Stillman House

Stillman House (1950) follows Marcel Breuer’s Gregory Ain demonstration “House in the Garden” built the year before for the MOMA Museum, which now sits at the Rockefeller Kykuit estate in Hudson Valley, NY. The Stillman house boasts three separate architectural commissions by Breuer between 1950-1953: a main house, a studio, and pool and porch redesign, with the latter featuring an 18’x10’ pool mural wall by friend and sculptor, Alexander Calder. During this time, fellow first-generation Bauhaus friend and artist, Xanti Schawinsky, executed an interior mural wall as well.

Marcel Breuer Stillman House
General information
Type	Two-Story Long House
Architectural style	Modern
Location	Beecher Lane
Town or city	Litchfield, CT
Country	USA
Coordinates	41.7542°N 73.1885°W / 41.7542; -73.1885
Elevation	1070 ft
Construction started	1950
Completed	1951
Cost	~$23,000 (1950)
Client	Rufus and Leslie Stillman
Technical details
Structural system	Steel, Wood, Glass
Floor count	2
Design and construction
Architect(s)	Marcel Breuer

Stillman house sits adjacent the Huvelle House (1953) by John M. Johansen and together, they represent the first and second modern homes in Litchfield, Connecticut, existing between a forest reserve and the town’s historic North Street. In 1953, the Stillmans decided to split their 6-acre property in two, inviting the Huvelles to join their modern experience on the condition their choice of architect was to remain modern. John Johansen, fellow Harvard Five architect and student and associate of Breuer, built the adjacent home. The house is a study in simple form, natural light, and thoughtful design. It also sits in complementary juxtaposition to the Stillman House in appreciation of its patterned use of glass, primary color panels and pool mural.

Although Stillman House was the beginning of a client-architect friendship and collaboration that spanned 30 plus years, the house serves as important reminder to what creative thinking and out-of-town influence can do. To date, and in reaction to these homes, the Borough of Litchfield restricts the further use of modern design within its borough’s historic boundaries as protection to its Colonial and Greek Revival heritage. Nevertheless, what has become clear to everyone familiar with these homes is just how complementary and special they have become in telling the history of Litchfield’s architectural heritage. The 6-acre property is now reunited, and the homes are fully restored to their original detail.

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  Stillman Back
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  Stillman Pool
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  Stillman South Side
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  Stillman Pool and Mural wall
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  Stillman Front