Spoek Mathambo

Nthato Monde James Mokgata (born 14 May 1985), known by his stage name Spoek Mathambo, is a South African artist, producer, singer-songwriter and rapper. Mathambo rose to fame in the late 2000s with his fusion of a wide array of musical influences.[2] He is known for coining the term ‘Township Tech’,[3] to describe his sound.

Spoek Mathambo
Birth nameNthato Monde James Mokgata[1]
Born (1985-05-14) 14 May 1985
Soweto, Gauteng, South Africa
Genres
Occupation(s)
  • Rapper
  • songwriter
  • MC
  • DJ
  • producer
Years active2006–present
Labels
Websiteofficial website

Early life

Mathambo hails from the township Rockville in Soweto,[2] a township at the outskirts of Johannesburg. The trombonist Jonas Gwangwa is his uncle.[2][4] Born in 1985, Mathambo grew up during the state of emergency in the final years of Apartheid. In the mid 1990s his family moved to Sandown an affluent suburb in Sandton, north of Johannesburg, where Mathambo attended St John's College, Johannesburg.[2]

As a teenager Mathambo showed an interest in creative writing and music, both of which he kept practicing while first studying medicine at the University of Cape Town and later studying graphic design.[2] In Cape Town he became immersed in the local rap and electronic music scene where he gave his first gigs. Here, he also began to collaborate with Waddy Jones (later Die Antwoord), producer Simon Ringrose (known as SiBot) and Markus Wormstorm.[2]

The name Spoek Mathambo is derived from the South African sit-com Emzini Wezinsizwa which Mokgata liked to watch as a child.[2][5] 'Spoek' translates as ghost in Afrikaans, 'Mathambo' as bones or skeleton in isiZulu. Together, the name translates as something like 'Ghost of Bones'[6] or 'Ghost Skeleton'.[7]

Career

2006-2010: early projects Sweat.X and Playdoe

In 2006, Mathambo and Wormstorm started their electro rap-duo project Sweat.X and quickly rose to national prominence by releasing various mixes on their MySpace site.[8] A year later, they signed to UK label Citinite, released their debut EP Ebonyivorytron and toured Europe.[9][10]

Another of Mathambo's projects in the late 2000s was the duo Playdoe with SiBot (Simon Ringrose). Their debut mini-album It's That Beat was released in 2008 at label Try Harder and followed by a tour through Europe.[11] The same year, they released the album Sibot & Spoek are Playdoe followed in 2010 by the EP African Arcade, both with label Jarring Effects.[12] Another album with the title Bubble & Freeze was released on Leonizer Records in 2010. Together with Starkey they released the EP Freeze Step in 2009.

2010-2011: Mshini Wam

A series of mixtapes titled H.I.V.I.P., periodically released on his blog in 2009,[13] helped build Mathambo's reputation for creatively arranging different styles and genres.[14][15] Mathambo's collaboration with Richard Rumney aka. Richard The Third called Moleke Mbembe eventually developed into a live band supporting Mathambo on his first album.[16][17]

In 2010, Mathambo's debut solo album Mshini Wam was released on Stockholm label BBE Records.[18][19] The title is derived from "Umshini Wami", which translates as ‘Bring me my machine gun’, an anti-apartheid struggle song popular with Umkhonto we Sizwe, the armed wing of the African National Congress, in the 1960s. It was also Jacob Zuma's signature song in his bid for power in the late 2000s.[20][5] Regarding the album's title, Mathambo stated: "My Machine in this case … is my platform to express a new wave of electronic African music blowing through the continent!"[19] The album includes the widely acclaimed song ''Control'', a cover of Joy Division’s "She's Lost Control". The track's video was directed by South African photographer Pieter Hugo and Michael Cleary, who received the Young Director Award at the 2011 Cannes Lions International Festival of Creativity.[21][22] The video also won the Gold Award at the South African Lories in 2011.[23] Meanwhile, Mathambo was nominated in the Best African Act category for the 2011 MOBO Awards.[24]

