes' use of secondhand and gifted objects is informed by her decolonial standpoint, and is both a manifestation of Brazil’s rapid and uneven industrial development and a critique of Brazil's culture of wasteful consumption and environmental destruction.[10] She often juxtaposes soft and hard materials, creating movement in her sculptures which alludes to her love of popular Brazilian dances. The artist is represented by Mendes Wood DM, Blum & Poe, and Pace Gallery.[11]

Solo exhibitions

Group exhibitions

Critical reception

Gomes came to international attention after her inclusion in the 56th Venice Biennale, curated by Okwui Enwezor.[6] In the fall of 2022, Gomes presented a major solo show in New York. The New York Times art critic Jillian Steinhauer expressed her views on the show in early January of 2023.[30]

"If Gomes has a central theme, that may be it: a sense of willful connection, a determination to use what’s on hand to forge something unexpectedly beautiful."[31]

Public collections (selection)

References

  1. "Mendes Wood DM | Sonia Gomes". Mendes Wood DM. Retrieved 10 November 2021.
  2. "Sonia Gomes". Yohshii Gallery. Retrieved 17 July 2016.
  3. "OSGEMEOS and Sonia Gomes join Lehmann Maupin". www.lehmannmaupin.com. Retrieved 11 March 2017.
  4. Whitney, Kay (2022). "Sonia Gomes: Radical Intimacy". Sculpture. 41 (2): 14–17 via Art & Architecture Source.
  5. "OSGEMEOS and Sonia Gomes join Lehmann Maupin". www.lehmannmaupin.com. Retrieved 11 March 2017.
  6. Laster, Paul (2020). "Sonia Gomes". Sculpture. 39 (1): 96–97 via Art, Design & Architecture Collection.
  7. Paik, Sherry (2020). "Sonia Gomes | Artist Profile". Ocula.
  8. "Sonia Gomes | Pace Gallery". www.pacegallery.com. Retrieved 3 December 2021.
  9. Laster, Paul (29 October 2019). "Sonia Gomes". Sculpture. Archived from the original on 18 May 2022. Retrieved 18 March 2023.
  10. "Sonia Gomes | Pace Gallery". www.pacegallery.com. Retrieved 24 February 2023.
  11. "Sonia Gomes Represented by Blum & Poe « News « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
  12. "Sonia Gomes: O mais profundo é a pele (Skin is the deepest part) | Pace Gallery". www.pacegallery.com. Retrieved 14 February 2023.
  13. "When the Sun Rises in Blue « Exhibitions « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
  14. "Museum Frieder Burda: Sonia Gomes "I Rise – I'm a Black Ocean, Leaping and Wide"". World Art Foundations. 12 October 2019. Retrieved 10 November 2021.
  15. "Mendes Wood DM | Sonia Gomes - The Silence of Color". Mendes Wood DM. Retrieved 10 November 2021.
  16. "MASP". MASP. Retrieved 10 November 2021.
  17. "A Vida Renasce, Sempre". C& AMÉRICA LATINA. Retrieved 10 November 2021.
  18. "Sonia Gomes | Gwangju Biennale, Gwangju, South Korea « News « Blum & Poe". www.blumandpoe.com. Retrieved 10 November 2021.
  19. "Sonia Gomes | Liverpool Biennial of Contemporary Art". www.biennial.com. Retrieved 10 November 2021.
  20. "Unconscious Landscape Works from the Ursula Hauser Collection - Hauser & Wirth". www.hauserwirth.com. Retrieved 10 November 2021.
  21. "Experimenting with Materiality: Terry Adkins, Sonia Gomes, Senga Nengudi, Carol Rama - Lévy Gorvy". www.levygorvy.com. Retrieved 10 November 2021.
  22. "MASP". MASP. Retrieved 10 November 2021.
  23. "Mercosul Biennial". C& AMÉRICA LATINA. Retrieved 10 November 2021.
  24. "Villa Datris: "Tissage, tressage quand la sculpture défile"". World Art Foundations. 20 May 2018. Retrieved 10 November 2021.
  25. Judah, Hettie (27 February 2017). "Entangled: Threads and Making". Frieze. No. 186. ISSN 0962-0672. Retrieved 10 November 2021.
  26. "Revival | Exhibition". NMWA. Retrieved 10 November 2021.
  27. "Sonia Gomes reflects upon challenges and achievements as a black woman artist - Editorial". SP-Arte. Retrieved 10 November 2021.
  28. Revolution in the making : abstract sculpture by women, 1947-2016. Emily Rothrum, Elizabeth A. T. Smith, Jenni Sorkin, Anne Middleton Wagner, Paul Schimmel, Hauser Wirth & Schimmel. Milan. 2016. p. 226. ISBN 978-88-572-3065-8. OCLC 932125281.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  29. Art & textiles : fabric as material and concept in modern art from Klimt to the present. Markus Brüderlin, Hartmut Böhme, Amy Klement, Kunstmuseum Wolfsburg, Staatsgalerie Stuttgart. Ostfildern. 2013. ISBN 978-3-7757-3627-5. OCLC 861609070.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  30. Langlois, Jill (28 August 2020). "Fabrics With Powerful Stories to Tell". The New York Times. ISSN 0362-4331. Retrieved 14 February 2023.
  31. Times, The New York (5 October 2022). "Art We Saw This Fall". The New York Times. ISSN 0362-4331. Retrieved 14 February 2023.
  32. "Pérez Art Museum Miami Announces New Acquisitions by Thirteen Artists for Permanent Collection • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 14 February 2023.
  33. "Acquisition: Sonia Gomes". www.nga.gov. Retrieved 14 February 2023.

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