Superman 64

Superman carrying a police car in the First Ride level.

Superman is a three-dimensional action-adventure platform game, where the player acts as the titular hero saving the citizens of Metropolis, such as Lois Lane, Jimmy Olsen and Professor Emil Hamilton, from a virtual reality of it created by Lex Luthor.[5] Virtual Metropolis is filled with what the developers call "Kryptonite fog" in an apparent effort by Lex Luthor to diminish Superman's abilities (which is actually distance fog and is used as a technique to mask the game's poor draw distance).[6]

In the main single-player mode, the player assumes the role of Superman, who is challenged by Luthor to complete various tasks and puzzles. Superman can walk, fly, punch enemies, and use super-strength to lift and carry large objects.[7] Superman's other superpowers, including Heat Vision, Freeze Breath, X-Ray Vision, Super Speed, and Reprogrammation (where Superman reprograms an enemy to help fight off other enemies), are only accessible through the collection of power-ups in certain levels and have limited reserves.[8] If Superman is attacked by enemies, hazards, or is in close proximity to Kryptonite, his health will decrease. The player will enter game over (indicated with "LEX WINS") and will be required to restart the current mission if Superman loses all his health. The player will also enter game over if a civilian character is attacked or time limits imposed on various missions expire before they are completed.

Superman consists of fourteen levels, alternating between outdoor and indoor levels.[9] The indoor levels involve combat, exploring environments to find access codes to locked areas, activating computers, solving puzzles to finish objectives, and fights with villains such as Mala, Metallo, Darkseid, and Brainiac, who is responsible for programming the computers that trap them in Luthor's virtual reality.[10][11][12] Outdoor stages consist of traversing to the next indoor mission while flying through rings and saving civilians from enemies and hazards.[11] Several missions must be completed under time limits.[9] Superman: The New Superman Aventures has three difficulty modes: Easy, Normal, and Superman. In Easy mode, the player does not have to fly through rings in the ride stages.[13] The penultimate ride stage and the penultimate regular stage are only playable on Normal and Superman modes, and the concluding ride stage and regular stage only on Superman mode.[14] Despite this, it is possible to complete the game without encountering a single ring if the player starts on Easy, as the player is given an option to switch from Easy to Normal mode that skips the penultimate ride stage, as well as the option to switch from Normal mode to Superman mode that skips the final ride stage. The time available to complete missions also decreases the higher the difficulty.[15]

The game includes two multiplayer modes (a racing mode and a battle mode) that can be played with up to four people. In the battle mode, players must defeat their opponents by throwing various weapons and items at them. In the racing mode, players control a spaceship and rings shoot from the backside of one opponent.[16]

Eric Caen, one of the founders of French developer Titus Interactive, garnered the rights from WB Licensing to produce a Superman game during the development of The Animated Series. Hearing about the upcoming show in the Los Angeles offices of Titus, Caen went after the license as no other company would. He recalled in a 2015 interview that Warner Bros. "asked me three times if I was sure of what I was doing".[17] In early 1997 Titus signed a licensing deal with Warner Bros. to make games based on Superman: The Animated Series for the Nintendo 64, PlayStation, and Game Boy.[18] The staff for the development of each port consisted of two programmers and six to nine artists.[17] The Game Boy game was completed and released by the end of the year.

The Nintendo 64 game's development lasted two years.[17] Caen's initial plan was for a style of gameplay only Tomb Raider (1996) had tried before, a 3D open world action-adventure video game involving real-time strategy[17] where players really behave as a superhero.[19] As he explained, "it would stretch the Nintendo 64 to its limits, feature Superman's ability to fly and fight, and include his every superpower",[17] but it would be too much for the Nintendo 64's limitations. As a result, less than ten percent of the original design was implemented in the final product.[20]

