Stunting (broadcasting)

A station may stunt by repeating the same song, playlist, or other content on a continuous loop:[1]

• The song(s) in question are commonly a clue towards the incoming format or branding, such as was the case in March 2014 when San Francisco Regional Mexican station KVVF/KVVZ stunted with a loop of "Hot in Herre" by Nelly for three days. This led into the stations' relaunch as rhythmic contemporary Hot 105.7. The stunt notably attracted mainstream media attention, with the hashtag "#nelly1057" being used to discuss the event on Twitter.[2][3][4]
  • In late June 2022, CKKS-FM in Greater Vancouver similarly faced mainstream media attention when it played a loop of "Killing in the Name" by Rage Against the Machine as part of its transition from hot adult contemporary Kiss to modern rock Sonic. The loop included staged segments of DJs discussing their repeated playing of the song, and "callers" either requesting "Killing in the Name" or asking for a different song—which led to a false impression that its employees had commandeered the station to protest staffing changes associated with the format change.[5][6][7][8][9]
• Often the song chosen for the loop does not pertain to either the old or new format:
  • In one of the oldest radio stunts recorded, WNOE-AM/New Orleans played "Shtiggy Boom" by The Nuggets nonstop for 58 hours and 45 minutes before the launch of its Top 40 format in early 1955.[10]
  • In 1961, XEAK San Diego/Tijuana played "Mope-itty Mope" by The Bosstones for 72 hours straight before launching one of the first all-news formats in North American radio.[11]
  • In late-April 1994, WMGV/Winneconne stunted with a loop of 21 different versions of the song "Louie Louie" as Louie 103.9, before launching a new oldies format on May 3.[12]
  • In a reference to the Rickroll meme, the new Toronto radio station CIND-FM played a loop of Rick Astley's "Never Gonna Give You Up" prior to its official launch as Indie 88.[13]
  • Linder Radio Group is known for routinely using "Tie Me Kangaroo Down, Sport" by Rolf Harris as a filler stunt when changing a format on one of its stations.[14]
• For four days before the July 8, 2012, relaunch of KOKE-FM/Austin — a station which popularized progressive country in the early 1970s, a live recording of Dale Watson's "Country My Ass" played in a continuous loop. This example of stunting is notable for the station-specific nature of the song's lyrics; Watson re-recorded the song for the occasion, adding a new coda in which he sings, "Now Austin's on track, 'cause KOKE-FM's back."[15]
• In May 1990, the staff of Australian Broadcasting Corporation radio station Triple J staged an industrial action, after its news director was suspended for playing a clip of the N.W.A. song "Fuck tha Police" in a segment discussing its subject matter (despite the full song having been played by the station before without incident). During the action, Triple J played another N.W.A. song, "Express Yourself" (whose lyrics criticize censorship of rap music), 82 times in a row.
  • Triple J paid homage to the event during the April 30, 2014 relaunch of digital radio station ABC Dig Music as sister station Double J, which was preceded by a stunt loop of 13 different versions of "Express Yourself" (including the original recording, and covers of the song by Australian musicians).[16][17]
• WJMP/Kent, OH, in a protest over the Major League Baseball players' strike, continuously played two versions of "Take Me Out to the Ball Game" sunrise-to-sunset (the station operated only during daytime hours), for two months (and 57,161 total plays) from August to October 1994. The stunt merited WJMP an entry in the Guinness Book of Sports Records.[18]
• In honor of the alleged Mayan apocalypse, modern rock station CFEX-FM/Calgary stunted with a loop of R.E.M.'s song "It's The End Of The World As We Know It (And I Feel Fine)" on December 21, 2012, interspersed with "Apocalypse Survival Tips" and "Get to Know a Mayan" segments.[19]
• Prior to its August 26, 2019 launch of a sports talk format affiliated with Fox Sports Radio, WDAS/Philadelphia stunted with a loop of the NFL on Fox theme music over the preceding weekend. The change in format was announced in advance of the flip.[20]
• In a non-music example, the launch of Black Information Network—a chain of iHeartMedia news radio stations targeting African Americans—featured its initial stations playing a loop of speeches by prominent African Americans, mixed with sweepers promoting the launch date, and containing the tagline "Our side of the story is about to be told."[21][22][23]
• Prior to the September 30, 2021 launch of an adult hits format, AAA station KTHX-FM in Reno stunted with instrumental jazz music mixed with sweepers stating that the station was "on hold".[24]

