Teatro Comunale di Bologna

Teatro Comunale di Bologna

Despite opposition from other competitors, the architect Antonio Galli Bibiena[1] won the theatre design contract. The theatre's inaugural performance was Gluck's Il trionfo di Clelia, an opera which Gluck had composed for the occasion. A bell-shaped auditorium consisting of four tiers of boxes plus a royal box and small gallery with a ceiling decorated as if open to the sky, was built primarily of masonry as a protection against fire. However, much work remained unfinished, the facade in particular which was not completed until 1936. Also, many of the backstage facilities which would allow for the presentations of operas were unfinished and only completed due to competition from another theatre in 1805.

It was to be the first major opera house to be constructed with public funds and owned by the municipality. Although 35 of its 99 boxes were sold for private use, the terms of ownership were also unique in that they have been described as being limited to "the right to rent in perpetuity" [2] rather than outright ownership and control.

Various renovations were undertaken between 1818 and 1820 and also in 1853/54. After fire destroyed much of the stage area in 1931, the theatre was closed, and it did not re-open until 14 November 1935. By that date, the original bell-shaped auditorium had given way to a horseshoe-shaped one seating 1,034 people.[3]

Scene from Lorenzo Ferrero's opera Risorgimento! given in 2011

The 19th century saw the presentation of twenty operas by Gioachino Rossini, while seven of Vincenzo Bellini's ten operas were presented in the 1830s. Works by Giuseppe Verdi and, later in 1871, the Italian premiere of Wagner's Lohengrin, dominated the theatre's repertoire as the century progressed. In fact, Bologna became the location for several other Wagner opera premieres in Italy, notably with the composer present for his Rienzi and the Parsifal premiere on 1 January 1914.

Another major figure associated with the Teatro Comunale from 1894 onwards was Arturo Toscanini, who conducted Verdi's Falstaff in that year and conducted with the company until the Second World War.

Premieres at the house have included Alessandro Solbiati's Il suono giallo, based on Wassily Kandinsky's experimental play The Yellow Sound on 13 June 2015.[4]

The orchestra of the company was established on a stable foundation in 1956. Sergiu Celibidache was the first principal conductor under this new regime, from 1956 to 1973. The most recent principal conductor of the company was Michele Mariotti, from 2008 to 2018, and he also held the title of music director from 2014 to 2018.

In March 2021, Oksana Lyniv made her first guest-conducting appearance with the company, in a streamed quarantine concert without an audience. She returned for an additional guest-conducting appearance in a May 2021 concert with an audience present. In October 2021, the Teatro Comunale di Bologna announced the appointment of Lyniv as its new music director, effective January 2022, with an initial contract of 3 years. Lyniv is the first female conductor to be named music director of the company, and the first female conductor ever to be named music director of an Italian opera company.[5]

• Sergiu Celibidache (1956–1973, principal conductor)
• Zoltán Peskó (1956–1973, principal conductor)
• Riccardo Chailly (1984–1993, principal conductor)
• Daniele Gatti (1997–2007, principal conductor)
• Michele Mariotti (2008–2018, principal conductor; 2014–2018, music director)
• Oksana Lyniv (2022–present, music director)

Notes

Sources

• Landriani, Paolo (1830). Dottore Giulio Ferrario (ed.). Storia e Descrizione de' Principali Teatri Antichi e Moderni. Tipografia del Dottor Giulio Ferrario, Contrada del Bocchetto N. 2465. pp. 164–166.
• Lynn, Karyl Charna (2005), Italian Opera Houses and Festivals, Lanham, Maryland: The Scarecrow Press, Inc., 2005. ISBN 0-8108-5359-0

• Official website of the Teatro Comunale of Bologna'