Spider-Man (1994 TV series)

A large number of storylines and events from the comics are loosely adapted in the series, such as:

• The first episode, "Night of the Lizard", is loosely based on the comic story "Face-to-Face with... the Lizard!" from The Amazing Spider-Man #6 (November 1963).
• The episode "The Spider Slayer" is loosely based on the comic story "Captured by J. Jonah Jameson!" from The Amazing Spider-Man #25 (June 1965), with the subplot of Flash Thompson dressing up as Spider-Man to scare Peter Parker being taken from "Marked for Destruction by Dr. Doom!" from The Amazing Spider-Man #5 (October 1963).
• The episode "Return of the Spider Slayer" borrows elements from the comic books including the way Alistair Smythe treated Spider-Man and Jameson in a very similar way to how his father Spencer Smythe treated them in the comic story "24 Hours till Doomsday!" in The Amazing Spider-Man #192 (May 1979), the three spider slayers are from "Invasion of the Spider Slayers Part 5: Arachnophobia Too!" from The Amazing Spider-Man #372 (January 1993) and Mary Jane uses her famous line from her first comic appearance: "Face it, Tiger. You just hit the jackpot", in the comic story "The Birth of a Super-Hero!" from The Amazing Spider-Man #42 (November 1966).
• The episode "Doctor Octopus: Armed and Dangerous" is loosely based on the comic story "Spider-Man Versus Doctor Octopus" from The Amazing Spider-Man #3 (July 1963).
• The episode "The Menace of Mysterio" is loosely based on the comic story "The Menace of... Mysterio!" from The Amazing Spider-Man #13 (June 1964).
• The episode "The Sting of the Scorpion" is based on the comic story "Spidey Strikes Back!" / "The Coming of the Scorpion! OR: Spidey Battles Scorpey!" in The Amazing Spider-Man #19-20 (December 1964-January 1965).
• The episode "Kraven the Hunter" is loosely adapted from the comic story of the same name from The Amazing Spider-Man #15.
• The dream sequence from the episode "The Alien Costume, Part One" where the symbiote and the Spider-Man costume fight over Peter Parker is adapted from the comic story "The Sinister Secret of Spider-Man's New Costume!" from The Amazing Spider-Man #258 (November 1984).
• The end of the episode "The Alien Costume, Part Two" where Spider-Man uses the bell to get free from the symbiote is adapted from the comic story "'Til Death Do Us Part!" from Web of Spider-Man #1 (April 1985).
• The beginning of the episode "The Alien Costume, Part Three" where Eddie Brock has a wall covered with newspaper clippings of Spider-Man and turns into Venom swearing vengeance on Spider-Man is adapted from the comic story "Chance Encounter" from The Amazing Spider-Man #298 (March 1988), while the scene where Eddie menaces Peter at Aunt May's home is adapted from the story "The Sand and the Fury" from The Amazing Spider-Man #317 (July 1989).
• "The Hobgoblin" two-parter is loosely adapted from the comic stories "Secrets!" / "Confessions!" / "Endings!" from The Amazing Spider-Man #249-251 (February–April 1984).
• The episode "Day of the Chameleon" is loosely adapted from the comic story "Spider-Man Vs. the Chameleon!" from The Amazing Spider-Man #1 (March 1963).