In September 2011, he gave a presentation ad TEDxSoweto.[25]

2012: Father Creeper & Future Sound of Mzansi

In 2012 Mathambo moved to Seattle label Sub Pop and release his second album Father Creeper.[26][27] It received four star reviews by The Guardian, Mojo and Q.[28] Father Creeper gained him a second nomination for Best African Act at the 2012 MOBO Awards.[29] Unlike its computerised predecessor, Father Creeper also contains live arrangements. For this, Mathambo collaborated with many artists and reviews described Mathambos music as ''a juxtaposing meltdown of styles that transcend even his own self-prescribed label of 'Township Tech'.''[26] Later that year, Mathambo went on a UK tour with Damon Albarn and Nick Zinner.[30]

The same year, Mathambo also released his first compilation album Future Sound of Mzansi, consisting of tracks he produced during the last four years.[30][31]

2013-2014: Escape from '85 & Future Sound of Mzansi (film)

Mathambo published his fourth full-length release Escape from '85 in July 2013.[32] The mixtape is a musical hommage to Mathambo's year of birth. A themed video game accompanied the release.[33] Mathambo also contributed two tracks to the 2013 Red Hot + Fela compilation[34] and released a collaborative mini-album with US rapper Shamon Cassette calles Wave Crusher.[35] As in the past two years, Mathambo was again nominated for Best African Act at the 2013 MOBO awards.[36]

Mathambo's debut feature-length documentary film, directed together with filmmaker Lebogang Rasethaba, was released in mid-2014. Twenty years after the end of Apartheid, the three-part series Future Sound of Mzansi presents samples of South Africa's vibrant landscape of electronical music.[37][38] 'Mzansi' being the isiXhosa and isiZulu term for 'South', thus being the country's colloquial name in youth slang.[3][39] For the film's production, the Mathambo and Rasethaba travelled the country for two years to explored local genres and styles of electronic music.[40] "The film is about the futuristic sounds throughout Mzansi right now," Mathambo explained in an interview. "We tend to get stuck on the radio stuff but in the country's crevices, nooks and crannies there are some really exciting progressive movements happening, from the poorest people to the upper classes."[41] The documentary features genres like Shangaan electro and gqom, as well as, musicians like DJ Mujava, Black Coffee, Okmalumkoolkat and many more. It premiered at the Durban International Film Festival.[3]

2014-2015: CasaCosmica & Fantasma

Early 2014 saw Mathambo releasing material from another side project called CasaCosmica. For their album Dark Arts, befriended artists from six cities around the world had recorded material and shared the files via Dropbox.[42][43] Mathambo also put out another mixtape of South African rap called Cava The Combo (South African Rap Mix).[44]

After two solo albums and two compilations, Mathambo formed a new five-piece group called Fantasma. The band includes Marvin Ramalepe aka. DJ Spoko from Pretoria, Maskandi multi-instrumentalist Bhekisenzo Cele from Durban, psychedelic rock guitarist André Geldenhuys from Cape Town and drummer Michael Buchanan.[45][46] The five combine wide-ranging influences from traditional Zulu maskandi music, shangaan electro, hiphop, punk, house and more. They released their debut EP Eye of the Sun on Soundway Records with Moonchild contributing vocals on two tracks.[47] A year after their founding, Fantasma released their debut album Free Love in March 2015.[45]

2017: Mzansi Beat Code

In 2017, Mathambo released his fifth solo-album, this time with Teka Records. Unlike in his earlier albums, Mzansi Beat Code contains little vocals by Mathambo himself but has other artists sing over his beats.[48][49] Isa Jawards from the Guardian described the sound of Mzansi Beat Code as "less raw and adventurous" and more "club-friendly house beats".[50] Piotr Orlov from NPR called the album the product of Mathambo's "lifelong pursuit of a pan-Mzansi aesthetic while also widening the garden of SA's delights to incorporate global vibes."[51]

