Terri Priest

Terri Priest was born in Worcester, Massachusetts, on January 20, 1928, to Anna and Joseph J. Khoury. During her childhood, Priest was a constant student at the Worcester Art Museum School and from 1967 to 1976 she taught theer part-time. During this time, she also took enrichment courses at Quinsigamond Community College before she earned a Masters in Fine Arts from the University of Massachusetts, Amherst in 1977.[1]

Priest then co-ran the Fletcher-Priest Gallery in Worcester for several years. She went on to be a professor at College of the Holy Cross in Worcester, Massachusetts, for fourteen years, where she mentored many students. In 1993, Priest retired from the college to devote more time to her own painting and to the Fletcher-Priest Gallery.

Priest was supported by a number of grants from Holy Cross, Worcester Community Foundation, and the Frances Kinnicutt Foundation. She was an active supporter of the Worcester Art Museum and the galleries at Clark University, UMass Amherst, Worcester State University, and College of the Holy Cross.

Priest died on September 13, 2014, at the age of 86 at her home in Worcester, with her two sons at her side.[2]

Priest was deeply committed to Abby's House, a shelter for battered women and children in Worcester, Massachusetts. Driven by her belief that education was the engine that would keep cities, communities, and the world a better place, she played an important role at the Nativity School in Worcester, which enables young boys from disadvantaged areas to finish elementary school and enables them to attend private and public high schools, based on performance.[2]

In the 1970s Priest worked in abstraction using large striped areas of color in her work. She would attach these paintings to each other in varying ways to create different compositions.[3] Art History was always the impetus for Priest's artwork. Terri Priest's work was greatly inspired by the mystery associated with the women in the paintings of Johannes Vermeer, one of the greatest painters of the Dutch Golden Age. The women in Vermeer's paintings typically stood quietly and did not perform complicated or complex tasks. Terri Priest borrowed his style in feminine depiction and repurposed them in her own paintings. She took them in their original setting and placed them in the context of modern painting.[4] These renditions were first widely seen in her exhibition at Clark University in 2001. Proof of Priest's success can be seen in the many positive reviews she received throughout her career including a review by Cate McQuaid of the Boston Globe which referred to Priest's work as sly social commentary.[5]

Priest's artworks are currently in permanent collections in several artistic institutions including The Worcester Art Museum, California College of Arts, Springfield Museum of Fine Arts, and at the Decordova Museum. She was called Worcester's most celebrated living artist by Nancy Sheehan in 2012. Sheehan referred to Priest's impact on the local art scene as the "Terri Effect".[6]

Priest's awards and recognitions include:

• 1972- Frances Kinnicutt Travel Award- Enabled Priest to travel to Europe to study the great masters
• 1978- Tufts University Summer Institution Media Arts
• 1985- The Greater Worcester Community Foundation Award
• 1987- Dorland Mountain Artist Colony Award
• 1994- 12th Annual Arts Award form Arts Worcester

• Abby's House