• The episode "The Insidious Six" "and "Battle of the Insidious Six" are both based on the comic story "The Sinister Six!" from The Amazing Spider-Man Annual #1 (October 1964).
• In "Battle of the Insidious Six" the scene where Peter is unmasked by the Insidious Six, after Aunt May is kidnapped by them (but he manages to convince them that he is a fraud) is from the comic story "Unmasked By Doctor Octopus!" from Amazing Spider-Man #12 (May 1964) but instead of Aunt May, it's Betty Brant who is kidnapped by Doctor Octopus by himself.
• The episode "Hydro-Man" is based on the comic story "The Coming of Hydroman!" from The Amazing Spider-Man #212 (January 1981).
• The episodes "The Mutant Agenda" and "Mutants' Revenge" are based on Spider-Man: The Mutant Agenda #1-3 (March–May 1994).
• The episodes "Morbius" and "Enter the Punisher" are both based on the comic stories "The Spider or the Man?" / "A Monster Called Morbius!" / "Vampire at Large!" from The Amazing Spider-Man #100-102 (September–November 1971). The Man-Spider plot is loosely adapted from "Fast Descent into Hell!" / "To Sacrifice My Soul..." from Marvel Fanfare #1-2 (March 1982 and May 1982).
• "Enter the Punisher" is also based on the comic story "The Punisher Strikes Twice!" from The Amazing Spider-Man #129 (February 1974).
• The episode "Tablet of Time" is based on the comic story "The Web Closes!" from The Amazing Spider-Man #73 (June 1969) with Smythe's robot originating from "Invasion of the Spider Slayers Part 4: One Clue Over The Cuckoo's Nest" from The Amazing Spider-Man #371 (December 1992).
• The episode "Ravages of Time" is based on the comic stories "If This Be Bedlam!" / "Death Without Warning!" from The Amazing Spider-Man #74-75 (July- August 1969) and "Lifetheft Part One: The Wings of Age" / "Lifetheft Part Two: The Thief of Years" / "Lifetheft Part Three: The Sadness of Truth" from The Amazing Spider-Man #386-388 (February–April 1994).
• The episode "Shriek of the Vulture" is based on the comic stories "Duel to the Death with the Vulture!" from The Amazing Spider-Man #2 (May 1963) and "The Wings of Age!" from The Amazing Spider-Man #386 (February 1994).
• The episode "The Final Nightmare" is loosely based on "The Thief of Years" from The Amazing Spider-Man #387 (March 1994).

• The episode "Make a Wish" is based on the comic stories "Doc Ock Wins!" from The Amazing Spider-Man #55 (December 1967) and "The Kid Who Collects Spider-Man!" from The Amazing Spider-Man #248 (January 1984). A flashback to Spider-Man's origin is shown and is adapted from the comic story "Spider-Man!" from Amazing Fantasy #15.
• The episode "Attack of the Octobot" is based on the comic stories "Disaster!" from The Amazing Spider-Man #56 (January 1968) and "The Kid Who Collects Spider-Man!" from The Amazing Spider-Man #248 (January 1984).
• The episode "Rocket Racer" is based on the comic stories "The Fiend from the Fire!" from Amazing Spider-Man #172 (September 1977) and "The Rocket Racer's Back in Town!" / "...And Where the Big Wheel Stops, Nobody Knows!" from The Amazing Spider-Man #182-183 (July–August 1978).
• The episode "The Ultimate Slayer" is loosely based on the comic story "Invasion of the Spider Slayers Part 6: The Bedlam Perspective" from The Amazing Spider-Man #373 (January 1993).
• The episode "Tombstone" is loosely based on the comic stories "Grave Memory" from The Spectacular Spider-Man #139 and "Will!" from The Spectacular Spider-Man #142.
• The episode "Venom Returns" is blended from several different comics including "Hearts and Powers" / "Gun From the Heart" from The Amazing Spider-Man #344-345 (February–March 1991) and "Toy Death!" from The Amazing Spider-Man #359 (February 1992).
• The episode "Carnage" is loosely based on the comic stories "Savage Genesis" / "Savage Alliance" / "Savage Grace!" from "The Amazing Spider-Man" #361-363 (April–June 1992).
• The episode "The Spot" is based on the comic story "True Confessions!" / "Spider on the Spot!" from Peter Parker, the Spectacular Spider-Man #98-99 (January–February 1985).
• The episode "Goblin War!" is based on the comic story "The Goblin War" from The Amazing Spider-Man #312 (February 1989).
• The episode "Turning Point" is based on the comic stories "How Green Was My Goblin!" from The Amazing Spider-Man #39 (August 1966) and "The Night Gwen Stacy Died" / "The Goblin's Last Stand!" from The Amazing Spider-Man #121-122 (June–July 1973).

• The episode "Guilty" is based on "Guilty!" / "Lock-Up" from The Spectacular Spider-Man #150-151 (May–June 1989) and "Crash Out!" from The Spectacular Spider-Man #155 (October 1989).
• The episode "The Black Cat" is based on "Never Let the Black Cat Cross Your Path!" from The Amazing Spider-Man #194 (July 1979).
• The episode "The Return of the Green Goblin" is based on "The Green Goblin Lives Again!" / "The Green Goblin Strikes!" from The Amazing Spider-Man #136-137 (September–October 1974).