2015-present: Batuk

Teaming up with DJ Aero Manyelo and vocalists Carla Fonseca (aka. Manteiga), as well as, Nandi Ndlovu in 2015, Mathambo formed a new collective called Batuk.[52][53] According to Carla Fonseca, the band's name Batuk means 'drum' in Portuguese.[54] To records its debut EP Daniel, released in early 2016, Batuk set up in Mozambique.[55] The EP was followed by a debut album Musica da Terra, also released in 2016, which was recorded in South Africa, Mozambique and Uganda, comprising collaborations with artists from all three countries.[56] The collective aims to use house music to explore different African sounds and unify them in a pan-African fashion.[57] In an interview, Mathambo explained: “The point of us mixing up these different cultures and languages is to show unity and to expose people, to make people not say ‘those are the other people’ but to say that ‘those are my people’."[58]

Batuk continued as a duo consisting of Mathambo and Fonseca, who, in 2018, released their second EP Move!,[59] followed by a worldwide tour. Later that same year, the duo released its second album Kasi Royalty. After the pan-African approach of their first album, Kasi Royalty focuses on South African township sounds - Kasi is a South African slang term for township.[60]

Personal life

Mathambo lives in Johannesburg.[5][31]

Discography

  • Ebonyivorytron (2007, EP with Sweat.X)
  • It’s That Beat (2008, with Playdoe)
  • Sibot & Spoek are Playdoe (2008, with Playdoe)
  • African Arcade (2010, EP with Playdoe)
  • Mshini Wam (2010)
  • Father Creeper (2012)
  • Future Sound of Mzansi (2012)
  • Escape from '85 (2013)
  • Wave Crusher (2013, with Shamon Cassette)
  • Eye of the Sun (2014, EP with Fantasma)
  • Free Love (2015, LP with Fantasma)
  • Daniel (2016, EP with Batuk)
  • Musica da Terra (2016, LP with Batuk)
  • Mzansi Beat Code (2017)
  • Move! (2018, EP with Batuk)
  • Kasi Royalty (2018, with Batuk)
  • Instrumental Tales From the Lost Cities of Azania (2020)
  • Tales From the Lost Cities (2020)
  • Again She Reigns (2020, with Batuk)

Filmography

  • Future Sound of Mzansi (2014)
  • Burkinabe (2019)

