Stephen F. Eisenman

Stephen F. Eisenman is an American art historian, and a professor emeritus of art history at Northwestern University in Evanston, Illinois.[1]

Career

Eisenman is the author of nine books including Gauguin's Skirt (1997), The Abu Ghraib Effect (2007), and The Cry of Nature – Art and the Making of Animal Rights (2013).[2][3] He has curated major exhibitions in the United States and Europe and is the principal author and editor of the textbook Nineteenth Century Art: A Critical History (fourth edition 2010).

Eisenman is also an activist: From 2008 to 2013, he was spokesman for the prison reform organization, Tamms Year Ten which in 2013 succeeded in closing Illinois’ only supermax prison.[4] In 2017, he founded a 501c3 nonprofit, Anthropocene Alliance with his wife, the British environmentalist, Harriet Festing. His op-eds, articles and letters on prison issues and animal rights have appeared in the Chicago Sun-Times, Monthly Review and the New York Times. He has twice been elected President of the Northwestern University Faculty Senate.

Eisenman is the principal author and editor of Nineteenth Century Art: A Critical Edition (fourth edition 2010). Eisenman has curated numerous exhibitions in the United States and Europe, including Paul Gauguin - Artist of Myth and Dream (2007), Design in the Age of Darwin (2008), and The Ecology of Impressionism (2010). The catalog for his exhibition, William Blake in the Age of Aquarius Northwestern's Block Museum (September 2017 to March 2018) was among The New York Times' The Best Art Books of 2017.

His article "The Intransigent Artist, Or How the Impressionists Got Their Name", published in the catalogue for the exhibition, The New Painting, Impressionism, Fine Arts Museums of San Francisco, 1986, is frequently cited and has twice been anthologized.[5][6]

Selected publications
  • The Ghosts of Our Meat (New York: DAP, 2014)
  • The Cry of Nature – Art and the Making of Animal Rights (London: Reaktion, 2013)
  • Nineteenth-Century Art: A Critical History revised and expanded Fourth Edition), (London and New York: Thames and Hudson, 2010)
  • Paul Gauguin (Barcelona: Poligrapha, 2010)
  • The Ecology of Impressionism (Milan: Skira, 2010)
  • Design in the Age of Darwin: From William Morris to Frank Lloyd Wright (Evanston: Northwestern University Press, 2008)
  • Paul Gauguin: Artist of Myth and Dream (Milan: Skira, 2007)
  • The Abu Ghraib Effect (London: Reaktion Books; Chicago: University of Chicago Press, 2007. Turkish Edition, 2008; Revised Spanish Edition, 2014)
  • (with Richard Brettell), Nineteenth-Century Art in the Norton Simon Museum of Art, (London and New Haven: Yale University Press, 2006)
  • Gauguin’s Skirt (London and New York: Thames and Hudson, 1997. Paperback, 1999)
  • The Temptation of Saint Redon — Biography, Ideology and Style in the Noirs of Odilon Redon (Chicago: University of Chicago Press, 1992)

References
  1. "Wartime Dispatches". CounterPunch.org. 2022-04-08. Retrieved 2022-06-18.
  2. "The Cry of Nature: Art and the Making of Animal Rights". Caareviews.org. Retrieved 20 October 2021.
  3. "Stephen F. Eisenman". Animal Liberation Currents. Retrieved 20 October 2021.
  4. Chicago, Laurie Jo Reynolds; IL; USA; Chicago, Stephen F. Eisenman; IL; USA (2013-05-06). "Tamms Is Torture: The Campaign to Close an Illinois Supermax Prison". Creative Time Reports. Retrieved 2016-12-18.
  5. Francis Frascina and Jonathan Harris (1992). Art in Modern Culture. New York: Harper Collins. pp. 85–93.
  6. Lewis, Mary Tompkins (2007). Critical Readings in Impressionism and Post Impressionism. Berkeley: University of California Press. pp. 148–162.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.