Occasionally a station dropping an old format will stunt with a transitional format, either containing hints towards the new format (such as songs referencing its new branding, and artists who may be included in the eventual format), or having little to do with it. This can include songs based on specific themes (such as a single musician), or novelties that would not be viable as a permanent format. In some cases (sometimes referred to as a "wheel of formats"), a station may cycle between multiple formats during the stunt until the new, permanent format launches.[25][26]

• As part of its 1996 transition from country music to rhythmic contemporary WKTU,[27] New York City's WYNY carried simulcasts of programming from several of its Evergreen Media sister stations, including WRCX/Chicago (with morning host Mancow Muller informing his expanded audience that there would be "no more goat-ropin' music" on WYNY, and making jokes directed towards competitors WHTZ and WXRK—including the latter's morning host Howard Stern), KKBT/Los Angeles, WLUP/Chicago, KIOI/San Francisco, and WXKS/Boston.[28][29]
• In 2006, after its sale to new owners, KFYE in Kingsburg, California, dropped its contemporary Christian music programming for a stunt format it dubbed "Porn Radio", featuring songs with sexually-suggestive lyrics, and songs edited to include moaning sounds. The stunt led into its relaunch as rhythmic adult contemporary Sexy 106.3.[30][31][32]
  • WLYK in Cape Vincent, New York (serving Kingston, Ontario) pulled a similar stunt when it transitioned to new operators in February 2023, replacing its outgoing Kiss CHR format with "The Pole" (a pun of the name of one of the station's new owners, Jon Pole)—a variety format which played music that one would hear at a strip club.[33] The stunt notably attracted the attention of an actual strip club in Kingston.[34] The station emerged as adult hits Lake FM on March 17, 2023.[35]
• In May 2009, WSKS in Utica, New York, announced that due to "financial constraints", its contemporary hit radio (CHR) format would be replaced by a beautiful music format similar to what was broadcast on sister station WUTQ. The ensuing programming included staged scenes of station employees protesting the changes. The "new format," however, lasted for only two hours before WSKS management came clean, restored the CHR format, and confirmed the stunt was a way to promote the station's new lineup.[36]
• As a publicity stunt for the program by local broadcaster Global, Toronto radio station CIRR-FM (which usually broadcasts a CHR format targeting the LGBT community) temporarily rebranded as Glee FM on April 12, 2010, adding music from the U.S. musical comedy-drama series Glee to its playlist.[37] On August 16, 2010, British radio station Oxford's FM 107.9 held its own Glee FM stunt, leading into its August 18 relaunch as Glide FM.[38]
• Over Memorial Day weekend in 2010, WJZX-FM/Milwaukee, Wisconsin, stunted as Tiger 106.9, featuring songs about cheating (in reference to an infidelity scandal involving golfer Tiger Woods). The station was expected to change to a top 40 format with the new call letters WNQW—with the new calls suggesting that its branding would involve the name "Now". However, competing station WQBW abruptly moved to introduce the same format and branding as 97.3 Now, preventing WJZX from using the name.[39] The station continued airing temporary formats (such as patriotic music and The Beatles' discography in alphabetical order), before settling on a permanent format in June 2010, as classic country station WZBK-FM (the station eventually adopted a rhythmic top 40 format in September 2012 as Energy 106.9).[40][41]
• In 2011, WWWN/Chicago and WEMP/New York—which had recently been sold to Merlin Media—transitioned from alternative rock to all-news radio as FM News. As a transitional format, both stations aired a format branded as FM New, which featured adult contemporary music interspersed with news, traffic, and weather updates from personalities who would serve under the new FM News formats.[42]
• Some stations have held temporary stunts focused on specific artists in honor of major concert tours making stops in their markets, with KSON in San Diego briefly rebranding as The All-New George-FM in January 2014 ahead of the January 31 date on George Strait's farewell tour The Cowboy Rides Away (promoting an increased amount of George Strait music, and on-air giveaways of merchandise and concert tickets), and San Francisco's KBAY announcing that it would temporarily rebrand as Tay Bay and play all-Taylor Swift music on July 28 and 29, 2023, in honor of The Eras Tour.[43][44][45]
• On October 8, 2014, KROI/Houston ended its all-news format and began stunting as B92, playing only music by Houston-native Beyoncé. The stunt led into its relaunch as classic hip-hop Boom 92.[46]
• KEGY/San Diego used an unbranded mainstream rock format as part of its transition from CHR to a new hot talk-oriented format in 2018. The stunt's playlist featured Pink Floyd's "Welcome to the Machine" at the top of each hour, which teased its eventual branding as The Machine.[47][48]
• Multiple stations in the United States and Canada have stunted with Chinese music under the branding "Kung Pao", such as KDOG (which led into a flip to classic hits), WVHT (which led into its re-launch as CHR Hot 100),[49][50] and CIGM (which led into its re-launch as CHR Hot 93.5).[51]
• In July 2021, Denver CHR station KPTT briefly aired all-Britney Spears music as Free Britney Radio (in reference to the Britney Spears conservatorship dispute) before re-launching its format as Hits 95.7.[52]

