Steven R. Gilmore

Steven R. Gilmore is a Canadian artist and graphic designer most known for his work on album cover design, particularly his role as in-house artist for Nettwerk Records for much of the 1980s and 1990s. He has designed record album sleeves for bands such as Skinny Puppy, Nickelback, A Perfect Circle, BT, Machines of Loving Grace, and Two Steps from Hell.[1]

For the American football cornerback, see Stephon Gilmore.

Career

Although Gilmore began working as an artist during the 1970s, his career did not take off until the 1980s, when he began actively working with various Canadian bands.[2] Gilmore met CEvin Key of Skinny Puppy at a nightclub in 1982, and the two became friends with Gilmore subsequently designing artwork for a number of Key's projects as well as for other bands on the Nettwerk Records label.[3] According to the sprawling history of Canadian popular music Have Not Been the Same, "Steven R. Gilmore was enlisted as the resident artist to design a distinct look for the label’s promotional material and album covers. Shaping the look of the label would remain crucial throughout Nettwerk’s history…"[4]

Gilmore also created the soundtrack artwork and related promotional materials for films such as The Dark Knight, 300, Watchmen and The Lord of the Rings.[5]

As both a DJ and artist, Gilmore helped shape the aesthetics of industrial music, according to S. Alexander Reed's book Assimilate: A Critical History of Industrial Music.[6]

References
  1. "About". Two Steps from Hell. Archived from the original on 2015-11-02. Retrieved 2012-08-05.
  2. "Steven R Gilmore Interview". Chicago Music Guide. 2012-02-03. Retrieved 2021-08-25.
  3. "Dig It: The Album Art of Steven R. Gilmore". Lethal Amounts. Retrieved 2021-08-25.
  4. Barclay, Michael; Jack, Ian; Schneider, Jason (2011). Have Not Been the Same: The Can-Rock Renaissance 1985–1995. ECW Press. p. 508.
  5. Steven R. Gilmore / SRG Design Website 2023
  6. Reed, S. Alexander (2013). Assimilate: A Critical History of Industrial Music. Oxford University Press. pp. 174, 180, 210. ISBN 9780199832606 – via the Internet Archive.


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