Only a few days after the deal was made, the Warner Bros. licensing team changed. Based on Caen's testimony, the new group instantly hated Titus and the project and tried to stop its development. The first demand was to make Superman "a Sim City-like game, where Superman would be like the mayor of Metropolis", instead of an action game. Warner Bros. only got more coercive after Titus rejected the idea, going against any decision of the French developer. Often, their reasoning for rejection was that Superman would never do the things Titus proposed. Elements that survived, such as Superman swimming underwater, were kept in after Titus staff members showed documentation of the original Superman comics.[17]

Some changes were mandated for reasons of putting the fictional DC Comics hero in a positive light. In addition to the limiting of Superman's powers and removal of breakable architecture, the game was set in a virtual world in order for the titular hero to not harm "real" people. Although the ring stages were originally supposed to be tutorial stages, they became a part of regular gameplay due to the other changes.[17][20] These conflicts resulted in a delayed production process where "it took [Titus] months to get every single character approved" and an inability to fix bugs and issues associated with the collision detection and controls that the final product would be criticized for.[17] Near the end of its development, technical support was provided for Titus by Nintendo of America.[21]

NPD Group data reported Superman being a top-ten seller in North America during the weeks of June 1999.[57][58] In July of that same year, Titus announced that Superman had been the third best selling game for the N64.[59] Over 500,000 units were sold.[60] Eric Caen projected in 1998 sales of around a million.[61] Titus also reported consumer feedback obtained in the form of a mail-in registration being "overwhelming[ly] positive", and "more than 70% of Superman's target audience, that of 6 to 11-year-olds, rated the game as an 'A' title".[59] All of this contradicted Superman 64's contemporaneous critical reputation, filled with claims of being one of the worst games of all time.[lower-alpha 2] Matt Casamassina of IGN suggested it was "executed so poorly that it actually serves to butcher the reputation of the prominent action hero". Casamassina speculated that the developer had not "put forth any priorities for this title other than to finish it" and commenting that the game has a "rushed, careless feel".[6] Critics, such as those from Electronic Gaming Monthly noted the ruined potential of a game based on the Superman animated series, such as a "great story, interesting characters, plenty of villains", and fighting criminals in 3D landscapes.[11][47] The multiplayer modes were a little more well-received than the single-player story-based mode, although issues of slowdown and difficulty controlling the space pod were noted.[13][45][48]

The controls were panned for being confusing and difficult.[9][53][54] Commands for various actions were reported to either be unresponsive or not working consistently, such as flying, landing, and picking up objects.[lower-alpha 3] Tim Weaver of N64 Magazine complained that "the only way to stop flying is to crash into a solid object, preferably a wall", and "you always have to press forward to go forward, even if you're facing into the camera".[50] Conversely, Nintendo Magazine System, the official Nintendo magazine of Australia, counter-argued complaints about the flying controls, reasoning it was simple if the player read the instruction manual.[64] Other technical problems were reported to be commonplace, such as bugs, unfavorable camera angles, bad enemy AI, broken frame rates, clipping of environments and objects, and poor collision detection.[lower-alpha 4]

AllGame's Scott Alan Marriott derogatorily labeled the gameplay as a set of "foggy, empty outdoor levels and indoor levels that seem out of place".[13] Some critics found the missions too easy, un-engaging and nonsensical, Hardcore Gaming 101's John Sczepaniak going as so far to call them "obscenely stupid".[lower-alpha 5] He and other critics also panned what was viewed as ridiculous-looking fights with enemies, Sczepaniak writing that "melee combat is slow, awkward and imprecise, leading to much flailing of limbs".[9][62][65] The ring missions were labeled the perfect mixture of "monotonous and difficult" by Shaun Conlin of The Electric Playground due to their limited margins of error and time limits.[43] Only a few reviewers suggested Superman 64's gameplay may have been good conceptually, Official Nintendo Magazine stating that "this game's got great ideas, but it's a super disappointment".[9][53] Jeuxvideo.com described the missions as action-packed and diverse, and Nintendo Power claimed it was ambitious for a Superman game to attempt to be more than just "a brawler with some flight and superpowers thrown".[48][52] Critics found certain concepts unsuitable for a game based on the titular hero. The most frequently brought-up one was him flying through rings.[11][13][44] Conlin noted limitations of life and the need of power-ups were placed on an invincible superhero with unlimited power.[43]

