Soul Doctor

This coming-of-age story of courage and inspiring perseverance opens in 1960s Vienna, where Shlomo Carlebach is giving a concert, having returned to the city for the first time in decades,[8] and then transitions back in time to Nazi-occupied Austria when Shlomo, as a child, witnessed the murder of a Jewish man singing in the streets. This experience causes Shlomo to make a pledge to always stand up for freedom of expression through music. To escape persecution, the Carlebach family moves to the Upper West Side in New York City where Shlomo is a Yeshiva student studying the Talmud and memorizing the Torah, following in his father's footsteps to become a Rabbi.[9]

Shlomo's path soon changes when he meets legendary jazz singer Nina Simone in a Greenwich Village night club. She not only teaches him about her gospel and jazz musical roots, but also recounts how her people, like Jews in Europe at the time, were being persecuted in the U.S.[10] Inspired by the music of Simone, Shlomo begins to break Orthodox tradition by obtaining a guitar. He is soon writing songs and playing his music for audiences including women and non-Jews in clubs around New York City. Shlomo embraces pop music and hippiedom over established scholasticism despite ramifications within his family. In the late 1960s he moved to Haight-Ashbury in San Francisco where a "House of Love and Prayer" becomes his home with a following that keeps growing. During this period he played alongside acts such as Bob Dylan, the Grateful Dead, Pete Seeger, and Jefferson Airplane.[11]

He and Nina Simone end the show back in Vienna, performing a concert in memory of the Jewish singer he saw gunned down in the street by Nazis.

Shlomo's inspired life was driven by his talent, heart, and optimism. His inspirational message is clearly heard through his own songs throughout Soul Doctor, an uplifting musical for audiences of all ages, religions, and backgrounds. His personal pledge to stand up for freedom of expression through the power of music soars with the spirit instilled in him from lessons learned throughout his unique and interesting life.[12]

The Soul Doctor musical was reviewed by many publications following its openings in New York and Miami.[23] Barbara Siegel in Theatre Mania wrote in her review: "The story is going to be compared to The Jazz Singer, but the engaging and often moving new musical has a good deal more thematic depth that its predecessor."[24] Lisa Klug's review in Jewlicious.com concluded: "With plenty of good Jewish perspectives on the comedy of life, it had me laughing, singing and clapping ... it's so good ... [and] is only going to get better and better."[25]

The show faced some criticism for not including the allegations of sexual abuse among the controversies that emerged during and after Carlebach's lifetime, and some critics characterized it as a "sanitized" account of his life.[26] Scott Brown, in Vulture, wrote: "Soul Doctor was commissioned with the blessing of Carlebach’s surviving heirs, and maintains a steady, almost hypnotic adulation of its subject that leaves civilians so soothed they’re practically numb. (You’ll hear no mention of the posthumous sexual harassment charges lodged against Rabbi Shlomo. Drugs, sex, women: It’s all paved over with warm kugel.) Against all this reverent keening, Carlebach’s music, which has been adapted here with new lyrics, feels like a pleasant Epsom-salt bath."[27]

Frank Scheck, in The New York Post, praised Eric Anderson's performance, writing: "Eric Anderson beautifully suggests Carlebach's soft-spoken, gentle appeal, as well as the charisma that jolted him to stardom. Erica Ash is equally superb as Simone, whether quietly conveying the singer's fierce dignity or delivering stunning versions of signature classics such as "Sinnerman."[28] Jason Zinoman also praised Anderson's performance in The New York Times, writing: "Transforming from a mild-mannered rabbi into a kinetic dynamo, Anderson imbues his numbers with their own arc, often starting in a meditative mood before slowly building to a joyous, leaping roar."[29]

Following its 2013 opening on Broadway, the Soul Doctor show was reviewed by The New York Times, Associated Press, The Hollywood Reporter, and Newsday, all of whom applauded Anderson's performance as Carlebach while comparing the show to Fiddler on the Roof and Hair, and giving overall mixed to positive reviews of the musical.[30][8][31]

• Broadwayworld.com Show Page
• IBDB show page