Star of Curtorim

Fernandes, like many individuals from Goa, migrated to Bombay (now Mumbai) in search of employment opportunities. However, as he was settling into his new life, the diplomatic relations between the Portuguese government, which held control over Goa at the time, and the Indian government began to deteriorate. This led to concerns among the Goan community residing in Bombay that sea and road routes could potentially be blocked. In response to the growing unease, Fernandes decided to return to Goa.[2]

Top view of Goa Shipyard (2016)

Back in Goa, Fernandes received assistance in securing a job from a Portuguese family, whose patriarch served as the director of "Estaleiros Navais de Goa", now known as Goa Shipyard. Recognizing Fernandes' dedication and sincerity in his work, the Portuguese officer arranged for employment for Fernandes at the Goa Shipyard, where he remained employed until his retirement.[2]

In the realm of Konkani theater, Fernandes played a pivotal role in safeguarding and popularizing tiatr during his career spanning over five decades. He demonstrated his versatility by excelling as a writer, director, and producer of numerous highly acclaimed tiatrs, such as "Izmol", "Maim Dukhi Sasumaim Sukhi", "Put Mhozo Bekar", "Nirmilolem Jivit", and "Seza Pai". Fernandes was regarded as a gentleman, always acknowledging the invaluable assistance provided by tiatr artists. He consistently held Nelson Afonso, a renowned tiatr artist from an earlier era, in high esteem for his support in staging "Seza Pai".[2]

St. Andrew's Church, Vasco (2018)

"Seza Pai" was a tiatr production inspired by a true story set in Goa. The story revolves around a beggar who regularly sought alms in front of St. Andrew's Church in Vasco. This beggar demonstrated compassion by using the money he collected to purchase fruits and chocolates, which he then distributed among the children attending catechism classes at the church. Intrigued by his actions, Fernandes would frequently observe him from the roadside. Moved by the beggar's selflessness, he drew inspiration from this incident and crafted a theatrical production titled "Seza Pai". With the assistance of Afonso, Fernandes organized performances of the tiatr across the state of Goa. As a result, he himself became affectionately known as Seza Pai.[2]

Fernandes exhibited great enthusiasm for Konkani tiatr and music, showcasing his passion through his debut tiatr "Put Mhozo Bekar" in 1959. Encouraged by the positive reception, he continued his creative journey with "Nirmilolem Jivit," earning accolades from Afonso. This commendation prompted Fernandes to approach Afonso for assistance in producing his successful tiatr "Seza Pai."[2]

Afonso not only provided valuable guidance but also actively participated as an actor in the tiatr, fostering a sense of deep gratitude within Fernandes. Renowned for his skill as a composer, Fernandes excelled in crafting captivating "cantos" for the tiatr. Despite his talent, he remained modest and sought feedback from artist Patrick Dourado, who served as a guiding influence whenever necessary.[2]