References

  1. "DOG TO BONE". ASCAP. American Society of Composers, Authors and Publishers. Retrieved 12 July 2023.
  2. Zvomuya, Percy (4 November 2011). "There's a Spoek on my stoep". Mail & Guardian. Retrieved 23 November 2018.
  3. Macfarlane, Clyde (23 July 2014). "Spoek Mathambo and the future sounds of township tech". The Guardian. Retrieved 23 November 2018.
  4. Cliff, Aimee (7 August 2014). "We catch up with Spoek ahead of Oppikoppi Odyssey, which we're streaming live on RedBull.com/Music". Red Bull. Retrieved 11 January 2019.
  5. Macia, Peter (31 August 2010). "The Scare Tactics of Spoek Mathambo". The Fader. Retrieved 10 December 2018.
  6. "Spoek Mathambo and the crush of bones". Inside Dance Music. Retrieved 11 January 2019.
  7. Pareles, Jon (9 March 2019). "From Parables to Pointillism". New York Times. Retrieved 11 January 2019.
  8. Friedman, Daniel (30 March 2007). "I have seen the future and it's primitive". Mail & Guardian. Retrieved 24 November 2018.
  9. viceland (22 June 2007). "SOUTH AFRICA - SWEAT X". Vice. Retrieved 24 November 2018.
  10. Clayton, Jace (25 February 2008). "GEN F: Sweat.X". The Fader. Retrieved 24 November 2018.
  11. Lester, Paul (18 August 2008). "New band of the week No 371: Playdoe". The Guardian. Retrieved 28 November 2018.
  12. "Playdoe". jarringeffects.net. Jarring Effects. n.d. Retrieved 28 November 2018.
  13. "H.I.V.I.P: United States of Ayobaness Mix". sdotx.blogspot.com. 13 August 2009. Retrieved 10 December 2018.
  14. "Freeload: Spoek Mathambo's H.I.V.I.P. Devil House Mafias 2 Mix". The Fader. 27 April 2009. Retrieved 10 December 2018.
  15. Macia, Peter (13 August 2009). "Spoek Mathambo, H.I.V.I.P: United States of Ayobaness Mix". The Fader. Retrieved 10 December 2018.
  16. Botha, Nadine (1 August 2009). "Post-er-boy". Design Indaba. Retrieved 19 December 2018.
  17. "Richard The Third: A Local Electronic First". Inside Dance Music Magazine. 21 October 2010. Retrieved 19 December 2018.
  18. May 2012. "Spoek Mathambo: The Ghost In The Pop Machine Goes Global", Rolling Stone South Africa.
  19. Moloantoa, Daluxolo (31 March 2011). "Don't be afraid of Spoek Mathambo". The South African. Retrieved 19 December 2018.
  20. Mangena, Isaac (23 December 2007). "Umshini Wami echoes through SA". Mail & Guardian. Retrieved 10 December 2018.
  21. Van Wyk, Lisa (24 June 2011). "Pieter Hugo wins Young Director Award at Cannes". Mail & Guardian. Retrieved 10 December 2018.
  22. "SPOEK MATHAMBO "CONTROL"". Young Director Award. 2011. Retrieved 10 December 2018.
  23. Neophytou, Nadia (7 November 2011). "Spoek Mathambo – Painting NYC Red". Miss Ntertainment. Retrieved 19 December 2018.
  24. "SA musos up for UK award". DestinyConnect.com. 12 September 2011. Retrieved 19 December 2018.
  25. Devriendt, Tom (2012). "Spoek Mathambo's World". Africa is a Country. Retrieved 11 January 2019.
  26. Frame, Charlie (3 May 2012). "Totally Wired: An Interview With Spoek Mathambo". The Quietus. Retrieved 11 January 2019.
  27. Leonard, Charles (14 December 2012). "Spoek Mathambo: Afro-futurism's heir apparent". Mail & Guardian. Retrieved 11 January 2019.
  28. "Father Creeper Critic Reviews". Metacritic. Retrieved 2 March 2018
  29. "Spoek Mathambo gets MOBO nomination". Inside Dance Music Magazine. 10 October 2012. Retrieved 19 December 2018.
  30. Brown, Ashley (27 November 2012). "SA Music Scene, up close and personal with Spoek Mathambo". SA Music Scene. Retrieved 11 January 2019.
  31. Herimbi, Helen (5 December 2012). "Mathambo releases compilation". IOL.co.za. Retrieved 11 January 2019.
  32. McGovern, Kyle (11 July 2013). "10 Albums You Can Hear Now: Fuck Buttons, David Lynch, Pet Shop Boys, and More". Spin. Retrieved 25 April 2016.