• The episode "The Wedding" is loosely based on "The Wedding" from The Amazing Spider-Man Annual #21 (September 1987).
• The "Six Forgotten Warriors" saga is loosely based on "The Parents of Peter Parker!" from The Amazing Spider-Man Annual #5 (November 1968) and "The Assassin-Nation Plot" storyline from The Amazing Spider-Man #320-325 (September 1989–November 1989).
• The "Secret Wars" trilogy adapts the 1984 limited series Marvel Superheroes Secret Wars (May 1984–April 1985).
• The "Spider Wars" duology adapts the second Clone Saga (October 1994–December 1996). John Semper would later claim that this arc inspired Dan Slott's Spider-Verse storyline, though Slott has never commented on this claim.

• Christopher Daniel Barnes – Peter Parker / Spider-Man
• Saratoga Ballantine – Mary Jane Watson
• Edward Asner – J. Jonah Jameson
• Roscoe Lee Browne – Wilson Fisk / Kingpin
• Linda Gary – May Parker (season 1-3)
• Julie Bennett – May Parker (season 4-5)
• Rodney Saulsberry – Joseph "Robbie" Robertson
• Joseph Campanella – Dr. Curt Connors / Lizard
• Jennifer Hale – Felicia Hardy / Black Cat
• Gary Imhoff – Harry Osborn / Green Goblin
• Neil Ross – Norman Osborn / Green Goblin
• Maxwell Caulfield – Alistair Smythe / Ultimate Spider Slayer
• Efrem Zimbalist Jr. – Dr. Otto Octavius / Doctor Octopus
• Jim Cummings – Shocker, Chameleon and Man-Spider
• Hank Azaria – Eddie Brock / Venom
• Majel Barrett – Anna Watson
• David Warner – Herbert Landon
• Mark Hamill – Jason Philips / Hobgoblin
• Earl Boen – Red Skull, Beyonder
• Joan Lee – Madame Web

Producer John Semper was the primary credited writer on the show, receiving some sort of writing credit (usually a story, co-story or co-writing credit) on 60 of the 65 produced episodes. He wrote 8 episodes solo; many of his story credits were actually adaptations of previously published comic book stories.

Mark Hoffmeier was a frequent contributor, receiving credits on 16 episodes, while Stan Berkowitz was credited on 9.

Many of the other series writers had previously worked on Batman: The Animated Series, including Brynne Stephens, Marv Wolfman, Gerry Conway, Marty Isenberg and Robert N. Skir, Len Wein, and Sean Catherine Derek.

Semper watched previous Spider-Man adaptations for inspiration, but he was not impressed by most of them. The only previous adaptation that impressed him was the live-action Japanese Spider-Man (1978), which he thought was a "great" show and "goofy fun". Japanese Spider-Man's giant mecha robot influenced the final multi-part parallel universe arc where Spider-Man's wealthy alter-ego has a robot.[3]

To reproduce New York City's appearance, background illustrators undertook a large amount of visual research by using photo archives from above New York, particularly rooftops. Maps were consulted for references and buildings were faithfully reproduced.

The animation cels depicting Manhattan's Pan Am Building (recently renamed the MetLife Building) were scrapped after being complete because the California-based art staff learned the Midtown landmark had been given a new sign more than a year earlier.

The animation staff were directed to populate the city with cars and crowds on the street level. Semper believed that was one of the limitations of earlier Spider-Man animated projects.

Originally, Marvel Films planned to make the backgrounds completely CGI while Spider-Man swung around New York, yet due to budget constraints were forced to use traditional cel based animation while occasionally using CGI backgrounds by video game developer Kronos Digital Entertainment.

Reuse of animation became more common as the series progressed, which also included reuse of animation involving a character speaking (these scenes were sometimes slowed down in order to better match the actor's voice to the animation).

Marvel outsourced the show's music to distributors Saban Entertainment, who were also responsible for the music in the concurrent X-Men cartoon airing on Fox Kids. The theme for the series was performed by Joe Perry of the hard rock band Aerosmith, although the song was written by Shuki Levy. Levy, Haim Saban and Udi Harpaz are credited as composers of the orchestral background score. The music was conducted with a live orchestra in Israel. It was recorded in Israel due to it being less expensive to do it there than in the U.S.