The graphics were condemned as "basic" and poor for a Nintendo 64 game released in 1999.[lower-alpha 6] The most frequent criticism was the excessive distance fog.[lower-alpha 7] Mega Fun claimed it was an excuse for the developers to not take full advantage of the Nintendo 64 console, and Hugh Norton-Smith of Hyper wrote the fog would force players to "pre-empt approaching buildings in order to not hit them".[47][49] The textures were criticized as near non-existent and too "repetitive", "flat and featureless" for a virtual world setting.[47][62][45] Sczepaniak stated that the flat textures of Metropolis made it look like a Mode 7 background in a Super NES game.[65] Jeuxvideo.com noted that the game's levels had little-to-no lighting, shadows, or clear perspective for the player to judge distances of characters and objects in the environment.[48] Jevon Jenkins of Game Industry noted this problem with figuring out the distance between Superman and enemies, which added artificial challenge in fighting them and was made worse by poor camera angles.[63] He also was turned off by Metropolis' lack of close-up details "that play a big part in the life of a city".[63] Reviews also panned the character animation, such as AllGame's Scott Alan Marriott who particularly dismissed Superman's punching and flying animations.[13][62][51][66] Total N64 critic Lee described the intro cinematic as "like a scene from a C64 game in 1985", and that "the sharp edges of the polygons gave Superman 'pixie' boots".[66]

The audio was also criticized. The repetitiveness of the soundtrack was brought up by reviewers such as GameSpot's Joe Fielder, who felt it "would be considered bad for the SNES".[51][46] He also noted that "the sparse voice work even changes at one point, from Man of Steel actors to someone who sounds nothing like the lead of the show".[46] As Norton-Smith proclaimed, "the soundtrack is more than capable of causing spontaneous aneurysms at 50 paces, and the handful of canned smashing moves do a great job at driving home the horror".[47] Chris Johnston of Electronic Gaming Monthly found the graphics "semi-decent" if "oddly letterboxed", and Marriott was fond of them for being "colorful" and "simple".[13][11] Some reviewers praised the visuals' closeness to the animated series, as well as the inclusion of its original voice actors, Weaver highlighting Lex Luthor's laugh which "almost made up for Superman being so hideous".[13][9][50] Lukewarm appreciation was also given to the music, including from Jeuxvideo.com who noted its atmospheric nature and disliked its lack of stylistic variance throughout the game.[50][13][48]

Statements of Superman 64 being one of the worst video games of all time have continued in later years.[67] The game has ranked on all-time worst lists of publications such as Electronic Gaming Monthly (2013), The Guardian (2015), SVG.com (2020), and topped those of GameSpy (2004) and GameTrailers (2006).[lower-alpha 8] It also appeared on worst-of decade-end lists of Filter and Nintendo Power.[73] It continues to be called the all-time worst of the Superman video games, which are usually not well-received.[74][75][76] As of 2017, Superman 64 holds the Guinness World Record for lowest-rated superhero game, citing its Gamerankings aggregate score of 22.9%.[77] The Guardian, reporting in 2018, "Superman 64 has cultivated a fanbase of curious masochists eager to see how bad it really is. Twitch and YouTube host plenty of videos dedicated to the anti-glory of Superman 64, some of them made by people who were barely born when it was released".[78] Superman 64 was number 11 in an Uproxx list of the top 100 Nintendo 64 games according to 250,849 user ratings from various websites. Publication writer Derrick Rossignol was baffled by the ranking: "I attribute that to users ironically giving the game many positive ratings over the years. Thankfully, though, those shenanigans don't seem prevalent in the data and Superman is the only notable head-scratcher that I noticed".[79]

• Superman at MobyGames