  33. Jones, Charlie (2 July 2013). "Spoek Mathambo – Escape From '85". Dazed. Retrieved 11 January 2019.
  34. "Spoek, SA's new generation Afro-electro genius, at London Jazz Fest". thesouthafrican.com. 15 November 2013. Retrieved 11 January 2019.
  35. Dolding, Sian (24 October 2013). "First Look: Spoek & Shamon Cassette's Wave Crusher". Dazed. Retrieved 11 January 2019.
  36. "Liquideep, Mafikizolo, Spoek Mathambo up for MOBO nominations". The Sowetan. 4 September 2013. Retrieved 19 December 2018.
  37. Churchill, Maude (26 May 2015). "South Africa's Electronic Music Scene Is Explored in 'Future Sound of Mzansi'". High Snobiety. Retrieved 11 January 2019.
  38. Oliver, Huw (25 July 2014). "Spoek Mathambo: 'The future is now'". The Guardian. Retrieved 25 January 2019.
  39. "Future Sound of Mzansi". Nowness. 14 January 2015. Retrieved 11 January 2019.
  40. Naidoo, Kareesha (7 October 2014). "Future Sounds of Mzansi". Elle (South Africa). Retrieved 11 January 2019.
  41. Mkele, Yolisa (3 August 2014). "Movies: Bass motives". Sunday Times. Retrieved 31 January 2019.
  42. Klein, Alyssa (14 April 2014). "CasaCosmica With Spoek Mathambo, Josiah Wise, Chllngr + More". OkayAfrica. Retrieved 11 January 2019.
  43. Smith, CF (17 April 2014). "Audio: CasaCosmica – Dark Arts ft. Josiah Wise". Twisted Soul. Retrieved 11 January 2019.
  44. Klein, Alyssa (23 April 2014). "Spoek Mathambo's South African Rap Mix". OkayAfrica. Retrieved 11 January 2019.
  45. Horan, Tom (6 March 2015). "Spoek Mathambo presents Fantasma – a ray of South African sunshine". The Guardian. Retrieved 11 January 2019.
  46. Oppenheim, Maya (4 November 2014). "Spoek Mathambo and DJ Spoko's band is totally amazing". Dazed. Retrieved 11 January 2019.
  47. Klein, Alyssa (2 December 2014). "Spoek Mathambo & DJ Spoko Star In The Most Mystical Video Of The Year With Fantasma's 'Eye Of The Sun'". OkayAfrica. Retrieved 11 January 2019.
  48. Galbraight, Alex (4 July 2017). "Spoek Mathambo's 'Mzansi Beat Code' Is A South African House Cypher". UPROXX. Retrieved 11 January 2019.
  49. "Track By Track: Spoek Mathambo on Mzansi Beat Code". thelineofbestfit.com. 17 April 2017. Retrieved 11 January 2019.
  50. Jaward, Isa (16 April 2017). "Spoek Mathambo: Mzansi Beat Code review – lightening up for the dance floor". The Guardian. Retrieved 11 January 2019.
  51. Orlov, Piotr (6 April 2017). "Review: Spoek Mathambo, 'Mzansi Beat Code'". NPR. Retrieved 11 January 2019.
  52. Mann, Dave (17 December 2015). "15 South African Musical Acts to Come Out of 2015". between10and5. Retrieved 25 January 2019.
  53. Scott-Barron, Michael (16 November 2015). "Spoek Mathambo Has Formed a Collective — Batuk". Vice. Retrieved 25 January 2019.
  54. "The band mixing a world of sound". CNN. 10 June 2016. p. min. 1:11-1:14. Retrieved 26 January 2019.
  55. Klein, Alyssa (26 January 2016). "Batuk, The Pan-African Creative Collective You Need To Know, Make Their Spectacular Debut". OkayAfrica. Retrieved 25 January 2019.
  56. Klein, Alyssa (26 May 2016). "Batuk's Debut Album, 'Musica Da Terra': A Track-By-Track Breakdown". OkayAfrica. Retrieved 25 January 2019.
  57. "Batuk: Using house music to promote pan-Africanism". BBC News. 14 October 2016. Retrieved 30 January 2019.
  58. Hird, Alison (20 October 2016). "Batuk's pan-African house music". Radio France International. Retrieved 30 January 2019.
  59. Steenkamp, Edwain (19 April 2018). "Manteiga tells us about 'Move' and the ancient art of storytelling". Marie Claire. Retrieved 30 January 2019.
  60. "Batuk portrays South Africa's townships in new album Kasi Royalty". Pan African Music. 24 May 2018. Retrieved 30 January 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.