The popular practice of radio stations playing all-Christmas music during the lead-up to (and occasionally the week after) Christmas Day has sometimes been used by stations as a transition period between formats.[53][54] However, the ensuing format change can still occur before the end of the holiday season; on November 17, 2017, Seattle country station KMPS flipped to Christmas music in defense of its former competitor and now-sister station, KKWF, following the merger of CBS Radio with KKWF's owner Entercom. While ostensibly for the holiday season, KMPS abruptly ended the all-Christmas programming on December 4, 2017, and flipped to soft adult contemporary.[55][56] The following year, Entercom's Detroit station WDZH performed a similar flip from an outgoing CHR format to soft AC, with its transition period having lasted only three days.[57]

Christmas music is sometimes used as a more blatant stunt format outside of the holiday season (in a similar spirit to ironic "Christmas in July" promotions).[53][54] Saskatoon's CFWD-FM soft launched with Christmas music in April 2008 prior to its official launch as CHR Wired 96.3 (a more traditional holiday music stunt was used as part of its flip to adult hits in December 2012).[53][58][59][60] In April 2011, its Edmonton sister station CKEA-FM used a weekend of Christmas music to soft launch its new adult contemporary format, promoting that the new station would play all-Christmas music during the holiday season.[61] Duluth's WEBC used Christmas music as a transitional format in September 2015 when flipping from sports talk to classic rock, with the station initially implying that the Christmas format was permanent,[62][63][64]

Richmond's WURV aired 12 hours of "inappropriately early" Christmas music on October 7, 2015, as a satire of Christmas creep and stations trying to be the first in their market to play Christmas music.[65][66] WURV's sister station WJSR would notably conduct an unusually-long Christmas music stunt lasting from October 13, 2020 to March 4, 2021; the station had originally stunted with snippets of songs as "Short Attention Span Radio" from October 1.[67][68] After just over five months of stunting in total, WJSR flipped to classic hits Awesome 100.9 on March 4, 2021.[69] In October 2018, KBFF in Portland, Oregon briefly stunted with a Halloween-themed format as eviL 95.5 (an inversion of its typical branding Live 95.5), as a parody of all-Christmas formats.[70]

• On January 7, 2019, country station KSED/Sedona began stunting with a speaking clock counting down to 6:00 a.m. on January 14, 2019. The stunt—which led into a rebranding with no change in format—prompted the Flagstaff Police Department to issue a statement clarifying that, despite concerns from residents, this was a promotional event with no harm intended.[71][72]
• In 2018 and 2020, iHeartMedia used multiple stunts as part of its repositioning and relaunch of CHR station KBKS-FM in Seattle.
  • In late-October 2018 approaching Halloween, the station dropped its on-air personalities, and began to air promos and sweepers implicating the end of its existing Kiss format. Later, the station began to interrupt songs with a demonic voiceover stating that "Kiss is dead", and air promos teasing an announcement on October 31. At that time, the station announced that it would revamp its on-air lineup with no change in format, explaining the prior stunt by stating that they were "dead serious" about finding "Seattle's Funniest Person" to join its morning show (as part of an accompanying contest).[73][74][75]
  • In July 2020, KBKS announced that it had hired Jubal Fresh—the former co-host of KQMV's nationally-syndicated morning show Brooke & Jubal—to host a new morning show on the station.[76] On August 3, 2020, the station temporarily rebranded as Jubal 106.1 to promote the impending launch of The Jubal Show,[77] after which it adopted its new branding—Hits 106.1—on August 20 to coincide with its premiere.[78]
• From March 27 to late-May 2020, CHR station WFLC/Miami, Hits 97.3, branded as Quarantine Radio in reference to the COVID-19 pandemic and Florida's stay-at-home order. The station maintained its existing format, but added commercial-free hours of dance music mixes ("Fit Mixes") at 9 a.m. and 5 p.m. daily. In late-May, the Quarantine Radio branding was dropped and the station promoted itself as being "under construction", before re-launching the Hits format on June 3 with a new on-air lineup.[79][80]