Tennenshoku Katsudō Shashin

Tennenshoku Katsudō Shashin (天然色活動写真) was a Japanese film studio active in the 1910s. The name translates as the "Natural Color Moving Picture Company," but it was known as Tenkatsu for short. The company was formed in 1914 by remnants of the Fukuhōdō studio that did not take part in the merger that formed Nikkatsu, particularly the entrepreneur Kisaburō Kobayashi, and was first aimed at exploiting the Kinemacolor color motion picture system in Japan.[1] That system became too expensive, so the company soon settled on making regular films, becoming Nikkatsu's main rival in the 1910s. Although it was a decentralized company, one that was run by various bosses and allowed benshi to order the production of films,[2]

Tenkatsu played a part in the Pure Film Movement by allowing its employee Norimasa Kaeriyama to direct some of the first reformist works incorporating actresses and foreign film technique.[1] It was also known for hiring Ōten Shimokawa to produce some of the first Japanese anime or animated films in Japan in 1916.[3][4] Shimokowa experimented with several techniques until the studio distributed his first short animated movie of 5 minutes duration in January 1917, called The Story of the Concierge Mukuzō Imukawa (Imokawa Mukuzō, genkanban no maki).

Tenkatsu was eventually bought up by Kokkatsu in December 1919.

Notes

Komatsu, Hiroshi (1995). "From natural colour to the pure motion picture drama: the meaning of Tenkatsu Company in the 1910s of Japanese film history". Film History. 7 (1): 69–86.
Gerow, Aaron (2000). "One print in the age of mechanical reproduction: film industry and culture in 1910s Japan". Screening the Past (11). Archived from the original on 30 March 2012.
LaMarre, Thomas (2009). The Anime Machine. University of Minnesota Press. pp. xxix. ISBN 978-0-8166-5154-2.
Novielli, Maria Roberta (2018). Floating worlds : a short history of Japanese animation. Boca Raton: Taylor & Francis. ISBN 978-1-351-33482-2. OCLC 1020690005.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[Komatsu-1] Komatsu, Hiroshi (1995). "From natural colour to the pure motion picture drama: the meaning of Tenkatsu Company in the 1910s of Japanese film history". Film History. 7 (1): 69–86.

[Gerow-2] Gerow, Aaron (2000). "One print in the age of mechanical reproduction: film industry and culture in 1910s Japan". Screening the Past (11). Archived from the original on 30 March 2012.

[3] LaMarre, Thomas (2009). The Anime Machine. University of Minnesota Press. pp. xxix. ISBN 978-0-8166-5154-2.

[4] Novielli, Maria Roberta (2018). Floating worlds : a short history of Japanese animation. Boca Raton: Taylor & Francis. ISBN 978-1-351-33482-2. OCLC 1020690005.