Stepping (African-American)

Stepping finds its origins in a combination of military close-order and exhibition drill. It also originally drew heavily from the stage routines and movements of popular R&B groups such as The Temptations and The Four Tops. During the mid-20th century, historically black fraternities and sororities on United States college campuses traditionally sang and chanted to celebrate "crossing over" into membership of their respective organizations. Stepping is also performed by schools, churches, cheerleading squads, and drill teams.

Stepping gained its distinctive percussive style after the 1739 Stono Rebellion in South Carolina.[1] There, 20 enslaved people organized a rebellion near the banks of Stono River, banging on drums as they marched down the streets. The noise attracted a larger crowd of enslaved people who joined the revolution, and also of white colonists who killed most of the rebels.[2] In the aftermath, lawmakers outlawed drumming as well as the right to own one, in order to eliminate it as a source of communication between enslaved persons. Following the ban, the percussive dance form (known today as stepping) began to emerge as enslaved people replaced the drums with their bodies.[1][2]

In the early 1900s, the inception of black Greek organizations changed stepping into the style that many recognize today.[1] NPHC fraternities and sororities had "Greek Sings," and this tradition gradually came to be used to celebrate initiations into the world of Greeks. The chapters would gather on campus and sing uplifting songs and cheers about their fraternity or sorority. In later years when the Greeks sung songs, they added movements such as walking in a circle and clapping hands. The sororities were singing songs up to the early eighties, and all of the sororities still have traditional songs that they sing today. Meanwhile, the fraternities began to add movement to their songs. In later years "Greek Sings" became "Greek Shows" which were a major event and still are to this day. The first official Greek Show was held at Howard University in 1976.[3] Stepping has been popularized by National Pan-Hellenic Council member organizations who give tributes to their historical Greek letter organizations and also perform at local and national competitions. Stepping has become popular among the Greek organizations to show spirit and pride in their fraternity or sorority.

The most popular step routines have been passed down, and many of the songs are still used and housed in each fraternity's and sorority's history archives. Many times a step performance ends or incorporates the use of a chant that is associated with the respective organization. A chant is a song that is worded or has a rhythm specific to that organization. Each particular organization has their own.

Over time, more and more organizations have created moves to continue this growing passion; however, certain steps and moves originated and are considered signature to particular organizations. For example, "The Alpha Train" is a staple of Alpha Phi Alpha, "the Q Hop" is originally from Omega Psi Phi fraternity, "The Nut Cracker" is unique to Phi Beta Sigma fraternity, "The Dove" is unique to Zeta Phi Beta sorority, and "The Poodle Prance" is a signature move of Sigma Gamma Rho sorority.

In 2019, stepping advanced its movements with the creation of the World of Step, which is an international community focused on embracing the inclusivity of step step as defined as using your body as an instrument to create sound. Once established, it opened its doors in connecting Haka, Zapateo Peruano, Taino Culture, Irish Step Dance and much more. Now it serves as the largest competition in the world with operations in United States, Senegal and Belgium along with participation of over 1 million votes.

With the push of step becoming inclusive in the dance world, the copyright office has an official language of step called: Remo System, created under the company Art of Stepping which teaches step through a written language. In addition, in 2019 the 1st ever step mobile app to help support the language of step was launched on Android app.

The first nationally syndicated stepping contest, S.T.O.M.P., aired in 1992 was created by Frank Mercardo Valdes, produced by the World African Network and Vic Bulluck and choreographed by Vernon Jackson and Jimmy Hamilton of the Alpha Phi Alpha fraternity, Pi Kappa Chapter. Again they were also known as Step by Step Stomp aired 1992-1996.

World of Step International Competition, serves as the largest competition for step that includes the following countries: USA, Spain, Peru, Senegal, Korea, Kenya, Canada, Belgium with expansion in Italy and Ireland which was created by Jessica 'REMO' Saul, Founder of Art of Stepping and member of Omega Phi Beta sorority.

Stepping is a complex performance that melds folk traditions with popular culture and involves synchronized percussive movement, singing, speaking, chanting, and drama. Developed by African American fraternities and sororities, it is now practiced worldwide.[4] For example, the tradition has been emulated by Latino fraternities and sororities such as Lambda Sigma Upsilon fraternity and Omega Phi Beta sorority which was led and created by Jessica 'REMO' Saul, Founder of Art of Stepping, World of Step and World of Step Media. This has led to an increase in participation of Latino Greek organizations in step show events, with groups often adding influences from Salsa, Merengue, Bachata, as well as other traditionally Latino music. Latino Greeks are performing in more step shows, stroll competitions, and social functions on college campuses throughout the United States. Stepping has also been emulated by white, Multicultural, and Asian fraternities and sororities.

• Drill team
• Get down
• Gumboot dance
• Stomp the Yard
• NALFO
• National Pan-Hellenic Council
• Step dance
• Showtime Steppers
• Dance in the United States

• Brown, Jamie. "Black Fraternities and Sororities and the History of Stepping." Yahoo! Contributor Network. Yahoo! Contributor Network, 10 Jan. 2008. Web. 3 May 2013
• Hughey, Matthew W. (2011). "Re-membering Black Greeks: Racial Memory and Identity in Stomp the Yard". Critical Sociology. 37 (1): 103–123. doi:10.1177/0896920510378771. S2CID 144912844.
• Malone, Jacqui. Steppin on the Blues. Chicago: University of Illinois Press, 1996.
• Ross, Lawrence Jr. The Divine Nine - The History of African American Fraternities and Sororities. Kensington Publishing Corporation, 2001.