Charles Cozens Spencer

Charles Cozens Spencer (12 February 1874 – c. September 1930) was a British-born film exhibitor and producer, who was a significant figure in the early years of the Australian film industry. He produced films under the name Spencer's Pictures and was an early backer of the films of Raymond Longford. He was also instrumental in the creation of "The Combine".

Charles Cuzons Spencer
Born12 February 1874
Hunston, Sussex, England
Diedc. September 1930 (age 56)
Canada
Occupation(s)Film exhibitor, film producer
Known forSpencers Pictures

Biography

Spencer was born in Hunston, Sussex, the third son of Cornelius Cosens, farmer, and his wife Ellen. In 1892, he emigrated to British Columbia, Canada, with his brother Arthur in order to look for gold. He did a variety of jobs then in 1894 formed a company of providers with his brother Sidney at Fairview and Camp McKinney. In 1898 he was a clerk at Vernon. He began screening motions pictures and met and married Mart Stuart Huntly who became his chief projectionist and business partner.

Australia

Spencer first arrived in Australia in 1905. He opened the Great American Theatrescope at the Lyceum Theatre[lower-alpha 1] in Sydney, which became a permanent picture theatre in June 1908.

He made a fortune exhibiting The Great Train Robbery in Australia and soon became the leading exhibitor in the country. He moved into production, establishing a permanent production unit under Ernest Higgins in 1908. Initially focused on documentary shorts and newsreels, he moved into funding dramatic feature films, starting with The Life and Adventures of John Vane, the Notorious Australian Bushranger (1910).[1]

He was an early supporter of director Raymond Longford who directed The Fatal Wedding (1911) for Spencer. The success of this film enabled him to set up a £10,000 studio complex in Rushcutter's Bay, Sydney, where Longford made his next couple of features.[2][3]

In 1911, Spencer had established a company, Spencer's Pictures Ltd with a nominal capital of £150,000.[4] He went overseas for 12 months; while overseas, the board of Spencer's voted to merge with Wests Ltd and Amalgamated Pictures resulting in the "combine" of Australasian Films and Union Theatres.[5][6]

By 1912, he was the largest importer of films in Australia and helped popularise the medium in that country.[7] Several of his films were released in the US by Sawyers Pictures; they were given new titles such as The Convict Hero, The Bushranger's Bride, Nell Gwynne, The Bandit Terrors of Australia, and The Queen of the Smugglers.[8]

After the box-office failure of The Shepherd of the Southern Cross (1914), however, Spencer was unable to persuade the Combine to invest in drama production, and he stepped back his involvement in the local industry.[9]

In 1918, the Spencers were sued by the Combine for an alleged breach of contract. They settled out of court (by allowing their interests to be purchased) and left Australia.[10]

Death

Spencer returned with his wife to Canada, where he bought several ranches in British Columbia in Chilcotin County. The stresses of his financial losses in the Great Depression, however, affected his mental stability (in particular, he began being troubled by an image of the devil's face visible in the grain of a wooden wall).[11]

On 10 September 1930, he was unpacking a truck full of groceries at one of his ranches along with his foreman, Walter Stoddart, and a grocer, Edward Smith. Spencer, probably delusional and paranoid, grabbed a gun and shot Smith in the back and then Stoddart, before fleeing. Smith died of his wounds; Stoddart managed to drive away and was rescued.[12][13][14]

Spencer went missing in the aftermath of the shooting; eventually, on 29 October 1930, his body was found in a lake, where he had drowned himself.[15][16] He left behind an estate worth A£60,000 (A$5,583,859 in 2023)

Filmography

Notes
  1. This theatre, on Pitt Street, may be termed the "New Lyceum" to distinguish it from the "Royal Lyceum" on York Street, which closed in 1882.

References
  1. Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press, 1989, p28.
  2. "FILM INDUSTRY". The Argus. Melbourne: National Library of Australia. 17 June 1927. p. 16. Retrieved 12 January 2012.
  3. "SPENCER'S FILM FACTORY". The Sunday Times. Sydney: National Library of Australia. 7 July 1912. p. 2. Retrieved 1 July 2015.
  4. "SPENCER'S PICTURES, LTD". The Sydney Morning Herald. National Library of Australia. 21 September 1911. p. 11. Retrieved 1 July 2015.
  5. "NOTES AND COMMENTS". The Sydney Morning Herald. National Library of Australia. 27 September 1912. p. 11. Retrieved 1 July 2015.
  6. "SPENCER'S PICTURES, LTD". The Sunday Times. Sydney: National Library of Australia. 23 November 1913. p. 2. Retrieved 1 July 2015.
  7. "CINEMATOGRAPHY". The Examiner. Launceston, Tas.: National Library of Australia. 6 January 1912. p. 8 Edition: DAILY. Retrieved 1 July 2015.
  8. "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library".
  9. "MR. C. SPENCER RETIRES". The Sydney Morning Herald. National Library of Australia. 28 February 1914. p. 24. Retrieved 4 February 2012.
  10. The Lone hand, W. McLeod, 1907, retrieved 25 March 2019
  11. "Forgotten Australia: Spencer: From Movie Mogul To Murderer – Part Two on Apple Podcasts". Apple Podcasts. Retrieved 31 May 2021.
  12. "WANTED FOR MURDER". Western Argus. Kalgoorlie, WA: National Library of Australia. 23 September 1930. p. 2. Retrieved 4 September 2013.
  13. "Spencer Shot Smith". Daily Colonist. 21 September 1930. p. 1.
  14. "Indian trackers on trail". The Daily Colonist. 13 September 1930. p. 1.
  15. "COZENS SPENCER". The Mercury. Tasmania, Australia. 1 November 1930. p. 11. Retrieved 2 June 2020 – via Trove.
  16. "12 September 1930". The Daily Colonist. 1930. p. 1.
  17. Clip at Australian Screen Online
  18. "Marvellous Melbourne: Queen City of the South c.1910". Australian Screen Online. Retrieved 5 September 2011.

Further reading
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