Producer John Semper Jr. clarified on his Facebook page that the show's cancellation was not due to disagreements between executive producer Avi Arad and network head Margaret Loesch but rather funding issues:

"Fox contracted for 65 episodes and that's exactly what we did. Fox hated Avi almost from day one, so nothing much changed there. It didn't help, but it wasn't the reason we were not picked up for more episodes. New World, who actually produced the show, had gone out of business, so there was nobody to pay for whatever costs Fox wouldn't cover. And most shows rarely even made it to 65 episodes, so the feeling was we were done and that was enough. Spider-Man wasn't 'canceled'. It ran its full course".[8]

Writer and producer John Semper Jr. was nominated for an Annie Award in 1995 for Best Individual Achievement for Writing in the Field of Animation for the episode "Day of the Chameleon". Spider-Man was also nominated for one 1996 Image Award for Outstanding Animated/Live-Action/Dramatic Youth or Children's Series/Special.[9]

Despite the fact that the show ended in 1998, the success of the live-action Spider-Man films has sparked more interest in new fans, allowing the series to air in reruns due to its new owners: The Walt Disney Company.

This show had been shown streaming entirety on Disney+ service since November 12, 2019.[15]

This show was temporarily removed from Disney+ on April 26, 2021, but soon came back to service on the 2nd of May that same year. This was due to all episodes being listed in 1 season. When returned episodes were organized into seasons.

Similarly to X-Men: The Animated Series, the series inspired a number of comic books. The first one was Spider-Man Adventures, published for 15 issues between December 1994 and February 1996, which loosely adapted the plot from the series' episodes. It was followed by Adventures of Spider-Man, a 12-issues series with original stories, published from April 1996 to March 1997.

Additionally, Marvel published a second series inspired by the animated series titled Spider-Man Magazine, that went on for 19 issues from March 1994 to March 1997. Two special issues were also published in 1995.

The last two episodes of Spider-Man: The Animated Series, about multiple Spider-Man characters crossing dimensions to different universes, was the first Spider-Man story involving parallel universes. This inspired the Spider-Verse, which later appeared in various Spider-Man comics, cartoons and films in the early 21st century, with most notably the animated Spider-Verse feature films.[43]

On November 1, 2014 at the Comikaze Expo, where the show's 20th anniversary was celebrated, John Semper Jr. revealed that much of the cast and crew of Spider-Man, himself included, had agreed to reunite for a new crowdfunded series entitled "War of the Rocket Men".[44][45][46][47] In addition, in late 2014, Semper Jr started a website (cartoonspiderman.com) that features behind-the-scenes content, podcasts about the show, a link to the Facebook page that Semper regularly posts on and more. In April 2016, Semper's YouTube account posted a video in which he revealed that he had written a short story following up on the series, detailing Peter finding Mary Jane with Madame Web's help in a Victorian Age setting, referring to the story as "an autobiographical fan-fiction" in which he reminisced on what it was like writing the last episodes of the series, as well as detailing how Peter and Mary Jane would have been reunited, adding one could think of it as "the lost episode of Spider-Man: The Animated Series". Semper explained that he would be releasing this as a perk on a crowd-funding campaign for "War of the Rocket Men". The video also featured the returning voices of Christopher Daniel Barnes and Sara Ballantine as Spider-Man/Peter Parker and Mary Jane Watson respectively in an audio promo prologue entitled "Peter Finds Mary Jane".

After X-Men '97 was announced as a revival of the X-Men TV series by Marvel Studios for the streaming service Disney+, it marked a possibility that Spider-Man could be revived for Disney+ as well. In July 2022, Semper addressed this, stating that he would happily do it if he had the same creative freedom he had on the series:

I think, right now, they're doing an updated Spider-Man. They've done a number of [television] shows since mine and they're doing [Spider-Man: Freshman Year] right now, I don't think that the politics of the situation will allow for [Spider-Man: The Animated Series] to be revived. If they did revive it, I don't know if I'd get to be involved. I was in a very good position because I was really able to have a lot of creative control over that show after [season one]. I don't know if I'd ever have that situation again, so it would really make it a different kind of thing. I don't know if I'd get that on a Spider-Man revival given it's now a property that's owned by [Disney and Sony] and there’s a lot of politics involved, but hey, if someone wants to call me and say, 'Hey, we're gonna do more episodes and we're going to leave you alone', I'd be there in a heartbeat.
—John Semper, showrunner of The Animated Series[48]